Rory Studio CIC

Rory Studio CIC Artist - Illustration - Animation - Theatre Director. Collaboration is a key factor in all of Paul’s projects. Will their bond help them defy the odds?

Paul Miller is a director of Surface Area Dance Theatre and the founder and director of Rory’s Studio, an award-winning arts organisation working across illustration, animation and live
theatre. As a Deaf British Sign Language user, Paul’s work is designed to illuminate andeducate on Deaf culture within mainstream spaces. Based in Newcastle, UK, Paul’s wide-ranging career has led him to work exte

nsively as an ambassador for Deaf Awareness. Notable projects include working with the 2012 Paralympics to
create a live-action short film representing a range of disabled children across the UK, receiving ACE and National Lottery Community funding to create a Youtube channel producing inclusive
children’s stories through lockdown, and working as a guest producer on Where Our Root Are Planted for BALTIC Centre for Contemporary Art. The project featured renowned deaf choreographer Antoine Hunter and a collaboration with the Royal Conservatoire in Scotland’s BA performance programme, the UK’s first dedicated conservatoire training for Deaf performers. This includes illustration for children’s book authors, partnering with the Royal Association of Deaf People and London’s Camden People's Theatre to create accessible performance work, and travelling to Tokyo to work with Japan Deaf Theatre, supported by Arts Council England’s Artist International Development Fund. Regardless of medium or location, the focus remains the same: working together to increase visibility, understanding and inclusion of Deaf culture in all areas of society, while delighting and exciting audiences along the way. The Gingerbread Witch
Supported by Arts Council England, The Gingerbread Witch was created first as a performance piece in collaboration with artists Vilma Jackson and Joel Daniel. Now devised as a full live touring production, it has also been adapted into animation. Hailing from the old mystical Scottish village of Oban, young twins Anders (deaf) and Aurora (hearing) share a special bond. Children have been inexplicably disappearing in the village for
generations until one day the twins find themselves at the heart of this mystery. This enchanting tale features a deaf character at its core, enabling deaf children to see themselves represented in media from a young age. It was awarded Best Artistic Short Film by Deaffest in 2019, Best Animation Short Film by Festival Clin d'Oeil, and in 2020 Colombia’s
International Deaf Arts Festival screened the theatre production virtually. Alexander on the Train
To celebrate his great grandfather’s 90th birthday, Alexander heads on an incredible train journey from Newcastle to Berwick. What will he find on his magical journey through the Northumberland countryside? Supported by Arts Council England, the National Lottery Community Fund and Surface Area Dance Theatre, Alexander on the Train features illustration alongside simultaneous voice narration and BSL interpretation. A heartwarming tale highlighting the beauty of everyday
moments, this short film reminds viewers of the childlike wonder the world around us can evoke. Whether it be a loving family or a rugged coastal view, Alexander on the Train seamlessly integrates communication for both hearing and deaf communities, highlighting how everyday enchantment can be a universal experience.

I’m delighted to share that students have thoroughly enjoyed the four workshops delivered this year, including Stop-Moti...
05/12/2025

I’m delighted to share that students have thoroughly enjoyed the four workshops delivered this year, including Stop-Motion Animation and How to Create a Children’s Book.

The students worked incredibly hard and showed real determination, proudly producing a finished book by the end of the programme.

Thank you for the wonderful feedback — it means a great deal.

Rory Studio and Surface Area are currently working to secure additional funding for the new year, with the aim of continuing to support young people across the North East. Our goal is to help students build confidence and develop future opportunities in the arts and theatre sectors.

Workshops were led by Paul Miller, founder of Rory Studio CIC.

With thanks to LNER, Surface Area Dance Theatre, and Leah Walker at Sandhill View Academy for their continued support.

The Tales of Victor The Misfits Creator Official Selection at Together! 2025 Disability Film Festival
04/12/2025

The Tales of Victor The Misfits Creator Official Selection at Together! 2025 Disability Film Festival

Official Selection at Together! 2025 Disability Film Festival.
04/12/2025

Official Selection at Together! 2025 Disability Film Festival.

20/11/2025
I’m truly honoured to be joining the Q&A panel at the Film London Festival alongside four incredible professional animat...
05/11/2025

I’m truly honoured to be joining the Q&A panel at the Film London Festival alongside four incredible professional animators. We’ll be discussing my work and my animated short film, which explores my experience as a deaf artist and the inspiration behind it.

I’m really excited and looking forward to the event on Saturday, 6th December. A huge thank you to Film London for this wonderful opportunity.

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Newcastle Upon Tyne
NE1

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My Work!

I am the founder and Director of Rory’s Studio and as a Deaf British Sign Language user, I strive to illuminate Deaf Culture within mainstream forums. I am a resident of Newcastle upon Tyne and an artist who has been educated in the north east, graduating from Newcastle College in 2005, with a foundation degree in animation and illustration. I began my professional career as an illustrator, working in collaboration with writer Julia Donaldson on her children’s book Gruffalo. Since then I have worked extensively as an ambassador for Deaf awareness. In 2012, I was invited by the Paralympics to produce and direct Driving Inspiration, a live action short film that included representation from disabled children from across the UK.

From 2014 - 2016, I began to research and develop Gothrella, - a theatre production made for Deaf and hearing children and families, which involved working in collaboration, with a team of eight professional artists. I extended the dissemination of my research, to involve members of the Deaf community living in London, this was achieved by working in partnership with the Royal Association of Deaf People and Camden People's Theatre, In total, 19 Deaf people and 22 hearing people engaged in the activity which was supported using public funding by the National Lottery through Arts Council England.

In 2015 I was appointed a Director of Surface Area Dance Theatre CIC, and have recently completed a national tour of Auricular performed at CCA: Glasgow, Berwick Visual Arts and Turner Contemporary. In May 2017 I travelled to Tokyo, Japan to collaborate with Japan Deaf Theatre and begin a creative dialogue with company members to explore thematic concepts found in the Ginger Bread Witch, which was supported by Arts Council England’s, Artist International Development Fund.

A strand of Rory’s Studio activity involves international exchange and production, In September I was invited by BALTIC Centre for Contemporary Art to work in partnership with Nicole Vivien Watson as guest producers for Where our Root are Planted, a participatory project led by the internationally renowned deaf choreographer Antoine Hunter. Students and faculty from the Royal Conservatoire in Scotland took part in the activity, Claire Lamont, Head of BA Performance in BSL & English commented, “It has been wonderful to connect with the work that Nicole Vivien Watson and Paul Miller are leading. Since the BA Performance programme was launched in 2015 as the first dedicated conservatoire training in the UK for deaf performers we have appreciated this relationship and the opportunity it gives us to share knowledge and practice. It is so important for our students to connect with deaf artists and to find out about their pathways into the industry and how they approach the work they are developing. We are incredibly grateful to Nicole and Paul and look forward to an ongoing relationship”.