Goldtunes TV

27/01/2024

MEDIA PROTOCOL

Media protocol typically refers to a set of rules and conventions governing the exchange of multimedia data between devices or systems. It encompasses various aspects, including how data is formatted, transmitted, and interpreted. Achieving media protocol involves defining and implementing these rules to ensure seamless communication.

1. **Data Format:**
- Specify the format for multimedia data (e.g., images, audio, video).
- Common formats include JPEG, MP3, and H.264 for images, audio, and video, respectively.

2. **Transmission Protocol:**
- Determine how the data is transmitted between devices.
- Common protocols include HTTP, FTP, or specialized protocols like RTP (Real-time Transport Protocol) for streaming.

3. **Header Information:**
- Define the structure of headers containing metadata (e.g., resolution, duration, codec information).
- This information helps the receiving device interpret and process the media correctly.

4. **Compression and Encoding:**
- Implement methods to compress and encode data for efficient transmission.
- Compression algorithms like ZIP or encoding schemes like Base64 can be used.

5. **Error Handling:**
- Establish mechanisms to handle errors during transmission.
- Protocols may include error-checking codes or retransmission strategies for reliable communication.

6. **Synchronization:**
- Specify how to synchronize different media components (audio and video) for playback coherence.
- Timing information is crucial for proper synchronization.

7. **Security Considerations:**
- Integrate security measures to protect against unauthorized access or tampering.
- Encryption protocols (e.g., HTTPS) may be employed for secure data transfer.

8. **Device Interoperability:**
- Ensure compatibility across different devices and platforms.
- Standards like HTML5 for web content or protocols like DLNA aim for interoperability.

9. **Quality of Service (QoS):**
- Address aspects like bandwidth, latency, and reliability to maintain a certain level of service quality.
- QoS mechanisms can prioritize media traffic over the network.

10. **Standards and Compliance:**
- Adhere to industry standards to promote widespread adoption.
- Organizations like MPEG, W3C, and IETF establish standards for multimedia protocols.

Implementation of a media protocol often involves a combination of software and hardware components, and adherence to these agreed-upon rules ensures a consistent and reliable exchange of multimedia data between devices and systems.

27/01/2024

Teaching Musicians sound.

Teaching musicians about sound involves delving into various aspects, including the physics of sound, musical acoustics, psychoacoustics, and practical techniques for producing and manipulating sound. Here's a detailed breakdown:

1. **Physics of Sound**:
- **Wave Properties**: Musicians need to understand that sound is a longitudinal wave propagated through a medium, typically air. They learn about concepts like frequency (pitch), amplitude (loudness), and waveform (timbre).
- **Waveforms**: Teaching musicians about waveforms helps them understand the difference between various sound qualities, such as sine waves (pure tones) and complex waveforms (harmonically rich sounds like those produced by musical instruments).
- **Resonance and Harmonics**: Explaining how resonance and harmonics work helps musicians comprehend the production of overtones in instruments, which contribute to timbre.

2. **Musical Acoustics**:
- **Instrumentation**: Musicians learn about the acoustic properties of different instruments, including how their physical characteristics (size, shape, materials) affect sound production.
- **Tuning Systems**: Understanding various tuning systems (e.g., equal temperament, just intonation) is crucial for tuning instruments and understanding harmonic relationships in music.

3. **Psychoacoustics**:
- **Perception of Sound**: Musicians explore how the human brain perceives sound, including concepts like auditory masking (where one sound makes another less audible), sound localization, and the perception of pitch and timbre.
- **Auditory Illusions**: Teaching about auditory illusions (e.g., the Shepard tone, octave illusions) can deepen musicians' understanding of how sound perception can be manipulated in music composition.

4. **Practical Techniques**:
- **Instrument Techniques**: Musicians learn specific techniques for producing sound on their instruments, including breath control for wind instruments, bowing techniques for string instruments, and fingerings for keyboard and fretted instruments.
- **Sound Manipulation**: Teaching musicians about sound processing techniques (e.g., equalization, reverb, compression) equips them with tools to shape and enhance their sound in recordings and live performances.

5. **Interdisciplinary Connections**:
- **Music Theory**: Connecting the physics and perception of sound with music theory helps musicians understand concepts like consonance/dissonance, chord structures, and modulation.
- **Technology**: Exploring how sound is recorded, synthesized, and manipulated using technology (e.g., synthesizers, digital audio workstations) provides valuable insight into modern music production techniques.

By covering these areas in detail, educators can provide musicians with a comprehensive understanding of sound, enabling them to create, perform, and appreciate music more deeply.

08/04/2023

HAPPY BIRTHDAY TO GODS OWN PROPHETIC MINSTREL AND PSALMIST.
A VERY RARE GIFT TO THE BODY OF CHRIST AND HUMANITY.
JOIN ME WISH HER HAPPY BIRTHDAY
NOTHING WILL DIE IN YOUR HANDS ALL YOU LAY YOUR HANDS UPON SHALL PROSPER

HAPPY BIRTHDAY

30/03/2023

26/03/2023

05/03/2023

01/03/2023

GOLDEN OLDIES ARTIST PROFILE: THE LEGENDARY KING SUNNY ADE

Chief Sunday Adeniyi Adegeye MFR ( Age 76, born 22 September 1946), known professionally as King Sunny Adé, is a Nigerian jùjú singer, songwriter and multi-instrumentalist He is regarded as one of the first African pop musicians to gain international success, and has been called one of the most influential musicians of all time.

Sunny started his early days with Moses Olaiya(Baba Sala) he later formed the Green Spots in 1967. Sunny Ade tour America & Europe where he played to mixed (both black & white) audiences. His stage act was characterised by dexterous dancing steps & mastery of the guiter. His album "Synchro System" earned him a Grammy nomination in the folk/ethnic music category.

Sunny Ade was the first to introduce the pedal steel guiter to the Nigerian pop music. He was the first to introduce the use of sysnthesizes, calvinet, vibraphone, tenor guiter into juju music. Sunny has collaborated with major artists such as Manu Dibango & Stevie Wonder. He is a twice Grammy Awards nominee. His music was featured in the 1983 film BREATHLESS, starring Richard Gere, and 1986 comedy"ONE MORE SATURDAY NIGHT" and he acted in Robert Altman's 1987 comedy "O.C AND STIGG". [Wiki].

A legend of our time.

24/02/2023

ARETHA FRANKLIN.

“What distinguishes Aretha Franklin is not merely the breadth of her catalogue or the cataract force of her vocal instrument,” wrote David Remnick in the New Yorker in 2016; “it’s her musical intelligence, her way of singing behind the beat, of spraying a wash of notes over a single word or syllable, of constructing, moment by moment, the emotional power of a three-minute song. ‘Respect’ is as precise an artifact as a Ming vase.”

Chuck Rainey, her bass player in the early seventies, told me that Aretha’s voice was so emotionally powerful that at times she would throw the band out of the groove. “Aretha came to me once and held my hand and she said to me, ‘Chuck, don’t listen to me too intensely. I know what I do to people. I need for the bass to be where it is so I can sing.’ ” Bernard (Pretty) Purdie, the drummer on the “Amazing Grace” sessions, told me that Franklin, having sung for so long with the Reverend Cleveland at New Bethel and in her living room, was absolutely sure of herself. “She didn’t have to worry about what to think about or sing,” he said. “She knew what she was doing from jump street.”

Aretha Franklin sings during a recording session at Atlantic Records on January 9, 1969, in New York City. Michael Ochs Archives/Getty Images

23/02/2023

LETS TALK ABOUT MIC PRE AMPS

A preamp is a critical piece of equipment for live audio that has a significant impact on the quality of the sound. This essay will explore the benefits, setup and configuration, and importance of using a microphone preamp in live audio. By the end of this essay, readers will understand why the use of a microphone preamp is essential for achieving professional-quality sound.

The use of a microphone preamp in live audio is beneficial for a variety of reasons. According to D McKinnie, an audio engineer from the 128th Audio Engineering Society Convention in 2010, preamps provide an increase in signal level and an improved signal to noise ratio. This is useful for live audio applications, as it ensures that the microphone’s signal level is strong enough to be processed and that unwanted noise is minimized. Preamps also provide control over the microphone’s tone and timbre, and can be used to reduce feedback and other unwanted sonic artifacts. In addition, certain preamps offer additional features such as gain control and even EQ adjustments, giving sound engineers more control over the sound of the microphone and allowing them to fine-tune the sound to their liking. Ultimately, the use of a microphone preamp in live audio provides sound engineers with a range of benefits and capabilities, allowing them to create the best possible sound for their particular application.

Setting up and configuring a microphone preamp for live audio is a crucial step in the recording process. According to D McKinnie in the Audio Engineering Society Convention 128 (2010), the microphone preamp is one of the most important pieces of equipment in a recording studio. It is responsible for amplifying the signal from a microphone to a line level, which is then sent to the recording device. The preamp also adds color and character to the sound, which can be beneficial for creating a desired effect. First, the user must determine the type of preamp to use based on the type of microphone and the sound they are trying to achieve. An adjustable gain control should also be used to adjust the level of the signal. McKinnie (2010) recommends using a compressor to reduce signal peaks and even out the signal level. Additionally, a low-cut filter should be used to reduce the amount of low-frequency rumble and a high-pass filter to reduce the amount of background noise. Finally, an equalizer should be used to adjust the frequency response of the signal. By following these steps, the user can set up and configure a microphone preamp for live audio with ease.

Microphone preamps are essential for professional-quality live audio because they provide the necessary gain and impedance matching required for capturing sound accurately. According to RE Gaskell, an expert in the field of audio engineering, these preamps offer a wide range of features that are necessary for producing high-quality recordings (Gaskell, 2011). For example, preamps can be used to adjust the gain of the microphone, allowing sound engineers to control the level of sound being recorded. Furthermore, preamps can be used to reduce noise and enhance the signal-to-noise ratio of the microphone. This is important for achieving a high-fidelity sound, as it reduces the amount of background noise and enhances the quality of the audio. Additionally, preamps provide impedance matching, which is necessary for making sure that the microphone is properly connected to the recording device. Without impedance matching, the microphone may not be able to properly transmit the signal to the recording device, resulting in poor sound quality. Thus, microphone preamps are essential for professional-quality live audio production. (Gaskell, 2011).

Using a mic preamp with live audio is a great way to enhance an audio signal and make sure it is loud and clear to the audience. It is also helpful to avoid distortion when boosting levels, as the preamp relies on voltage instead of wattage to increase the signal. They can be used with any microphone type, both dynamic and condenser, provided that you have the correct connectors for the mic and preamp. Preamps give you the control to optimise audio frequency range, control ambient noise pickup and signal-to-noise ratio, and can be used in combination with signal processors to create a wide variety of sounds. With all of these benefits, using a mic preamp in live audio is a must-have for any serious sound engineer.
Work Cited
RE Gaskell."Capacitor “Sound” in Microphone Preamplifier DC Blocking and HPF Applications: Comparing Measurements to Listening Tests."https://www.aes.org/e-lib/browse.cfm?conv=130&papernum=8350
"How much gain should a professional microphone preamplifier have?."https://www.aes.org/e-lib/browse.cfm?conv=128&papernum=7999
"How much gain should a professional microphone preamplifier have?."https://www.aes.org/e-lib/browse.cfm?conv=128&papernum=7999

Many tradeoffs are required in the design of microphone preamplifier circuits. Characteristics such as noise figure, stability, bandwidth, and complexity may be dependent upon the gain of the design. Three factors determine the gain required from a microphone preamp: Sound-pressure level of the soun...

11/02/2023

HAPPY BIRTHDAY PROPHETIC MINSTREL
PRO OLAMILEKAN SONGITO

10/02/2023

NO MATTER WHAT HAPPENS
GOD IS OUR REFUGE

19/12/2022

Best caption wins 5h airtime tonight.

17/09/2022

17/09/2022

17/09/2022

15/09/2022

14/09/2022

13/09/2022

13/09/2022