20/10/2020
~ Film Soc Stop Motion Animation Recommendations ~
Hey everyone, we hope you are doing well in these troubling times without Lancaster University Film Society. The global pandemic, student union and governmental regulations may have hampered any screening or membership opportunities for the foreseeable future but we hope you are still enjoying the silver screen in your own accommodations.
As per the previous post around the theme of remakes, this week we shall be structuring the recommendation list around the topic of: Stop Motion Animation.
While this type of animation has never proven as viable at the box office as traditional 2D or CG, the artistry behind them arguably dwarfs the other styles of animation. As a Brit, the Bristol-based Aardman comes first to my mind when stop motion is up for discussion; few can deny their charm, inventiveness, and wit. To this day the chase sequence in The Wrong Trousers (1993) remains unsurpassed in any medium (fight me).
Or perhaps you thought of the works of Laika across the pond who made their name with the horror homages Coraline (2009) and Paranorman (2012). Two excellent features that deftly provided family audiences with emotional maturity and challenging subject rarely seen in their contemporaries.
Every now and then Tim Burton will poke his head into the arena and convinces another of the studios to dip their toes into the stop motion arena, think The Co**se Bride (2005) or Frankenweenie (2012). These films certainly have their cult audiences and prove this avenue for artistic expression to be a veritable goldmine, though they certainly harbour his gothic chauvinism to somewhat parodic extremes.
I could ramble on for an eternity to a deaf audience about Wes Anderson or Charlie Kaufman’s bouts in the medium, or travel back in time to the works of Ray Harryhausen , like Abe Simpson yelling at a cloud in that one episode of The Simpsons but skipping to the 3 recommendations for you this week would actually prove productive. So here we go:
-Kubo and the Two Strings (2016)-
The recent output of Laika, under Travis Knight, has veered into entertaining but rather feckless entertainment, think last year’s Missing Link which seems about as far from the horror fables of their early output as possible . The appeal of Kubo and the Two Strings therefore is how it marries Laika’s two eras into one sometimes spooky, always exciting quest film. Its eastern-inspired aesthetic differentiates it from any other in the medium, but ultimately, it’s the film’s poignant exploration of redemption and the legacy our relatives leave for us that makes Kubo stick with you long after viewing.
-The Adventures of Mark Twain (1985)-
Will Vinton was the self-proclaimed father, and patentholder, of ‘Claymation’. After dabbling in short films, he commissioned his studio to make the first feature length film to be made entirely out of clay. Over the course of four years Vinton and roughly seventeen animators painstakingly animated this homage to the works of Mark Twain in the back of a renovated barbershop. Detailing a dying Mark Twain’s odyssey to reach Halley’s Comet before his passing, this film illustrates the writer’s stories in accessible ways and explores the dichotomy of such a witty yet harrowed man in an incredibly visual way.
-Fantastic Planet (1973)-
Rene Laloux’s Fantastic Planet uses cut-outs instead of plastic figures, plasticine, or clay – once again demonstrating how versatile the stop motion animation umbrella is. The animation style and character designs will burn themselves in your retinas, a testament to the trippy experimentalism of vintage French cinema, but this science fiction epic about the sapient blue Draags’ domestication of our human descendants Oms is resonant for more than just its graphic design.
Thank you all for reading today’s recommendations. Hopefully, it will have inspired you to check out some of the films listed above, or at least provided some escapism in the 2020 hellscape.
We may not be functioning as we hoped we would but hearing from you guys is still something we love to make time for. If you have any suggestions or requests as to how the society should function when we reopen in person, or as we function digitally then we would love to hear from you.
Keep watching movies my friends and remember to stay safe,
Joe Hopewell, on behalf of the Film Soc exec
Sam Biddulph- President
Jon Robb- Treasurer
Joe Hopewell- Screening Secretary
Next week: Spooky Halloween Horror Movies