Artheorica

Casa
Mexico
Tampico
Artheorica

Medio impreso y digital de artes visuales en México / Media for the visual arts in Mexico.
(2)

20/08/2023

CONGRESO BINACIONAL
DE LAS FRONTERAS NORTE-SUR DEL PERFORMANCE Y LAS ARTES VIVAS

https://congresobinacional5.wixsite.com/congreso-binacional/blank

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07/04/2021

Carlos Lara (Monterrey, N.L.)
Multidisciplinary artist. Bachelor of Arts from UdeM, he has studies in photography, engraving, drawing and painting. He has been part of various initiatives and emerging spaces in the city and since 2019 is co-founder of the TIMBA Project, Artist-run Space established in Monterrey. His work explores the various ways in which identity is constructed through symbolic networks related to industrial modernization processes. A reflection on how the work culture has been stimulated here under the framework of a “civilizing process”; work as a vehicle for progress, the capitalization of leisure time and forced displacement at the mercy of the modernizing process.

05/04/2021

Vista general de la exposición FUTUROSimPERFECTOS en la Galería Educativa del Museo Marco. Éste período vacacional aprovechen para visitar el museo en sus horarios habituales. La Galería Educativa se encuentra en la segunda planta justo al final del pasillo y enfrente de las oficinas.

01/04/2021

See you at ZsONA MACO 2021

18/03/2021

Great loss to the art world

08/03/2021

No voy sola

08/03/2021

Chantal Peñalosa (Tecate, Mexico. 1987) studied fine arts at the Autonomous University of Baja California and the University of São Paulo. She received the Acquisition Award at the XIV Northwest Visual Arts Biennial and received FONCA scholarships in the Young Artists category (2013-2014 and 2015-2016). In 2014 she also received the Bancomer-MACG Program in its 4th edition.
Peñalosa's research-based practice stems from small gestures and interventions in everyday life, which aim to expose the notions of work, waiting, and delay. Repetition is a crucial element in the process of it, which functions as an allusion to the absurdity, the weather and the alienating effects of work. For Peñalosa, repetitive actions evoke latent states in which dialogue seems one-sided and time suspended.

08/03/2021

Fritzia Irízar (Culiacán, Mexico, 1977). She lives and works in Merida.
Fritzia Irízar's work has questioned the value of money and its purchasing power. Irízar plays with the economic and symbolic revaluation of objects when they pass from their common sphere to integrate into art. Likewise, her work shows that history and science are almost fictions, built on tiny patches of knowledge subject to the decision of a few individuals. However, they are fictions that we wish to uphold: as acts of faith, of belonging, of will or of certainty.

08/03/2021

Galia Eibenschutz (Mexico City, 1970) studied Visual Arts at the National School of Plastic Arts of UNAM, Mexico City; and the Master in DasArts, Amsterdam, Holland.
Her most outstanding performances are: Ephemeral Drawings, Transmission Drawing and Vulnerable Terrain, activations as part of the individual exhibition: "Move to name" at the Carrillo Gil Art Museum. Fold. Unfold. Trace.Track. Landscape. The Cedar Cultural Center, Minneapolis, Minnesota. Drawings are eddies on the surface of the stream of time. J, Berger, Dance Theater, Mexico City. Solo with drums, in collaboration with Armando Rosales Rivero, Teatro de la Danza, Mexico City. Trazos para Cello, in collaboration with Natalia Pérez Turner, MACO, Oaxaca. Endemic species. A year of Saturday meetings, Museo Universitario del Chopo. Twilight Zone. Sequences in architecture, Hospicio Cabañas, Guadalajara. Studies of space within space, of other studies, of other spaces, Museo Tamayo, Mexico City. Walk on Cracked Land, Center for the Arts and Communication, Miami Basel. Vanishing Point. Alameda Art Laboratory, Mexico City and Fossil Movements, Siqueiros Public Art Room.
Her recent solo exhibitions include: "Move to name", Museo de Arte Carrillo Gil (2019); "The beach is not the same today, as it was yesterday ... as it will be tomorrow", Casa Wabi. Mexico City.

08/03/2021

Tania Candiani (Mexico City, 1974) has developed her work in various media and practices that maintain interest in the complex intersection between phonetic, graphic, linguistic, symbolic and technological languages. He has worked with different association narratives from rearranging, remixing and playing with correspondences between technology, knowledge and thought, using the idea of organization and reorganization as discourse, and critical thinking and empirical research as material for production.

Dirección

Tampico
89120

Teléfono

+525540959553

Página web

http://www.artheorica.com/

Notificaciones

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