Urthona Buddhist arts magazine

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Urthona Buddhist arts magazine Urthona magazine covers contemporary art, photography, literature and traditional Buddhist arts from

Urthona – the landscape:Our guardian spirits are the romantic and revolutionary writers of early 19th century London – Blake, Hazlitt and Coleridge – and the Zen poets of Japan who were similarly drawn to the open, outer reaches of mind and culture. Our founding inspiration came from the Western Buddhist teacher Sangharaksh*ta who has always seen the arts as a key means of spiritual transformation

in the contemporary world. Here you will find essays on the arts as a means of rousing the imagination and communicating a sense of the sacred in ways that are relevant to the 21st century.Our VisionYou will find here a Romantic / Blakean concern for revolution as an attitude of mind which seeks to regenerate human perception as the means towards transformation of society. We value the language of myth as a vital means to explore human experience. The methods explored are those of the most inspired artists from the whole of human culture and the meditative techniques of mental cultivation which come principally from the Buddhist East. Longer articles and editor's blog at www.urthona.comFull catalogue of back issue for purchase at :https://urthona.com/urthona-shop-subscribe-to-current-issue-buy-back-issues/

The Dharma of FantasyOur issue on fantasy literature, issue 37, is almost ready to be printed!There will be amazing arti...
06/01/2025

The Dharma of Fantasy

Our issue on fantasy literature, issue 37, is almost ready to be printed!

There will be amazing articles on :
* Addiction and renunciation in The Lord of the Rings by Dayajava
* The Oxford Inklings and the quest for mythic renewal
* Finding love, patience & forgiveness through fantasy, by Maitriyogini
* Wonderful mythic artwork from Visshudimati and Moksananda

With fantastic artwork , including this rendition of 'the eye of Sauron' by Stirzocular –www.deviantart.com/stirzocular/gallery

Subscribe at www.urthona.com

Hubris doubtless, but I wonder if one could do a better translation of Beowulf than Heaney's... Or at least one that sti...
07/09/2024

Hubris doubtless, but I wonder if one could do a better translation of Beowulf than Heaney's... Or at least one that sticks more closely to the original alliterative form. Here's my attempt at the first few lines, Heaney's version in the photo...

Lo! The Spear-Danes glory in glad days of old,
Kings of the folk, whose fame spread wide –
How the princes of the people performed brave deeds.
There was Scyld Scefing, scurge the tribes,
Wrecking their mead-halls, rampaging far and wide.
A foundling at first he would flourish later
As he waxed beneath the sky, and his worth was proved.
In the end each clan across the whale-road
Had to grant him gifts. That was one good king!

Another cover idea for the exciting Urthona fantasy literature issue, due out in September, this time with the Dark Lord...
29/07/2024

Another cover idea for the exciting Urthona fantasy literature issue, due out in September, this time with the Dark Lord himself!!

Urthona cover: a first draft for cover of new issue. I think I might try to get a more dramatic mythic shot of Iceland.....
22/07/2024

Urthona cover: a first draft for cover of new issue. I think I might try to get a more dramatic mythic shot of Iceland...

Tolkien was deeply inspired by Icelandic saga, so an Icelandic landscape seems highly appropriate for our fantasy literature issue.

Ratnagarbha x

REVIEWS REVIEWS? I have run out of time to do a review section for Urthona, due out in September, but if anyone wants to...
22/07/2024

REVIEWS REVIEWS? I have run out of time to do a review section for Urthona, due out in September, but if anyone wants to send in a recommendation of a book or movie in that would be inspiring and helpful for Buddhists and others in these strange times, please do drop me a line, just a few sentences or a paragraph of 150 words would be fine.

All best Ratnagarbha x

By the way did anyone get to the Buddhism and Romanticism conference in Berlin recently?

Here's a book I found inspiring, thanks to Danavira!

The Dharma of FantasyWith great power comes great responsibilitySome of the greatest modern fantasy novel series are unf...
01/07/2024

The Dharma of Fantasy

With great power comes great responsibility

Some of the greatest modern fantasy novel series are unfinished. The Game of Thrones series by George Martin has five novels published, the final two have been awaited eagerly since 2011. Similarly for Patrick Rothfuss' unfinished Kingkiller trilogy.

Here at Urthona we cannot speed up these authors but we can ask why they have been so successful, making fantasy novels by far the best selling literary genre. And more importantly, we can ask what such writing has to offer the world. Is it just escapism? Or does it offer a doorway into wider vistas of myth, meaning and engagement with the human condition not easily available elsewhere?

Urthona Issue 37, due out later this summer, is about fantasy writing that engages the fundamental issues – of birth, death, power, pleasure, friendship, love and the need for wisdom in a fractured world, that all human beings must face one way or another.

Mythopoetic novels might be a better name for the genre at its best. It is writing that engages with who we really are, rather than offering comforting regression to a past that never existed.

Realism (whatever that is) can show us these issues embodied in the lives we think we actually live in the modern world. Fantasy writing can highlight the perennial themes of human life stripped of incidentals, in all of their raw, luminous power...

In Urthona Issue 37 well as articles covering the Inklings – C. S Lewis, J.R.R. Tolkien and Charles Williams – Buddhist writer Caroline Ivimey-Parr will be taking a broader look at modern fantasy and how it has helped her on her spiritual path (she has just been ordained into the Triratna Buddhist order):

"Fantasy novels were the outlet for an imagination and ambition that had little interest in worldly prosperity or status. I couldn’t articulate even to myself what I wanted, but I knew it was something of a different order to mundane life (‘This can’t be it. This can’t be all there is to life’). I wanted a purpose worth giving my whole being to; a family, mortgage, and 9-5 wouldn’t cut it. I was following an inkling of a meaning for life, a meaning that was cloaked in mystery and soaked in magic.."

Caroline doesn't mind that the Kingkiller Trilogy is unfinished:

"It seems fitting that my favourite fantasy series is exquisite, yet incomplete – like the Dharma life, beautiful and poignant, constantly moving towards an incomprehensible end.

Kvothe, the flawed hero of the Kingkiller Chronicles – who is suspended in a literary bardo – learns how to control the wind by the power of naming. With great power, naturally comes great responsibility. Something that Kvothe does not always live up to. Just so Ged, in Ursual Le Guin's Earth-Sea novels, misuses the power of naming to call up a shadow from the world of the dead that haunts him for the rest of the series. As Caroline says:

"In The Kingkiller Chronicles real magic is incomprehensible to the ordinary mind. Even when Kvothe stumbles across the true name of the wind, it is not a word he can simply recall. The knowledge is hidden within his mind; he does not control this power... Really seeing the world (either through the lens of magic, or removing the lenses/veils through Dharma practice) is such a different perspective to the everyday mind; it is essential to act with responsibility and with great care."

Find out more in Urthona 37, subscribe here:

https://urthona.com/urthona-shop-subscribe-to-current-issue-buy-back-issues/

Personally I love European oil painting, especially the Dutch Golden Age but find indo-tibetan art difficult to relate t...
30/06/2024

Personally I love European oil painting, especially the Dutch Golden Age but find indo-tibetan art difficult to relate to, so I thought I would ask an AI program to do some images in the style of Rembrand. And make the Buddha look like a real person! Naturally these have no value as art as such, but for me they point a direction that I do hope some artists will eventually take in depictions of the life of the Buddha and the early Sangha, years and years of training would be required of course...

16/06/2024

So I have a nasty cold I have been amusing myself by having a go at translating the famous book six of the Aeneid, concerning the cave of the Sybil and The Descent to the underworld. In this I have been assisted by the chatbot Gemini, it is actually better at translation than most of the other translation programs, and it even gives you helpful notes about what the key words mean and their poetic associations. Here is the first paragraph of book six, I have put it into rough pentameters. Some translators have attempted to reproduce Greco Roman hexamic meter, but that is a big challenge...

So he spoke while lamenting with bitter tears,
then gave the ships their rein, and at long last
they glide up on the shores of Euboean Cumae.
Now they swing their prows towards the sea;
with tenacious tooth the anchors hold the ships,
as the sterns gently graze the curved shores.
With eager hands the warriors leap out
upon the Hesperian strand; some strike
the seeds of fire hidden in veins of flint,
some plunder the thickets where beasts are hiding,
and some point out the freshwater streams they've found.
But faithful Aeneas seeks out the rocky cliffs
where high Apollo dwells, a vast cavern
is found there, the terrible secret place
of the Sibyl. Here the Delian god inspires
her mind to greatness, his spirit filling her,
and so the seer lays the future bare.
Now they approach the cave of the wild goddess
and walk into the golden halls of god.

Obviously this is not as good as the exceptionally vivid translation by Fagles, but it is more faithful to the original. For example he has 'biting grip' for 'dente tenaci' but tenacious tooth is more literal and it sounds toothy in English! Neither of use use the actual goddess mentioned in the last line here which is Trivia. To the Romans a deity of Crossroads and Wild places like hekate, but You really can't give that name a ring in English. Fagles has Diana instead.

Ratnagarbha verses AI!So I am working to some translations of Petrarch sonnets. I did some in blank verse but I aspire t...
31/05/2024

Ratnagarbha verses AI!

So I am working to some translations of Petrarch sonnets. I did some in blank verse but I aspire to do 14 of them in rhyme. Here is my attempt at the first in his famous sequence to the mysterious Laura. For fun I asked google's Gemini to have a go. It preserved the rhyme scheme, added an extraneous stanza which I have omitted, but failed to preserve the meaning of the very complex second stanza. And somewhat garbled the rest, but at least it does rhyme. A McGonagall version. Win to the human race!! But isn't it amazing that it managed to have a go...

Sonnet to Laura, 1, Ratnagarbha translation:

All you who've heard from wandering scraps of rhyme
those sighs on which I fed my foolish heart,
when in my youth I felt love’s brutal dart –
I was not then the person I’ve become.

All you who mark the reasoned sorrows found
throughout my songs, of hope and fear born.
If you yourselves have felt love’s bitter thorn,
then may your pity be with pardon crowned.

But now, alas, I see how my good name
is hopelessly embroiled in public scorn.
Myself I must convict of foolish schemes,

for the fruit of all my vanity is shame,
and deep repentance, of the knowledge born
that life’s sweet joys are merely fleeting dreams.

Sonnet to Laura, 1, Gemini AI translation:

Ye who in scattered verses hear the strain
Of sighs that fed my heart in youthful days,
When in my early years, I, yet unchained,
Was but a fledgling, far from what I've grown to be, this way,

Mark now the change, the years that swiftly glide,
The hopes once bright, now dimmed by time's cold hand,
The love that burned, now cooled by age's tide,
The dreams that soared, now buried in the sand.

But well I see, a spectacle to all,
A long-held tale, a source of frequent shame,
Wherefore I blush, within my heart's own hall,

And from my folly's fruit, regret's sharp flame,
And bitter knowledge, clear as day's bright gleam,
That all the world's delights are but a fleeting dream.

I was chuffed  to discover recently that I have a namesake of my surname who is a well known French landscape photograph...
08/04/2024

I was chuffed to discover recently that I have a namesake of my surname who is a well known French landscape photographer. Jean-Pierre Gilson. Not only that but he takes exactly the kind of black and white landscapes that I would aspire to in my own work.

Attached a few very low res scans of his work in Britain, and links to his portfolio actually I think his best work has been done in France.

https://www.jpgilson.fr/portfolio/territoires-de-france/

https://www.jpgilson.fr/portfolio/rivages/

Tolkien did not only write fantasy novels he was also a wonderful poet. He used many traditional styles - some of his be...
21/02/2024

Tolkien did not only write fantasy novels he was also a wonderful poet. He used many traditional styles - some of his best work is in Anglo-Saxon alliterative meters. This is his best alliterative poem I feel , it's about King Arthur's last few years leading up to his fatal battle with Mordred. But before that he encounters ghouls and specters on the fringes of Mirkwood - that's perhaps the best bit!

Wolves were howling on the woods border,
The windy trees wailed and trembled,
And wandering leaves wild and homeless,
Drifted dying in the deep hollows .
Dark lay the road through dank valleys,
Among mounting hills mist-encircled...

Just published my article on Coleridge and the Landscape of Vision
09/02/2024

Just published my article on Coleridge and the Landscape of Vision

Cheddar Gorge, Somerset, England, UK Coleridge and the landscape of vision A psycho-geographical essay by Ratnagarbha  The Quantocks in Somerset saw one of the greatest years of creativity in …

The forgotten Inkling, colleague of Tolkien and Lewis
19/12/2023

The forgotten Inkling, colleague of Tolkien and Lewis

C. S. Lewis (left) with brother Warnie, date unknown, presumably taken during Major Lewis’s retirement The Inklings, that informal but highly influential Oxford literary group, has had many b…

So i don't know if folk want to see this kind of imagery some people find AI images spooky and that is quite understanda...
04/12/2023

So i don't know if folk want to see this kind of imagery some people find AI images spooky and that is quite understandable. I did these strange moorland machine ones in the style of various 19th & 20th century artists such as John Piper & William Waterhouse. Personally I feel it is okay to prompt for artists who are long in the grave but living ones I'm not so sure...

Here is a link I have never thought before - Tolkien and William Blake!
26/09/2023

Here is a link I have never thought before - Tolkien and William Blake!

Annise Rogers explores the visual connection between J.R.R. Tolkien and William Blake.

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