PREDELLA is a biannual, peer-reviewed Journal of Visual Arts (predella.it; ISSN: 1827-8655) featuring scholarly articles in the history of art and architecture, art criticism, history and conservation of cultural heritage, museology, performing arts and cinema. It is a non-profit publication, committed to the principles of open access. PREDELLA is autonomous and independent from institutional affi
liations; the editorial line of the journal combines the rigour of scholarly research, an interdisciplinary orientation, and a strong civic and cultural engagement. PREDELLA was born in 2001 at the Department of History of Art of the University of Pisa (predella.arte.unipi.it), and took its current form in 2009 by the will of its founder Gerardo de Simone and of Emanuele Pellegrini, who in past years have shared the scholarly direction and editorial policy, with the collaboration of the Editorial Board. the Monograph, which is also published in print (ISSN: 1827-4927), is dedicated to a specific research topic selected for each issue by a different editor. The Miscellany is divided into sections: Figure (Figures), Cornice (Frame), and Cuspide (Cusp) contain longer essays; In mostra (Exhibitions), In libreria (Books), Incontri (Meetings), Musei (Museums), contain reviews of, respectively, exhibitions, publications, symposia, and musems. Online issues no. 32/2012 and 33/2013 were published in partnership with Sistema Museo (www.sistemamuseo.it). Print issues of PREDELLA Monographs from no. 1/2010 to no. 5/2012 were published by Felici Editore (www.felicieditore.it). Starting from issue no. 6/2012 they are being published by Edizioni ETS (www.edizioniets.com). Submitting articles is free ( [email protected]). Editorial rules are available on the website. The theme of future monographs and its call for paper is communique in the Announcements section
