we make short films with expertise group of cinematographer , editor , art director and all you need.. we make short film to the one asks us at a cheaper cost. our moto is no money just to help the ones having a great passion on making and taking films or shortfilms. we have all the equipments required for a film. we have our flow in nearly 5 states of the country, if anyone is interested in makin
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shortfilm , if you are ready with a script and waiting for a guidance you can sure contact us. for more details contact https://www.facebook.com/gowthamnandakishore
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MAKING YOUR FIRST SHORT FILM?? Finding the right gear, perfecting the screenplay, and assembling a good crew can get you well on your way to producing your first short film. BY gowtham,praveen and vinesh
So you want to make a movie. And not just a video of your cat sleeping; you want to make a real movie. A movie with a story. With actors. With sound and dialogue that the audience can hear and understand. With editing that moves the narrative forward. How do you go about it? (Actually what you will make will be a short video—now that most everybody works electronically, filmmaking terms have been adapted to the new medium even though there isn’t any film involved.) we will focus on some things you need to have in place before you can begin—a script, a camera and other equipment, and a crew. then we’ll cover the intricate detail of pre-production work. And we’ll actually shoot the video, edit it, and talk about how to get it in front of an audience. Throughout, we’ll try to give you alternate versions of the things you need to know. First, we will assume that you have an inexpensive camera and very little money to spend on your production. Then we’ll show you how you can improve your film if you have a little better gear and more resources. Let’s begin. let usl introduce you to the art and craft of screenwriting, we ll help you choose the camera and other equipment you will be using in production. The crew
In addition to developing the screenplay and rounding up hardware, the other critical work you need to be doing at this point is identifying the members of the crew that will help you make the film. Depending on the complexity of your project and the sophistication of your equipment, you might have as few as three or four people—or as many as a dozen or more—working with you. Regardless of the size of your crew, each of the titles and job descriptions listed here entails work that will need to be done. Thus, if you and three friends are working on a short film, each of you is going to be juggling several jobs. First, the director. We will assume this is you, since you’re the person taking the trouble to read this . As the director you are responsible for making or approving all of the artistic choices on the project, from the screenplay through casting, the composition of the shots, the work of the actors, editing, titles, and everything in between. You will also lead the process of making the dozens of practical decisions in planning the production logistics and shooting schedule. During development and pre-production, you will need, for starters, a writer to work on the screenplay, somebody to scout locations and get permission to use them, a casting director to run auditions and help cast the film, and people to buy, borrow, build, or otherwise acquire props and costumes. We’ll assume that you’re shooting on location and not building set pieces, but if that’s not the case, you’ll need a designer, and carpenters to swing the hammers. For production, the crew will include at a minimum a camera operator and at least one person to run sound. The camera operator has the most technically demanding job on the set. Even the simplest camera can make beautiful pictures if the operator has taken the time to learn everything there is to know about it. The sound crew may include a boom operator, who positions a remote microphone close to the actors (but out of the shot) at the end of a long pole, and it might also include a sound mixer who monitors and adjusts the level of the audio inputs. You will also need someone to light each scene, unless you intend to shoot with only available light. This work may be done by the gaffer or chief lighting technician, or it could fall to the director of photography or cinematographer. also typically advises the director on camera angles and lenses (or zoom settings) for each shot. Presumably your property master and wardrobe department are still with you from pre-production. You will also want a stylist to look after the actors’ hair and makeup. It’s useful to have someone in the role of script supervisor, who keeps the actors on script and looks after continuity (that is, makes certain if a character is holding a cup of coffee in his left hand in one shot, he doesn’t move it to his right hand for an alternate take). If you have filled all of these jobs and still have an unassigned friend who wants to work on the movie, make her your first assistant director. The job of the first A.D. is to keep the shoot on schedule, and make sure that everyone is where they’re supposed to be and that the set is safe. If you don’t have a first A.D., these responsibilities will fall to the director. Post-production is the domain of the editor, who uses computer software to assemble what’s been shot into a finished film that tells the story in the screenplay. Post can also involve enhancements to the sound and the addition of music, titles, and credits. As you can see, there is a great deal of specialized work involved in making a film. It is theoretically possible for a single individual to do all of these jobs, but not nearly as much fun. these are some points to be noted for your short film and for the movie thereby.. for more info we welcome you to contact us.
