The Technopacer - Talisay

The Technopacer - Talisay The Official Student Publication of Carlos Hilado Memorial State University - Talisay (Main) Campus

Nawa'y lahat may treat after exams! It’s end-term season, CHMSUans! Wishing you all the best as you power through your e...
15/01/2025

Nawa'y lahat may treat after exams!

It’s end-term season, CHMSUans! Wishing you all the best as you power through your exams. 🧡
Treat ta ka after exams! You’ve got this!

PANILAG-NILAG | Documentary Review: Human NatureRating: 4/5Genetic engineering is a process of altering the DNA makeup o...
15/01/2025

PANILAG-NILAG | Documentary Review: Human Nature

Rating: 4/5

Genetic engineering is a process of altering the DNA makeup of an organism utilizing laboratory-based technologies. The most recent genome editing tool was developed in 2012, it is called the CRISPR Genome Engineering Tool. A documentary called “Human Nature” showcased the exploration of the possibilities of utilizing CRISPR in genome editing, including its ethical implications. The documentary explained how CRISPR technology can alter human germline cells and embryos, leading to the endless potential of curing diseases and even the possibility of wiping out inherited ones.

In recent years, Clustered Regularly Interspaced Short Palindromic Repeats (CRISPR) have become the most preferred method or tool to use in gene editing. In 2012, Jennifer Daudna, Emmanuelle Charpentier, and their teams explained the biochemical mechanism of CRISPR technology. In the documentary, it was explained that CRISPR-Cas9 technology is a bacterial adaptive immune system by nature, whereby pieces of DNA from invading viruses are snipped off by a bacteria nuclease, CRISPR associated protein. The DNA fragment that is chopped off is saved as a memory for fighting future infections.

The CRISPR-Cas9 system can be engineered to edit eukaryotic DNA by designing a guide RNA complementary to the target sequence. I really like how the documentary clearly showed what and how CRISPR functions, and through the featured scientists, not only the benefits of this technology explained like curing and preventing genetic diseases, and improving the nutritional value of crops, but also the risks concerning human beings, other organisms, and the environment, including off-target edits to genomes that could result to longer implications.

Different ethical implications of CRISPR technology were highlighted in the documentary. This includes genome editing for enhancement of phenotypic characteristics, generation of animals for organ transplant, and modification of human embryo DNA (germline genome therapy). One of the ethical dilemmas discussed in the documentary is the potential production of designer babies. According to Vladimir Putin, genetic engineering can be used to create a person with desired features, an individual who can fight without fear or pain. However, it should be noted that far more research is needed to be conducted before using CRISPR for humans. Additionally, Hans Greely has noted that “using germline genomic modification to make babies will be, and should be, a political issue”.

The documentary provided clear information about how genetic engineering has brought change to society and different cultures drastically. But there is still doubt about it, considering its outcome. We live in a society where individuals are afraid of people with needs. This sets a standard that makes people want to use genetic engineering to the extent that only selecting good traits for their children is the option, and this creates fear for some. Alta Charo, a bioethicist from the University of Wisconsin-Madison uttered, ” Every change does come with risks that you will make changes that you didn’t intend”. Every expert in biology has their view regarding germline gene editing, and it circulates to the concern that germline gene editing can help promote a better life for all and ensure that everyone can live a life of dignity and freedom.

In my view, the documentary “Human Nature” is an insightful film explaining the endless potential of CRISPR technology and its different ethical implications. I gave this documentary a 4/5 rating as it has brought me awareness and introduced me to the different perspectives of experts regarding genetic engineering. However, I have noticed that most interviews relied on anecdotal evidence and personal stories instead of incorporating more robust research findings and data analysis to support their claims. The documentary presented a largely positive view of CRISPR technology, but it still left me wondering if there is another tool for genome editing that does not pose any risk, a tool that will not cause fear to humans but only brings hope to continue its race.

Above all, ”Human Nature” is a documentary with great context. It clearly explained what genetic engineering is all about, specifically CRISPR technology, and how it could be beneficial to the advancement of various fields. Moreover, discussing different ethical implications of genetic engineering is an eye-opener to the viewers about different considerations in reshaping human evolution in the hope of avoiding uninformed decisions in the future.

Disclaimer: The views and opinions expressed in this review do not reflect the views and opinions of the entire publication and university.

Review | Kirk Espuerta
Layout and Graphics | Marl Azriel Adorio

SIGRAB | From Meme to MandateWe laugh, we share, we meme—but in doing so, we unwittingly pave the road for unfit leaders...
14/01/2025

SIGRAB | From Meme to Mandate

We laugh, we share, we meme—but in doing so, we unwittingly pave the road for unfit leaders to ascend to power. Social media has become a fertile ground where ridicule transforms into recognition and where infamy is often mistaken for influence. It’s a paradox of the digital age: mocking a candidate doesn’t diminish their chances; it amplifies them. The case of B**g Revilla—jailed for plunder, then waltzing back into the Senate after a viral “Budots” dance—is a glaring reminder of how our collective online behavior can elevate undeserving individuals to positions of power.

In the 2019 elections, Ramon “B**g” Revilla Jr. was elected as a senator despite being detained for four years on charges of plunder related to the Priority Development Assistance Fund (PDAF) scam. Revilla’s campaign lacked substantial policy discussion; instead, it leaned on the virality of his Budots dance, which became an online sensation. What was intended as satire or mockery instead gave him widespread visibility. Revilla himself credited the dance for his electoral success, stating, "Syempre malaking bagay din ’yung mga ad, ’yung budots malaking bagay din."

This phenomenon isn’t isolated. Studies show that the attention economy of social media—where algorithms prioritize engagement—rewards controversy and sensationalism. A report by the University of the Philippines found that social media was critical in the production, transmission, and reception of election-related information, resulting in offline and online polarization and mobilization of Filipino voters in the 2022 elections.

Mockery as a Free Campaign Tool

In the digital age, algorithms reward engagement above all else. When a candidate’s actions—no matter how absurd—go viral, platforms like Facebook and Twitter amplify their visibility. A 2021 study by Social Media Today found that online posts mocking politicians often gain more traction than serious discussions about their platforms, inadvertently turning satire into free publicity. As Angel Martinez aptly noted in her article, "What’s the point of all these singing and dancing politicians, anyway?" published by PhilSTAR Life on February 24, 2022, “The ability to establish common ground with common folk proves necessary at a time when public approval depends on perceived personality.” Such gimmicks raise critical questions about the effectiveness—and pitfalls—of traditional campaign strategies.

In the Philippines, where over 70% of the population uses social media daily (We Are Social, 2023), this dynamic plays an outsized role in shaping public perception. Memes, parodies, and TikTok trends mocking politicians are shared without considering the unintended consequences. Familiarity breeds normalization, and for many voters, that familiarity translates into trust.

The Case of Online Influence in Elections

Consider the 2022 presidential campaign, where online platforms played a pivotal role. Ferdinand "B**gbong" Marcos Jr.’s social media strategy capitalized on this phenomenon—not necessarily through mockery, but through calculated virality—talks and memes about the Tallano gold, nutribun, and the like. However, his critics inadvertently contributed by sharing memes and videos that kept his name trending.

I’ll admit—I was one of those people who had a good laugh at the memes. From jokes about the mysterious Tallano gold to the absurd claims about turning into a nutribun, the posts were too ridiculous not to share. I found myself reposting them more than once, thinking it was all in good fun. I wasn’t even a supporter, yet I unintentionally contributed to keeping his name—and his narratives—alive in the public conversation. I remember friends messaging me with laughing emojis, saying, “Is this real?” or “What is he even talking about?” It felt harmless at the time, but in hindsight, I realized I had played a small part in amplifying his reach.

This mirrors earlier instances where mockery of candidates like B**g Revilla, Isko Moreno’s TikTok antics, or Mocha Uson’s controversial statements have only broadened their reach.

Why It Happens and What It Means

The problem lies in the psychology of social media consumption. According to a study published in the Journal of Political Marketing, repeated exposure—even to negative portrayals—makes candidates more familiar and, paradoxically, more appealing to undecided voters. Filipinos’ love for humor and memes further complicates the issue. What starts as satire often ends up humanizing and even endearing these figures to the public.

Additionally, the blurred line between entertainment and politics makes voters susceptible to emotional narratives rather than rational analysis. Mockery oversimplifies complex issues, reducing serious flaws into punchlines. Instead of critically engaging with candidates’ platforms, voters focus on the entertainment value of their personas.

Acknowledging the Role of Satire

Critics may argue that satire and ridicule are legitimate tools of political dissent. They claim humor can expose the incompetence or absurdity of public figures. And to some extent, this is true—satire has long been a weapon of the powerless against the powerful. However, the difference lies in ex*****on and intent. While incisive satire deconstructs, careless mockery amplifies without context, reducing complex issues to shareable punchlines that inadvertently benefit the targets of ridicule.

I once shared a meme mocking a politician infamous for their incompetence, thinking it was a harmless way to express frustration. But I realized its unintended consequences when an acquaintance, unfamiliar with the politician's controversies, commented on the post, laughing at the absurdity but missing the point entirely. For them, it wasn’t an indictment of poor leadership but just another viral joke. This made me question whether my action had contributed to meaningful dialogue or merely amplified the politician’s visibility, reinforcing their presence in the public’s consciousness without addressing the underlying issues.

On the other hand, proponents of sharing these satirical or mocking contents might argue that such material has a broader reach, potentially informing those who might otherwise remain unaware of the politicians’ misconduct or flaws. A meme or a viral video can spark curiosity or encourage viewers to dig deeper into the issues at hand. This side of the argument emphasizes the democratization of information through social media, where even informal content can challenge traditional power structures and bring vital conversations into the public sphere.

Yet, this approach can backfire when the content reaches people without proper context, leaving them to interpret the message superficially. For those unfamiliar with the politician’s wrongdoings, the mockery might appear as mere entertainment or even an endorsement, further muddying the waters of political discourse. The risk lies in the potential for misinformation or for the satire to lose its critical edge, turning it into another piece of viral noise that inadvertently bolsters the subject’s visibility.

Thus, while satire and ridicule hold undeniable power, their impact largely depends on how they are shared, understood, and contextualized. It’s a double-edged sword—capable of enlightening the uninformed but equally prone to misfire in a media landscape that thrives on virality over substance.

The Way Forward: Think Before You Share

So, what can we do to prevent mockery from turning into free campaign material? The answer lies in a collective shift from ridicule to accountability. Instead of sharing viral antics, we should amplify content that scrutinizes politicians’ policies and platforms. Promote fact-based discourse over sensationalism—content that informs and educates voters rather than merely entertains.

This change starts with awareness. Social media users must understand that every share, like, or comment fuels algorithms that decide what content trends. Mockery may seem harmless, but it inadvertently contributes to the visibility of the very figures we aim to critique. By consciously choosing to engage with and share meaningful, issue-driven content, we can help steer the conversation toward accountability and away from frivolity.

In this age of digital influence, thinking before sharing is more than a personal responsibility—it’s a civic duty. By focusing on constructive engagement and advocating for systemic changes, we can collectively foster a more informed and discerning electorate. The power to reshape our political landscape is in our hands, one click at a time.

The Power Is in Our Hands

If we continue to turn elections into a digital circus, we can’t be surprised when clowns end up in office. Every click, share, or comment matters. Mockery may feel like resistance, but without accountability and context, it often serves as free promotion for the very people we aim to reject.

As the 2025 elections approach, let’s be mindful of how we engage with political content. Let’s choose to amplify the voices that demand accountability, integrity, and competence. The power to reshape our political future lies in our hands—or rather, in our clicks—if only we choose to wield it wisely. Ridicule is not resistance. Accountability is. It is time to stop laughing at the joke, only to cry over its consequences when it’s too late.

Disclaimer: SIGRAB is the official name of The Technopacer - Talisay’s segment for column or opinion writing entries. The views and opinions expressed in this article do not necessarily reflect those of the publication and the University.

Column | Drei Azucena
Layout and Graphics | Anne Buenaflor

KATILINGBAN | Furry Companions: CHMSUans' Stress BustersExams bring heaps of reviewers for students, demanding workloads...
13/01/2025

KATILINGBAN | Furry Companions: CHMSUans' Stress Busters

Exams bring heaps of reviewers for students, demanding workloads for faculty, and long hours for university staff. Stress finds everyone—no exceptions.

Amidst this whirlwind, stray dogs and cats at CHMSU offer an unexpected reprieve. With a simple pet or cuddle, these animals seem to absorb negative energy, leaving people refreshed and ready to face their tasks anew.

As a GREEN institution committed to environmentalism, CHMSU must also champion animal welfare as part of said core values. Stray or not, animals deserve care and respect within our university grounds.

In this Katilingban edition, we ask:

• In terms of alleviating stress, how significant do the stray animals hold for you as a member of the CHMSU community?
• Should these animals be allowed to stay, provided precautionary measures are in place?
• What is your opinion on the recent memorandum issued by the administration relating to stray animals inside the campus?

Let’s hear what CHMSUans have to say.

Disclaimer: The publication encourages constructive and meaningful discourses. Any sentiments deemed libelous by the editorial board will be removed from the comment box. Moreover, the views and opinions expressed by the students do not necessarily reflect those of the publication and the university.

Compilation | Rionelyn Erespe
Layout | Anne Buenaflor

DINALAYDAY | The Quiet Ache of AbandonmentShe would always hate her father. How could life unravel so cruelly in a singl...
12/01/2025

DINALAYDAY | The Quiet Ache of Abandonment

She would always hate her father. How could life unravel so cruelly in a single, irreversible moment? She had been just a girl, yearning to savor the fleeting joys of her teenage years, but time had swept past her like a thief in the night. His departure took more than his presence—it stole her innocence and the gentle unfolding of youth. It left no room for carefree laughter, no space for quiet rebellion. Instead, it thrust her into a harsh, unrelenting reality, one where grief clung to her like a shadow, impossible to shake. She knew, though—no one could hear her pain. No one would ask, no one would notice, and no one would ever truly know. She was still screaming, silently but desperately, from the wounds she bore that night—wounds no one else remembered, wounds that only she carried. That night, in the deep and unyielding darkness of November 21st, she had no choice but to face the trembling of her heart. She waited for him to come home, though she held no hope that he would get better. And yet, in a way, he did—just in a time far earlier and a place she could never reach.

She was fully, painfully aware of how his absence was a wound that would never close—a suffering time could not heal and a scar forever carved into her heart. Her dreams were always filled with him, and in those fleeting moments of solace, she wished the nights would stretch on forever.

But those dreams were fragile, like a thin thread that could snap without hesitation, without any resistance. In an instant, she would be jolted awake, his faint voice still echoing in her mind. It sounded like home, familiar and warm, yet too distant to follow. Perhaps the voice was unreachable, or perhaps her weary feet were simply too drained to move.

She had not yet grown numb to the burdens that weighed her down, keeping her frozen in the very places where she was hurt. The pain sought to consume her entirely—because that’s the thing about pain: it demands to be felt. Deep within her soul, an intense and invisible grief lingered, a sadness as haunting as the sound of someone crying in the darkness of an empty room. But she had no more tears to shed. She had cried herself dry long ago, her heart pouring out every ounce of sorrow she had since the day he went home.

The pain didn’t make her stronger, as others might have expected. Sometimes pain is just that—pain. It doesn’t transform or empower; it simply hurts. Only she wished it hadn’t turned into hate, but it did. Perhaps “hate” was too strong a word for someone who had once given her warmth and a childhood filled with happy memories. Yet even those memories felt distant now, overshadowed by the ache of his absence. Her younger self wouldn’t have minded those countless moments she had taken for granted—mostly because she had assumed there would always be a thousand more.

And so, the hate remained—a heavy, immutable force that bound her to the past. She carried it with her, a weight that seeped into every part of her being. His memories were becoming blurred, yet the hate remained—quieter now, colder, like the relentless ache of an old wound that refused to heal. She wished she could let it go, wished she could forgive him, or at least herself, for holding on so tightly to the hurt. She hoped she wasn't such a slave to nostalgia, it hurts to be the one who remembers.

But the hate was all she had left of him. It was the proof of his absence, the evidence of a love that should have been steady but had shattered instead. To let go of the hate would mean letting go of him completely—and she wasn’t sure she could bear that emptiness. So, she let the hate settle deep into the cracks of her heart, becoming as much a part of her as the memories of his laughter once were.

The ache of abandonment was a quiet one, yes, but it was unrelenting. It was the relentless hum of a wound that refused to close, the bittersweet memory of what once was and what could never be again. It became part of her, as familiar as her own shadow.

She hated him not because he had gone, but because the pain of his leaving had never left her. And maybe, in some way, she hated herself too—for still wishing, even now, that he had stayed.

Prose | Alyssa Jen Narciso
Illustration | Anie Almolanida

PANILAG-NILAG | The Side Character : A Song ReviewRating: 4.5/5Have you ever felt like just a side character in life’s l...
11/01/2025

PANILAG-NILAG | The Side Character : A Song Review

Rating: 4.5/5

Have you ever felt like just a side character in life’s larger story? Janine Berdin’s poignant single, The Side Character, released on July 30, 2021, beautifully captures this sentiment. As the grand champion of Tawag ng Tanghalan Season 2, Berdin weaves themes of self-acceptance and quiet resilience into the story of a wallflower embracing her ordinariness with grace. More than just a song, it’s an emotional journey that resonates deeply with anyone who’s ever felt overshadowed or invisible.

Dive into its subtle message and discover a perspective that might just speak to you. Janine Berdin’s The Side Character is a song of emotional depth that resonates deeply with anyone who’s ever felt overshadowed or unseen.

From the first note, the haunting melody sets a tone of quiet introspection, pulling listeners into a world of insecurities and silent struggles. Janine’s raspy, heartfelt vocals add layers to the lyrics, making every word feel like a confession. Lines like “Paano ba maging bida sa sariling kwento?” don’t just ask a question—they demand self-reflection.

While the song’s simplicity and relatability are its strengths, they can also be its limitations. I personally rated it 4.5 because its themes may not resonate with those who prioritize ambition or have a mindset geared toward constant achievement and being on top. For individuals driven by competitiveness or the pursuit of excellence, the introspective and subdued tone of The Side Character might feel distant or less impactful, as it focuses more on finding contentment in the mundane rather than striving for success.

The verse captures the perspective of someone who embraces their understated role in life, acknowledging their position "at the bottom of the list" and their aversion to taking risks. The subject’s acceptance of being unrecognized or overlooked ("you see my name and ask, ‘who’s this?’") reflects a quiet resilience and a focus on self-expression through music. The line “it is what it is” conveys a sense of surrender to circumstances, while the mention of burying thoughts in songs suggests that music serves as a safe space for vulnerability and authenticity.

In the chorus, the lyrics portray a person who likens their ordinary character in a story to a soldier who would likely die first, emphasizing their lack of extraordinariness. However, the song's ending shifts the narrative toward self-acceptance, as the speaker finds purpose and identity in creativity rather than external validation. It concludes with the phrase, “I’d rather be the supporting role who’s pretty cute and meek.”

In her songwriting, Janine reflects on the struggles of ordinariness and finding contentment in being a "supporting role." The song doesn’t just dwell on these emotions but offers a hopeful message: even side characters play essential roles in life’s narrative. Her vocal delivery, raw and emotional, perfectly conveys the vulnerability embedded in the lyrics. The production leans towards simplicity, allowing her voice and message to shine.

What makes this song stand out is its honesty. It doesn’t sugarcoat emotions or offer unrealistic resolutions. Instead, it embraces the reality of being imperfect and unsure, turning vulnerability into power. This raw authenticity hits hardest, especially for students like us, navigating expectations, self-doubt, and the quest for identity.

The Side Character is more than a song—it’s a mirror to our struggles and a reminder that, even in the shadows, our stories matter. It’s a testament to how music can connect, heal, and inspire. If you’ve ever wrestled with feelings of insignificance, The Side Character might feel like a mirror to your soul, offering both reflection and solace.

If you haven’t listened to it yet, grab your headphones, close your eyes, and let Janine remind you that it’s okay to take your time finding your spotlight.

Listen here:

Spotify:
https://open.spotify.com/track/6lpmeVO8BaO16KFteTRVS3?si=dP75hs3iQXeTydcb5jjCfw

Youtube:
https://youtu.be/KI4EwWGs7d0?si=DfOkpPsV5_rXp7xT

Apple Music:
https://music.apple.com/us/artist/the-side-characters/1586593390

Review | Kurt Ruzzel Batuigas
Layout | Marl Azriel Adorio

HIRIHI | MissingNagbago ka na talaga, self. Bumalik ka na please. 🥹Endterms na next week.
07/01/2025

HIRIHI | Missing

Nagbago ka na talaga, self. Bumalik ka na please. 🥹
Endterms na next week.

KATILINGBAN | A Goal Hard to ReachThe United Nations’ Sustainable Development Goal (SDG) 4 emphasizes the need for inclu...
06/01/2025

KATILINGBAN | A Goal Hard to Reach

The United Nations’ Sustainable Development Goal (SDG) 4 emphasizes the need for inclusive and equitable quality education for all. To support this goal, countries worldwide have implemented various programs aimed at making education accessible to everyone.

In the Philippines, the enactment of RA 10931, also known as the Universal Access to Quality Tertiary Education Act, seeks to provide free and equal access to higher education. However, challenges persist. Many Filipinos remain unable to pursue tertiary education due to insufficient resources, persistent socioeconomic inequalities, and the limited capacity of state colleges and universities to accommodate students.

As the admission test schedule for CHMSU is currently ongoing, concerns have been raised over the difficulties some aspirants face in reserving slots. To better understand this issue, The Technopacer-Talisay posed the following questions to CHMSUans in this Katilingban edition:

• Acquiring slots for the university's admission test schedule is currently ongoing, and many have expressed frustration over the inability to secure a schedule. In your opinion, what do these slots signify about the current state of the Philippine educational system?

• Would you agree if CHMSU reserved slots for aspirants belonging to the poverty incidence sector to take the entrance exam? Why or why not?

• Are you in favor of ‘burgis’ individuals being admitted to a state university? Why or why not?

• As a CHMSUan, what do you think the university can do to reach those residing in remote areas with no resources to acquire slots online?

Discover what CHMSUans have to say about these pressing issues!

Disclaimer: The Technopacer encourages constructive and meaningful discourse. Comments deemed libelous by the editorial board will be removed. The views and opinions expressed by the students do not necessarily reflect those of the publication or the university.

Compilation | Hannah Jean Ramirez
Layout | Anne Buenaflor

SIGRAB | "Tani ako naman..."While I was scrolling through my Facebook feed, I stumbled upon a screenshot of a comment se...
06/01/2025

SIGRAB | "Tani ako naman..."

While I was scrolling through my Facebook feed, I stumbled upon a screenshot of a comment section with the phrase "tani ako naman pilion" (I hope I will be chosen). This phrase sparked a few 'haha' reactions as this is often heard among individuals who experienced unrequited love in Filipino movies, but I frowned upon reading it. Not because it was a bad word, but because it was used in a context that you least expect it to hear—the field of education.

On December 27, Carlos Hilado Memorial State University officially opened its admission portal for students aspiring to get a slot schedule for admission—the first step for them to enter the university. Over 30 minutes after the registration was opened, the 2,000 slots provided during the 1st day were immediately occupied. This record-breaking data served as good news for the university as this signifies the demand of students wanting to enter CHMSU. However, this instance also ignited disappointments and hearsay among individuals who weren't able to avail the slots. More than their dismay, I sympathize with those who weren't able to get the chance to register. Not because there are no slots left, but because they do not have the resources to do so.

Securing a slot doesn’t guarantee admission, but it offers a chance to access free tertiary education funded by taxpayers. However, the process requires access to the internet, leaving those without gadgets or a reliable connection at a significant disadvantage. Some argue that in today’s digital age, everyone owns a smartphone. But this opinion often stems from a position of privilege, ignoring the realities faced by many Filipinos.

I had a classmate before who would struggle to send us a message due to her location. She lives in the highlands and most of the time, the message she sends in the morning will only be delivered to us in the afternoon or worse, in the evening. If everyone truly has a gadget, do they have a strong internet connection to keep up with the demand in the registration? Let's say that classmate of mine tried to register early in the morning, will she be able to submit on time before the slots run out that day?

More than the gadgets and the internet, access to higher education may be impossible for those who lack financial support. Access to the internet requires a penny from your pocket, and an individual belonging to the poverty incidence who dreams of accessing tertiary education can only wish for a miracle to happen. Despite the Philippines having RA 10931 or the Universal Access to Tertiary Education Act, financial constraints still linger around. This intensifies educational inequality among the youth, resulting in a choice not to pursue college.

In a 2023 Education Report of Philippine Business for Education, the "completion rate for a Bachelor's or equivalent degree decreases even further to 24.4%. Additionally, while 49% of the richest decile attend higher education, only 17% from the poorest decile can do so." The whopping 32% difference between the rich and the poor who can afford to finish a degree is just a glaring indication of how inequality in education persists despite programs to support the poor to finish a degree. While the rich savor the success of having a college diploma, the poor still have a long way to go.

Apart from the economic constraints and inadequate resources, the poor also fight neck-to-neck in the tight competition against well-off students who want to enter state colleges and universities. I cannot blame them. CHMSU is renowned for its quality education—a reason why students aspiring for higher education crawl their way in just to access the kind of quality that the university has to offer. However, if the wealthy can access the quality CHMSU has, then it is more than right for the poor to have a taste of it.

This persisting inequality among the poor and wealthy sparked a debate about whether those who can afford to enter private institutions will be allowed to enter state universities. In all honesty, I do not have any issue with 'burgis' individuals studying in a state university because the real right to education enables everyone to access it despite different backgrounds, cultures, and races. Education is a right and everyone is entitled to it. Yet, the lack of support for the sector of education in the Philippines resulted in the inability of state universities and colleges to fully accommodate individuals to be admitted, making education a privilege and not a right.

But what doable action can be done to enable tertiary education to be accessible to all?

First, state universities could implement outreach programs, such as entrance examinations conducted in remote areas. This approach may seem unconventional, but it addresses the significant barriers faced by marginalized communities. As my senior high school teacher once said, “If the mountain will not come to Muhammad, then Muhammad will go to the mountain.” If the youth cannot reach higher education, then we must bring higher education to them.

Second, the government must prioritize education in the national budget. Article 14, Section 17 of the Philippine Constitution mandates that education should be a top priority to foster patriotism, social progress, and development. Budget cuts for state universities and colleges (SUCs) undermine this mandate and deprive countless students of opportunities. Adequate funding is essential to expand access to quality education and reduce the systemic inequalities that persist.

"Tani ako naman pilion" is a phrase often heard among individuals who experienced unrequited love in Filipino movies but it has widened its meaning in the context of education. Today, "tani ako naman pilion" serves as a call of hope for a youth to be chosen to access free tertiary education given the tight competition to enter a state university. Although education is a universal right, the poor can only cling to hope given their knowledge of limited slots that lower their chances. Widening the gap, those with no access to the internet and gadgets to register can only wish upon a star that the odds may be on their side in reaching the "great futures" that await them.

But hope is not enough. More than the slots, the authorities must strengthen their support for the education sector. Access to higher education must not be a wish upon a star for someone to be chosen, it must be a right that is possible to reach.

Disclaimer: SIGRAB is the official name of The Technopacer - Talisay’s segment for column or opinion writing entries. The views and opinions expressed in this article do not necessarily reflect those of the publication and the University.

Column | Hannah Jean Ramirez
Layout and Graphics | Charito Radan III

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