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IngoDance.Eng Welcome to the IngoDance project page. We are going to open a window to the world of ballet for you! What is ballet? Don't believe us? We will prove it!

It’s a calling card of Russian culture and ... an exciting modern art form! We will tell you fascinating stories about the people of ballet and people inspired by them, we will explain the complex things in simple language, we will answer any questions to convince you that ballet is exciting. You will get access to broadcasts and playbills, you will get a chance to read reviews and interviews with

iconic people of ballet, and you will understand the main terms. Moreover, you will also find out what movies about ballet are worth watching, when to send your child to a ballet school, which of the ballet dancers to follow on Instagram and TikTok, how ballerinas manage to keep fit, which of the great fashion designers worked on costumes for productions ... Interested? A big ballet journey starts with IngoDance!

• The project is created and supported by the General Sponsor of the Bolshoi Theater — Ingosstrakh Insurance Company.

Marius Petipa admired the talent of great Anna Pavlova, she was applauded by the theater audiences around the world, and...
02/03/2022

Marius Petipa admired the talent of great Anna Pavlova, she was applauded by the theater audiences around the world, and her name is still known to all ballet lovers. Can you answer 5 questions about the life and work of the famous ballerina? Test yourself and share your result in the comments section!

Marius Petipa admired her talent; she was applauded by the theater audiences around the world. Let's check out how well you know...

We’re going to tell you about the memorable events of March.💜 On March 4, 1877, the ballet Swan Lake by Pyotr Ilyich Tch...
01/03/2022

We’re going to tell you about the memorable events of March.

💜 On March 4, 1877, the ballet Swan Lake by Pyotr Ilyich Tchaikovsky premiered on stage of the Bolshoi Theater in Moscow.

💜 On March 9, 1885, the famous Russian ballerina and teacher Tamara Karsavina was born.

💜 On March 11, 1818, Marius Petipa, a famous choreographer, was born.

💜 On March 12, 1889, Vaslav Nijinsky, a Russian dancer and choreographer, was born. Contemporaries called him the dancing genius, the god of ballet.

💜 On March 12, Artemy Belyakov, a principal dancer with the Bolshoi Theater, turns 30 years old.

💜 March 14, 1984, is the birthday of Mikhail Lobukhin, a principal dancer with the Bolshoi Ballet and Honored Artist of Russia.

💜 On March 17, 1938, Rudolf Nureyev, a world-renowned artist and legend of ballet, was born.

💜 On March 19, Vladimir Urin, General Director of the Bolshoi Theater, Honored Artist of the Russian Federation, celebrates his birthday.

💜 On March 19, 1963, People's Artist of Russia Nina Ananiashvili was born. She is a prima ballerina with the Bolshoi Theater and the American Ballet Theatre, artistic director of the National Ballet of Georgia.

💜 On March 22, is the birthday of Ekaterina Krysanova, a prima ballerina of the Bolshoi Ballet company and Honored Artist of Russia.

💜 On March 23, 1826, Ludwig Minkus, an Austrian composer who worked in collaboration with Marius Petipa, was born.

💜 On March 23, Anna Nikulina, an Honored Artist of Russia and prima ballerina with the Bolshoi Ballet, marks her birthday.

💜 On March 27, Theater Day is celebrated all over the world. This holiday was approved in 1961 at the initiative of the International Theatre Institute.

💜 On March 27, 1934, Arthur Mitchell was born. He was a dancer and choreographer who created the first African American ballet company, the Dance Theatre of Harlem.

💜 On March 28, 1776, 246 years ago, the Bolshoi Theater was founded. On that day, Prince Peter Urusov received a government privilege "to open an acting troupe" and "to maintain performances, masquerades, balls and other amusements."

As a separate branch, the British school emerged in the 1920s. What performances became the milestones of its developmen...
27/02/2022

As a separate branch, the British school emerged in the 1920s. What performances became the milestones of its development? Read about the most iconic productions by Frederick Ashton, Kenneth MacMillan and John Cranko.

As a separate branch, the British school emerged in the 1920s. What performances became the milestones of its development?...

A fashion collection is shown only once, but a performance can go on for years and tour the world. Although sometimes it...
26/02/2022

A fashion collection is shown only once, but a performance can go on for years and tour the world. Although sometimes its success is associated with costumes by iconic designers. Grigory Kataev, a fashion historian, talks about such collaborations. Share in the comments which fashion designer’s style you like best!

🎀 Gabrielle Chanel

Not only did the founder of the Chanel Fashion House patronize the Russian Seasons in Paris, but she also took part in several productions by Sergei Diaghilev. However, famous Coco didn’t limit herself to costumes, she created a fashion collection for the Blue Express ballet dancers in 1924.

The characters of the ballet were young people - mostly athletes, swimmers and tennis players - spending time on the Cote d'Azur. The dancers were dressed in the fashion of the 1920s: in closed swimsuits with a low waist and striped knitwear, the looks of the girls were complemented by jewelry with imitation pearls and swimming caps.

🎀 Yves Saint Laurent

As a child, the future fashion designer used to make dolls, he invented outfits for them using rags and paper, built scenery and staged home performances. Later, interest in the theater led Saint Laurent to collaboration with the outstanding French choreographer Roland Petit. The designer created costumes for the 1965 Notre Dame de Paris ballet.

Large lacing on Esmeralda's dresses and Quasimodo's shirts later became an element of Yves Saint Laurent's famous safari style. The colorful costumes and leotards of the corps de ballet depict the stained glass windows of Notre Dame cathedral. And the combination of local colors with black lines in the clothes of the main characters refers to the iconic Mondrian dress from the Yves Saint Laurent collection.

🎀 Gianni Versace

The designer liked to use pop art graphics with characteristic vibrant colors, animal prints like leopard or zebra, as well as large baroque ornaments in his creations. As Versace used to say it himself: “I don't believe in good taste.” Nevertheless, he became one of the leading designers of the famous La Scala theater in Milan.

The sensual and provocative style of Versace appealed to Maurice Béjart, with whom they collaborated in 1984 to create costumes for the Dionysus Suite ballet. Gianni Versace dressed the ancient Greek god in red baggy pants - one of his signature colors, leaving the dancer's athletic torso open. After that, Versace made stage costumes for Maurice Bejart’s productions almost every year.

🎀 Christian Lacroix

He studied art history and could become an authoritative museum expert. But interest in fashion turned out to be stronger, and in 1987 the Christian Lacroix Fashion House was founded. In the same year, Lacroix became the first guest designer to create costumes for The Tarnished Angels ballet at the Grand Opera in Paris.

The daring choreography by “punk ballerina” Karole Armitage was complemented by short dresses with lush tutus of bright colors. The style by Lacroix means pure maximalism with voluminous forms, an abundance of details and a wealth of jewelry. Having an excellent knowledge of the history of fashion, the couturier transferred the outfits of beauties from the paintings of the past centuries to the runway or stage.

We’d like to congratulate great Sylvie Guillem on her birthday and recall her brightest parts together with Anastasia Is...
25/02/2022

We’d like to congratulate great Sylvie Guillem on her birthday and recall her brightest parts together with Anastasia Isaeva.

Guillem received the highest title of the Paris Opera - "etoile" - at a record early age of 19. Sylvie was awarded immediately after the performance of Swan Lake, in which she danced the main role. To this day, her performance is considered one of the best. Thanks in no small part to her incredible physique: elongated proportions, x-shaped legs (this is especially evident in the ecarte poses, in which her legs are bent crescent-like), high arches and technical equipment. In the part of Odette-Odile, all poses are executed perfectly. Her port de bras are connected by cantilena, and it feels like the ballerina has no bones, the movements of her arms seem so smooth.

Starting her career at the Paris Opera under the direction of Rudolf Nureyev, Sylvie Guillem eventually moved to the Royal Ballet of Great Britain. This decision was called a "national catastrophe" in France but provided the ballerina with an opportunity to dance in the ballets by Ashton, MacMillan, Robbins, and collaborate with William Forsythe.

Guillem’s experiments with modern dance allowed many choreographers to discover new performing facets in the ballerina. For example, Carmen, Wet Woman, Smoke are only a small but noteworthy part of her work with the eminent choreographer Mats Ek.

And certainly, we should not forget the role of one of the brightest contemporary creators, Akram Khan, and the Sacred Monsters ballet in Guillem’s career.

We may say that in the case of Sylvie, all parts are iconic, since she is a ballerina assoluta. Her Aurora in The Sleeping Beauty really resembles an ideal princess, and every step in her part is well-thought-out. The part of Manon in the ballet of the same name by Kenneth MacMillan can leave few people indifferent thanks to the emotional intensity of passions in duets, combined with the aesthetics of lines and poses.

Unfortunately, Sylvie Guillem has ended her career, and now her performances can only be watched on video, but her exceptional talent is evident even through the screen.

Who Are Claqueurs? The term derives from the French word “claque” (palm clap - ed.  IngoDance) and means a spectator who...
23/02/2022

Who Are Claqueurs?

The term derives from the French word “claque” (palm clap - ed. IngoDance) and means a spectator who supports the production with applause and shouts, or vice versa, violently expresses dissatisfaction with what is happening on stage. A group of claqueurs, which are essentially planted spectators, is called a claque.

The displays of insincere collective support or dissatisfaction among theatrical audiences occurred as early as the 3rd century BC. Philemon, an ancient Greek playwright, used to invite claqueurs to the productions of his rival Menander. During the Renaissance, claqueur spectators supported or booed European productions, such as musical performances in Italy.

As a professional community, the claque emerged in the 17th century. Later, it got its own hierarchy and division of roles: there were spectators who laughed out loud, where required, “mourners” who performed their “parts” during touching scenes, and even those who lost consciousness in tense moments of a production.

In the 20th century, the claque went beyond theaters and started making small talk about productions and artists, it was heard on the streets and in public places. It uses the tools of theater criticism and journalism, sounds like comments from opinion leaders.

Why do spectators pick up the artificial emotions of claqueurs? This phenomenon is called “social proof”: a person sees a mass reaction (laughter, smiles, tears, surprise, disappointment, indignation) to what is happening, they are able to feel and express this emotion too. The claque is evaluated negatively for the most part, as they are not stimulated by real emotions and impressions from the performance and skills of the artists. The claqueurs extol their “friends” and emotionally suppress “outsiders” – their reactions are biased and in no way characterize the production itself.

In the middle of the last century, fragile porcelain figurines of ballerinas could be found in many homes. Today, they a...
21/02/2022

In the middle of the last century, fragile porcelain figurines of ballerinas could be found in many homes. Today, they are sold to collectors and presented to theater personalities.

A series of ballet-inspired porcelain figurines made in the 1950s at the Leningrad Porcelain Factory is associated with the name of the sculptor Vladimir Sychev. It was he who created graceful figurines based on the well-known classical ballet productions.

In the first post-war decade, interior products that could decorate an apartment or office were in demand. Figurines of the Leningrad Porcelain Factory were bought and collected with pleasure, they became very common. But why did ballet become such a popular topic?

The thing that in the 1950s and 1960s ballet became an important part of mass culture, it was of interest to many. And sculptor Sychev himself was a fan of ballet and classical music.

The “ballet” series includes items inspired by the images of specific ballerinas outwardly very similar to their characters, as well as products conveying ballet aesthetics in general. One example is the figurine of Galina Ulanova as The Dying Swan: a snow-white tutu and pointe shoes, a delicate romantic look. Ballerina Nina Stukolkina and dancer Alexei Andreev served as prototypes for the rare collectible composition The Spanish Dance.

One of the most famous figurines is the Bird Girl from the Shurale Ballet. It is also called Ballerina Dudinskaya by the name of the artist who was the prototype for the porcelain figurine.

Many of the figurines have been passed on; today, they become objects of collectors’ "hunt".

However, the life of this porcelain series continues not only in private collections and museums. Especially for the Ingosstrakh Insurance Company a new batch of legendary figurines has been manufactured. Ingosstrakh gives these exclusive pieces of porcelain to directors of regional theaters, when the Bolshoi Theater tours the cities of this country, as a symbol of the Russian ballet art that has been relevant for over half a century now.

We’d like to continue our story about the brilliant gallery of St. Petersburg ballerinas. Today, we’re going to add thre...
20/02/2022

We’d like to continue our story about the brilliant gallery of St. Petersburg ballerinas. Today, we’re going to add three more names of artists who left their imprint on Russian and world ballet. Karsavina, Ulanova and Dudinskaya - read about their lives in our article!

Today, we are going to supplement the brilliant gallery of St. Petersburg ballerinas with three artists who left their imprint on...

People's Artist of the USSR Ludmila Semenyaka, who celebrated her seventieth birthday in January 2022, was born in Lenin...
18/02/2022

People's Artist of the USSR Ludmila Semenyaka, who celebrated her seventieth birthday in January 2022, was born in Leningrad. At the age of ten, she entered the Leningrad Choreographic School (now the Vaganova Academy of Russian Ballet), and at twelve, she first performed on stage of the Leningrad Opera and Ballet Theater named after Kirov (now the Mariinsky Theater). In 1969, Ludmila received her first professional award: it was the III prize of the First International Ballet Competition (Moscow).

Two years after graduating from school, in 1972, Ludmila was invited to the Bolshoi Theater. Her debut role here was Odette-Odile in Swan Lake.
Ludmila Semenyaka is the only ballerina who performed in all the productions of great Grigorovich at the Bolshoi.

For several decades, she was shining on stage of the Bolshoi, performed in productions by the American Ballet Theater (ABT), the Paris National Opera Ballet, the Royal Swedish Ballet, the Argentine Teatro Colon, the English National Ballet, the Scottish National Ballet, the St. Petersburg Mussorgsky State Academic Opera and Ballet Theater - the Mikhailovsky Theater.

In 1976, Ludmila Semenyaka was awarded the title of Honored Artist of the RSFSR; in 1986, she became the People's Artist of the USSR.

When her dancing career was over, Ludmila Ivanovna became a mentor and guide to the world of big ballet for young artists. Svetlana Zakharova, Anna Nikulina, Elena Andrienko, Anastasia Goryacheva, Yulia Stepanova, Daria Khokhlova, Anastasia Meskova and Yulia Stepanova rehearsed under her guidance. Currently, her students are Victoria Yakusheva, Stanislav Postnova, Kristina Petrova and other artists.

In 1999, Ludmila Semenyaka made her debut as a choreographer. Within a few years, she staged The Fountain of Bakhchisarai, Giselle, Swan Lake (using choreographic fragments by Ivanov, Petipa and Gorsky).

Ludmila Ivanovna has been sitting on the jury of the major international competitions for many years; she gives master classes and leads an active creative life.

Svadebka by Jiri Kylian and The Second Detail by William Forsythe are back on the playbill of the Perm Opera and Ballet ...
17/02/2022

Svadebka by Jiri Kylian and The Second Detail by William Forsythe are back on the playbill of the Perm Opera and Ballet Theatre. Why is this important and why are these performances unique?
The expert of the IngoDance portal Anastasia Isaeva explains.

Anastasia Isaeva, an expert of the IngoDance portal, explains why it is important that the performances Svadebka by Jiri Kylian...

The pair of Ekaterina Maximova and Vladimir Vasiliev was recognized worldwide as the perfect classical ballet duet. They...
15/02/2022

The pair of Ekaterina Maximova and Vladimir Vasiliev was recognized worldwide as the perfect classical ballet duet. They danced all over the world, becoming a symbol of the Bolshoi of those years. The great dancers were married for almost 50 years. Read more about the acquaintance and biography of the star couple in our post.

💟 “We’ve been studying each other for a long time”

They met in childhood in a ballet school. At that time they often danced in a pair, but they didn't feel much sympathy for each other.

💟 A honeymoon in Paris

In 1958, Vasiliev and Maximova were admitted to the Bolshoi Theater. Only a few years later, they realized that they were made for each other. In 1961, a modest wedding took place; and a day later, they left for Paris to the foreign premiere of the film The USSR with an Open Heart.

💟 Madame No and Mister Yes

Ekaterina Maximova wrote: "I've never felt any confidence at all! When they told me that I would dance some solo parts, I was scared.” Only the support of Vladimir helped her cope with her fears and insecurity.

💟 They coped together

In 1975, Ekaterina suffered a serious spinal injury. Doctors said that she should forget about the stage. Thanks to the perseverance of Vasiliev, they got his wife back on her feet, and she was able to return to the stage.

💟 The symbol of the Soviet ballet

The pair of Maximova and Vasiliev was recognized worldwide as the perfect classical ballet duet. They danced all over the world, becoming a symbol of the Bolshoi.

When Franco Zeffirelli was shooting La Traviata, he could imagine only this couple performing the matador and the Spanish dancer.

💟 Respect and kinship of souls

They both used to say that you can’t build a happy life together on passion alone. It requires care and support, deep respect and kinship of souls. And they had it all.

💟 Creativity as the meaning of life

Ekaterina Sergeevna died in 2009, at the age of 70. Creativity helped Vladimir Viktorovich survive the bereavement. He staged performances and ballet miniatures, performed, wrote poetry, and now, he paints.

These melodies can be heard not only on the stages of the world major theaters, but also on the "big ice". Which of the ...
14/02/2022

These melodies can be heard not only on the stages of the world major theaters, but also on the "big ice". Which of the famous figure skaters showed classical ballet characters in their performances? Read about what Carmen, the Nutcracker and the Swan Lake characters looked like on the ice on the IngoDance project website.

These melodies can be heard not only on the stages of the world major theaters, but also on the "big ice". What ballet music...

These productions have borrowed more than just their names from classical ballet performances. In them, you can hear the...
11/02/2022

These productions have borrowed more than just their names from classical ballet performances. In them, you can hear the music from the ballet or see familiar pas performed on ice.

⛸ Carmen by Ilia Averbukh

For the first time, the audience saw this musical in 2015. More than 80 artists took part in the performance, over 200 costumes were sewn for them, several tons of scenery were made. The authors “blended" the classical musical accompaniment with modern pieces.

⛸ Romeo and Juliet by Ilia Averbukh

This ice show premiered in July 2017. 7 Olympic champions took part in it. Ilia Averbukh admitted that he was inspired to create the ice musical based on Shakespeare’s tragedy for the most part by the dramatic interpretations of this plot. However, you can still see the connection with the classical ballet production.

⛸ The Sleeping Beauty. Legend of the Two Kingdoms by Tatiana Navka

The ice show starring figure skater Alina Zagitova premiered at the end of 2019. Over 1,500 people worked on the production. The plot of the ice show has little in common with the classical ballet; the supporting music is also far from canonical: the artists perform to the accompaniment by Russian pop stars.

⛸ The Nutcracker by Evgeni Plushenko

Five years ago, Plushenko already showed this performance, and now it has returned modified. The updated production premiered at the end of December 2021. It is based on the classical ballet libretto. The show was choreographed by the People's Artist of Russia and ex-principal of the Bolshoi Theater Sergei Filin. The ballet stage in the production is equipped with multimedia scenery.

⛸ Swan Lake by Tatiana Navka

The premiere of this show took place on 2021. The show features over 40 tons of equipment, including 11 projection surfaces and state-of-the-art lighting effects that turn the ice surface into a rippling lake. Star figure skaters - multiple champions and soloists of world productions - take part in the ballet on ice. The authors replaced the usual libretto with a new script. As for the music by Tchaikovsky, it was arranged by the pop stars.

Have you seen any of these performances? Share your impressions!

All of them left the ice rink for the ballet stage one day, and achieved great success! Nina Ananiashvili, Polina Semion...
07/02/2022

All of them left the ice rink for the ballet stage one day, and achieved great success! Nina Ananiashvili, Polina Semionova and other famous artists with figure skating experience are in our article on the IngoDance website.

They all started figure skating as children, and even succeeded in sports, but one day they decided to switch the ice for the...

Career advancements and debut parts of artists, festivals and tours — read about the most interesting events in the life...
05/02/2022

Career advancements and debut parts of artists, festivals and tours — read about the most interesting events in the life of the Большой театр России / Bolshoi Theatre of Russia in January.

Two artists joined the group of the ballet company’s soloists. Dancer David Motta Soares moved up to the rank of a leading soloist, and ballerina Eva Sergeenkova became the first soloist.

Soares came from Brazil, graduated from the Moscow State Academy of Choreography in 2015 and found himself in the Bolshoi Ballet Company right away. In 2022, his repertoire will be complemented by the role of Torero in Carmen Suite, the male part in the Symphony in C to the music by Georges Bizet, and not just that.

Eva Sergeenkova first appeared on stage of the Bolshoi last year, she danced the Queen of the Dryads in Don Quixote, performed the parts of Raymonda's friends in Raymonda. In 2022, the part of Odette-Odile in Swan Lake will be one of her key roles.

In the beginning of January, ballet dancers Jacopo Tissi and Igor Tsvirko were promoted to principal dancers.

Italian dancer Jacopo Tissi is a graduate of La Scala Theater ballet school. He joined the Bolshoi Ballet Company in 2017. This year, he appears on the stage as Romeo and performs one of the leading male roles in Jewels.

Igor Tsvirko graduated from the Moscow State Academy of Choreography in 2007. In 2022, he takes the stage as Mercutio (Romeo and Juliet), performs the central male role in the ballet Jewels, as well as in several other productions.

The January performance of the ballet Jewels is associated with the names of three debutants. Vyacheslav Lopatin for the first time performed the lead in the first part, Emeralds; and Dmitry Smilevsky debuted in the main role in the second part, Rubies. Anastasia Denisova added the lead part in the Emeralds to her solo in the third part, Diamonds.

Antonina Chapkina performed the part of the Girl in the production of Orlando for the first time.

On January 2, a festival dedicated to the anniversary of choreographer Yuri Grigorovich started at the Bolshoi Theater. It opened with The Nutcracker; the ballet Spartacus was also given as part of the festival.

Moreover, in the first month of the year, the artists of the Bolshoi Theater took part in the Ballet Icons Gala at the Dubai Opera, dedicated to the 150th anniversary of Sergei Diaghilev. Ekaterina Krysanova, Maria Alexandrova, Artem Ovcharenko, Vladislav Lantratov participated in the gala.

Two brilliant emigrants - Mikhail Baryshnikov and Joseph Brodsky - were bound by strong friendship and similar outlook a...
03/02/2022

Two brilliant emigrants - Mikhail Baryshnikov and Joseph Brodsky - were bound by strong friendship and similar outlook at life. "Mouse" and "Cat Joseph" - this is what they called each other - met in 1974, when Baryshnikov left the USSR. By that time, Brodsky, forcibly expelled by the Soviet authorities, had been living in the United States for two years. Read about friendship of the two amazing personalities in our article on the IngoDance website.

Two brilliant emigrants - Mikhail Baryshnikov and Joseph Brodsky - were bound by strong friendship and similar outlook at life....

The last winter month is overwhelmingly rich in notable ballet dates: such bright ballet dancers as Anna Pavlova, Ekater...
02/02/2022

The last winter month is overwhelmingly rich in notable ballet dates: such bright ballet dancers as Anna Pavlova, Ekaterina Maksimova, Sylvie Guillem were all born in February. What else is special about this month?

On February 1, 1939, People's Artist of the USSR Ekaterina Maximova was born. For thirty years, she was the leading soloist with the Bolshoi Theater. The duet of Ekaterina Maximova and her husband Vladimir Vasiliev is recognized worldwide as a model one.

On February 1, 1837, Gustav Legat, a Russian dancer, choreographer and teacher, was born. He was a soloist with the Mariinsky Theater and Bolshoi Theater and also taught at the Moscow State Academy of Choreography.

On February 1, 1934, People's Artist of the USSR Marina Kondratieva, an artist with the Bolshoi Ballet Company and, nowadays, a ballet master and tutor with the Bolshoi Theater, was born.

February 1, 1965 is the birthday of Vadim Pisarev, a ballet dancer, choreographer and the Artistic Director of the Donbass Opera and Ballet Theater.

On February 2, 1871, Olga Preobrazhenskaya, a famous Russian ballerina, teacher, prima ballerina of the Mariinsky Theater, was born.

On February 3, 1895, Margarita Kandaurova, a Russian and Soviet ballerina, prima ballerina with the Bolshoi Theater, was born.

On February 5, 1970, George Balanchine's one-act ballet Who Cares? featuring music by George Gershwin premiered in New York.

On February 6, 1921, Yuri Kondratov, a ballet dancer and People's Artist of the RSFSR, was born. At the Bolshoi Theater, he was a partner dancer of Galina Ulanova, Olga Lepeshinskaya, Maya Plisetskaya.

February 6 is the birthday of Vitaly Biktimirov, the first soloist of the Bolshoi Theater.

February 8, 1673 is considered to be the birthday of Russian ballet. The first ballet performance was given at the court of Tsar Alexei Mikhailovich on that date.

On February 8, 1931, Vladimir Vasilyov, a choreographer and People's Artist of the Russian Federation, was born. Until his death in 2017, he headed the State Academic Classical Ballet Theater.

On February 12, 1881, Anna Pavlova, one of the greatest ballerinas of the 20th century, was born. She became a symbol of Russian ballet; her dancing is still admired and serves as a standard of the highest art.

On February 13, 1929, Ninel Kurgapkina, a Soviet ballerina who danced on the stage of the Kirov Opera and Ballet Theater in Leningrad, was born. She was the first partner of Nureyev and Baryshnikov. She devoted to teaching over 40 years of her life.

February 13, 1944 is the birthday of Sergei Radchenko, an Honored Artist of the RSFSR, soloist with the Bolshoi Theater and Artistic Director of Sergei Radchenko's Russian National Ballet.

On February 13, 1995, Jacopo Tissi, a principal dancer with the Bolshoi Ballet Company, was born.

On February 15, 1962, Sergei Vikharevn, a Soviet and Russian ballet dancer, choreographer, ballet master with the Mariinsky Opera and Ballet Theater and Honored Artist of Russia, was born.

On February 15, 1945, ‘Leningrad Symphony’, a one-act ballet, featuring music by Dmitry Shostakovich premiered in New York.

February 16, 1943 is the birthday of Sir Anthony Dowell, an English ballet dancer, choreographer, one of the most outstanding dancers of the 20th century.

On February 18, 1947, Dmitry Bryantsev, a ballet dancer, choreographer with the Kirov Opera and Ballet Theater in Leningrad, chief choreographer of Moscow’s Nemirovich-Danchenko Music Theater, was born.

On February 18, 1949, Marina Leonova, a ballet dancer, soloist with the Bolshoi Theater, ballet teacher, People's Artist of the Russian Federation, was born.

On February 20, 1975, the ballet Ivan the Terrible featuring music by Sergei Prokofiev staged by Yuri Grigorovich premiered at the Bolshoi Theater.

On February 22, 1932, People's Artist of the RSFSR Boris Khokhlov was born. From 1951 to 1972, he was an artist with the Bolshoi Ballet Company.

On February 23, 1910, Alexei Ermolaev, a ballet dancer, choreographer and teacher, People's Artist of the USSR, was born. He was with the Bolshoi Theatre from 1930 onward.

On February 23, 1979, Denis Matvienko, an Associate Professor of the Vaganova Academy of Russian Ballet, principal dancer with the Mariinsky Theater and Honored Artist of Ukraine, was born.

On February 23, 1980, Irina Perren, a prima ballerina with the St. Petersburg Mikhailovsky Theatre, laureate of the Golden Soffit Award and Honored Artist of Russia, was born.

February 24 is the birthday of John Neumeier, an outstanding choreographer. Neumeier’s ballet company has performed on the stages in Moscow and St. Petersburg many times.

February 25, 1910 is the birthday of Tatiana Vecheslova, a prima ballerina of the Kirov Leningrad Opera and Ballet Theater and an outstanding teacher.

On February 25, 1947, Jorge Donn, a soloist and, later, Artistic Director of the Ballet of the 20th Century, was born. He is said to be Maurice Bejart's favorite ballet dancer.

On February 25, 1965, Sylvie Guillem, a French ballerina and one of the greatest dancers in the world, was born. She is the youngest prima ballerina in the entire history of the Grand Opera.

On February 26, 1919, Alla Shelest, a prima ballerina with the Kirov Leningrad Opera and Ballet Theater, was born. From 1970 to 1973, she was the chief choreographer of the Kuibyshev Theater.

On February 26, 1961, Gediminas Taranda, a soloist of the Bolshoi Ballet, actor and Honored Artist of the Russian Federation, was born.

February 27, 1984 is the birthday of Denis Savin, a principal dancer with the Bolshoi Ballet and Honored Artist of Russia.

On February 28, 1959, Alla Sigalova, a ballet dancer, choreographer, TV presenter, professor, laureate of numerous awards and Honored Artist of the Russian Federation, was born.

On February 29, 1920, a new production of Swan Lake by Alexander Gorsky was staged at the Bolshoi Theater. For the first time ever, the Odette-Odile part was shared by two ballerinas and got a happy ending.

The ballet world knows such Russian choreographers as Alexei Ratmansky and Boris Eifman pretty well. But there are brigh...
01/02/2022

The ballet world knows such Russian choreographers as Alexei Ratmansky and Boris Eifman pretty well. But there are bright names among the younger generation too. Today, IngoDance expert Anastasia Isaeva invites you to take a closer look at them 👇

✨ Vyacheslav Samodurov

A student of the St. Petersburg ballet school, he danced on the main stages of the world and today is an artistic director of the Ural Opera Ballet. The bright individuality of his productions can be seen in the very first pas, in the design of each scene and the detailed elaboration of nuances. The well-known critic and ballet expert Vadim Gayevsky wrote that the choreographer had a very rare gift — “an ability to think in dance and by dance, to create both very simple and very complex dance ensembles.”

In summer, Samodurov’s production of Dancemania will premiere at the Bolshoi Theater.

✨ Yuri Smekalov

A Mariinsky Theater soloist, choreographer and winner of the prestigious Golden Mask award, Smekalov worked with the Boris Eifman Theater and his plastique language reminds that of Eifman’s a bit featuring original poses, interwoven dance combinations and beautiful duet lifts.

But Smekalov goes beyond ballet in his work: together with the writer Alexander Tsypkin, they’ve created a play, Three Comrades, for the drama stage. Even more extraordinary is his Palimpsest. Written Anew presented at the Mariinsky. The dance pas in this project are combined with the text, which is somewhat unusual for a ballet spectator.

✨ Vladimir Varnava

He is a dancer, choreographer, winner of the Golden Mask award and of the competition for young choreographers. For Svetlana Zakharova, Varnava set a choreographic composition called Plus. Minus. Zero; for the Sovremennik Theater - the play Morning Evening, where he solos with Chulpan Khamatova.

Vladimir Varnava has his own philosophy of dance, his ideas are original, and the plastique language requires specific skills even from experienced ballet dancers. For example, artists of the Mariinsky Theater even had to take special classes to prepare for Varnava’s performance The Bull on the Roof.

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