Vico-farad Multimedia

19/04/2024

NOT JUST P A SYSTEMS

Vico-farad Multimedia




With Jesus Evangelical Power Mission

09/03/2024

Reposted from a random page, your reviews on the stage set up, any disaster?

Vico-farad Multimedia

18/01/2024

Vico-farad Multimedia

12/12/2023

Happy International Sound Check Day to all Sound Engineers and lovers of good sound out there. The world Will be a better place without clip and distortion.

Vico-farad Multimedia



#1212

24/11/2023

Happy Thanksgiving 🙌🎉

09/11/2023

Death trap 😡🙅

03/11/2023

Shout out to our newest followers! Excited to have you onboard! Troy Keller, Shifaau Naa, Federico Cammarata, Blessing Okeke

03/11/2023

You get Chicken wings 😁😁

31/10/2023

Do You Know?
Your choice of setting up your PA systems is the reflection of your wisdom 🤷

Do you know?
You are yet a pro when you don't know how to know how to use Loop as an artist

Do you know?
You can now get your loop just for a token by simply sending "LOOP" to this Link 👇👇👇

https://wa.me/message/NTRMDJO62EW6G1

📸 The drum contest

28/10/2023

The fine folks who brought us the Sound Bullet tester announced SoundWire yesterday (and pre-orders sold out that day!).

It's a 9-foot-long USB-C to stereo XLR cable with a lot of tech-goodness neatly smashed into those XLR shells and USB connector, including:

🔬 192 kHz, 32-bit DAC

⚖️ Balancing and isolating transformers housed in the gold-plated Neutrik XLR connectors (won't pass phantom power to the client's iPad 💣)

💻 No drivers needed, plug-and-play. Compatible with macOS, Windows, Android, and iOS.

What do we think?

Credit: World PA of the Day

28/10/2023

Evolution of Yamaha digital mixers

28/10/2023

Filming live video for Hot Side Of Zero
QSC doing the most
6,000 watts of power

23/10/2023

Midas Consoles M32 is a big flex 💪

21/10/2023

GUIDE TO PROFESSIONAL AUDIO ENGINEERING PRACTICES:
Top Ten Church Sound Issues and Solutions

Sound problems can be caused by anything from architectural defects to misguided equipment operators. Here are some of the most troublesome sound production problems that churches sound techs struggle with and what can be done about them:

1. Echo, or excessive reverberation, can be the result of poor architectural design or timing variations between speakers. Timing problems occur in large rooms in which speakers face each other from different sides of a room. If a church has a long, narrow sanctuary and puts a speaker on the back wall, that speaker should have a slight sound delay. Otherwise, the sound waves from the front speaker will arrive at the back of the sanctuary after the rear speaker releases its waves. It’s easier to place all of the speakers at the front of a room and adjust their volume and position to reach the back row.

Some buildings have flat, reflective surfaces that make sound waves act like bumper cars. For example, if a church holds a potluck dinner in a gymnasium or multipurpose facility with hard surfaces, table conversation will become a muddy hum that gradually increases in volume. A speaker’s voice will bounce around the room. This problem can be remedied by hanging fabric panels, banners or baffles on the walls or from the ceiling.

2. Feedback occurs when amplified sound from a speaker or monitor circulates through a microphone and is amplified again, giving off an obnoxious squeal. This kind of sound loop is due to monitor placement as well as microphone technique. If a singer points a microphone directly into a monitor or if there isn’t sufficient distance between the microphone and the monitor, feedback is inevitable. Feedback also happens when a speaker moves around on a platform, pointing the microphone in various directions. For churches with such speakers, several manufacturers offer a feedback controller that eliminates feedback by constantly shifting audio frequency.

3. Inadequate training. Sound equipment, no matter how costly, won’t perform well if technicians don’t know how to use it. After determining that a person has a solid interest in serving as a sound technician, work with the person until that person is qualified to serve. Invest in training materials such as books, videos and trade publications.

The best sound system can be compromised by a performer. A singer who holds a microphone far from his mouth, for example, forces a technician to turn up the volume on a channel, which could result in feedback. Singers should adjust their microphones according to the volume of their voices. On a high, strong note, the microphone should be moved away from the mouth; on a low, soft note, in closer.

4. Poor communication. Technicians must explain what they’re doing to performers. For example, a performer might want more reverb in her monitor, but the sound technician knows that singers maintain better pitch quality without hearing reverb in the monitors. The sound technician could mix some reverb into the system and eliminate it in the monitor, but if the singer doesn’t understand what the technician is doing, she will perform with less confidence. The moral for technicians is to be diplomatic. The moral for performers is to trust the technician.

5. Muddy sound. Inexperienced technicians are often plagued by muddy sound, which is quite often the result of monitor wash. For example, if the worship leader has a monitor on the platform, it is usually pointed at the back wall and away from the congregation. If the monitor is turned up too loud or includes too varied a mix, the sound will bounce off the back wall and collide with other sounds on the way to the congregation. The solution could be as simple as adjusting the volume of the monitor. If a worship team is large enough, it might need multiple monitors. Monitor mixing is an art that requires much practice, however.

6. Hot or dead spots. Hot spots are places in a room where sound energy is densely concentrated, and dead spots are where there is no sound. Both are usually caused by misplaced speakers. The laws of physics are the same in the house of the Lord as they are in Carnegie Hall. It doesn’t matter how expensive speakers are; if they’re situated incorrectly, they won’t work properly. Speakers should almost always be placed by a professional or someone who understands room acoustics.

7. Noise. One of the secrets to maintaining high sound quality is isolating sound. Air ducts sometimes transport unwanted mechanical noise throughout a building. Exterior noise of cars, trains or sirens can be intrusive if a church isn’t well insulated. Noise problems can be averted most effectively when a church is being built, but there are ways to filter it out in existing buildings.

8. Poor installation. Churches should consult with professional sound technicians on the purchase, installation and operation of sound equipment. A good sound company should have a list of recently completed projects and be willing to show them to you.

9. Misconceptions. It is critical for a church to define its need for a microphone before purchasing it. Microphones are like lenses on a camera. You choose them based on the effect you want. Frequency response, sensitivity and impedance are key factors. High-impedance microphones produce noise (crackling, thuds) when moved or bumped. Mikes with lower-impedance—somewhere between 300 and 600 ohms—are better for churches.

Soprano vocalists often have high-frequency response in their voices and do not want a microphone with built-in boosts in the upper register. Male vocalists can get by with most microphones, but they’ll do better with a boost in high-frequency response. For a good all-purpose microphone, consider a dynamic cardioid, which should cost from $100 to $150. Microphones designed to amplify a grand piano or an orchestra will cost more.

10. Budget miscues. A budget is not an accurate measure of what sound system a church should buy. Churches have been going to vendors for years, saying, “We have a $3,500 sound budget,” and vendors have been giving them $3,500 sound systems. What church leaders don’t understand is that a sound system can be purchased in increments over several years. Also, function is more important than price. Sound systems should be designed around usage factors, such as what kind of music a church performs, how loud the music is played and how large the church is.

Therefore Church sound system installation should not be based on budget but on purpose.

Allways remember to keep the creativity perfected.
Vico-farad Multimedia

19/10/2023

ACOUSTIC TREATMENT

Acoustic treatment generally refers to the application of materials and techniques to control and improve the sound quality within a space. It is commonly used in various environments such as recording studios, home theaters, concert halls, offices, and restaurants to create a more balanced and pleasant acoustic environment. The primary goals of acoustic treatment are to reduce unwanted echoes, reverberation, and background noise, and to improve sound clarity, speech intelligibility, and overall acoustic performance.

Here are some common techniques and materials used in acoustic treatment:

1. Absorption: Acoustic absorption materials are used to reduce the reflection of sound waves. These materials can be installed on walls, ceilings, and floors to absorb excessive sound energy. Examples of absorption materials include foam panels, fiberglass panels, mineral wool, and acoustic ceiling tiles.

2. Diffusion: Diffusion is the scattering of sound waves to create a more even distribution of sound energy in a space. Diffusion panels or surfaces are designed to break up sound reflections and prevent the formation of standing waves. They can be made of materials such as wood, diffuser panels, diffuser blocks, or specially designed diffuser systems.

3. Bass Traps: Bass traps are specifically designed to absorb low-frequency sound waves, which are harder to control than mid and high frequencies. They are typically placed in corners or areas where low-frequency buildup is most prominent. Bass traps can be made of dense materials like mineral wool or fiberglass and are often designed as panels or cylindrical traps.

4. Reflection Control: Reflection control involves strategically placing materials to reduce the amount of sound reflecting off hard surfaces. This can be achieved by using acoustic panels or specialized wall coverings that have sound-diffusing or sound-absorbing properties.

5. Noise Isolation: In some cases, acoustic treatment may also involve addressing external noise sources or isolating a space to prevent sound from entering or leaving. This can be done through the use of soundproofing techniques such as adding mass to walls, sealing gaps and cracks, installing soundproof doors and windows, or creating an isolated room-within-a-room structure.

It's important to note that the specific acoustic treatment required for a given space depends on its size, shape, purpose, and the desired acoustic goals. Consulting with an acoustic professional or an acoustician can help determine the most effective treatment options for your specific needs.

19/10/2023

Acoustic Treatments and sound proofing??
Share your thoughts

06/10/2023

Fader Friday
Midas M32 is a big flex for your dancehall









Midas Consoles
Vico-farad Multimedia

05/10/2023

Vico-farad Multimedia
With NEXO

05/10/2023

Embracing the future with DiGiCo Quantum 225: Meet audio engineer extraordinaire, Simphiwe Mhlanga! 🚀

Simphiwe, known as "Smooth," is no stranger to the world of live events, touring and broadcast. With a deep well of technical knowledge, he's chosen to elevate his craft with the DiGiCo Quantum 225 Digital Mixing Console, a powerful companion supplied by DWR Distribution.

When choosing the Quantum 225, Simphiwe had the future in mind, aiming to gain a competitive edge in the ever-evolving market. His extensive training with Kyle Robson from DWR and thorough product research led him to this stellar choice. "I’ve worked on the SD range on many occasions, but I really liked the additional features the Quantum had to offer," says Simphiwe.

Read the full story here: https://bit.ly/3ZnW1k6



Vico-farad Multimedia

15/09/2023

This weeks comes from the last show of the summer in Norway ☀️

The DiGiCo Quantum338 sitting pretty on monitors with (on Instagram)

14/09/2023

PLASA London 2023, completed ✅

Thank you to everyone who stopped by to say hello and see the consoles.

It's been a real pleasure, and another very busy show for DiGiCo.

See you next time 🥰
Vico-farad Multimediaa
-faradMultimedia

24/08/2023

With Martin Audio Ltd

📸 Woodlands Festival

22/08/2023

Getting tactile with your MIDI controls can breathe new life into stale music, we look at mapping hardware k***s, faders and buttons to various sound control parameters in order to manipulate them in real time.

https://sosm.ag/MIDIMapping

Every day we highlight a great SOS article in our MORNING POST.

22/08/2023

With- NEXO

Day 2 of set up .. 6 stages all powered by NEXO..

21/08/2023

T.I Pro Audio

14/08/2023

The Soundgirls.org L-Acoustics grants are now open for submissions! These grants offer a remarkable opportunity for four successful applicants to engage in in-person training sessions, complemented by hotel accommodations. To qualify for consideration, candidates must be registered members of SoundGirls and submit their applications before the September 1, 2023 deadline.
With -Acaustics

Explore more of the grant, and submit your application here: https://soundgirls.org/soundgirls-l-acoustics-grants/

14/08/2023

At Stephen Keshi Stadium

14/08/2023

Image excerpts of the work in progress for the World Youth Day 2023 event.
With PIXEL LIGHTPIXEL LIGHT - AudiovisuaisAudiovisuais

10/08/2023

Backstage

08/08/2023

A "loop" in music refers to a short, repeating musical phrase or section that is played over and over again. Loops can be used to create a sense of continuity or motion in a song, or to create a rhythmic foundation for other instruments to play over. Loops are often used in electronic music and also our contemporary afro pop genre.
For your free loop, send "LOOP" to this Link 👇👇👇