Trebuchet Magazine

Trebuchet Magazine Create Curate Collect. www.trebuchet-magazine.com
Print and online. 1. How did Trebuchet start? Art, Culture and Politics. Nevertheless, it happens.

Trebuchet was born through a desire to provide a platform for popular non-fiction. Many of our staff come from commercial media backgrounds or regimented academic backgrounds, the thrill then is to write from a place that is neither beholden to financial interests nor academic process but has the impact and appeal of the former and the insight of the latter. We hope that to this day Trebuchet con

veys our belief that smart fun creates joy.

2. What they have in common, what they shouldn’t have in common. This is a societal game of rock, scissors, paper. Art shapes culture, culture directs politics, politics inspires art. Each of them is a driving force to the other, and also a limiting agent. Art crystallises and concentrates the issues of its day, whether through a painting like Guernica or a meme based on the pepper-spray cop. It focuses complex issues into instant expressions, rendered suddenly sensory instead of cerebral. And therein lies its danger, because converting complex issues into instantly experienced artistic epiphanies bypasses our rational, analytic impulses. And unless we are very, very wary, can just as easily become a tool of propaganda as of exigesis. That’s where politics and art have too much in common - when the techniques of art are used for political ends. It exists in every stage-managed pause on a presidential autocue, down to the typography on a campaign poster. Which is why culture and society has to constantly evolve and develop its skills at deconstructing those propagandist messages. Ironically, it is through art, and artists, that societies are best at doing so. That can be something as simple as clever kids re-writing the slogans on billboard advertisements with a spraycan and a quip; through to a visual metaphor as instantly iconic and meaningful as the ballerina posing on the Wall Street Bull during Occupy. That’s where art, culture and politics become one and the same. And as for culture, dear old culture. Always the bridesmaid, never the bride. The bottom-up leaching of ideas, customs, manners, attitudes and every other human concept that defines any one group of people (usually in contrast to another group). A growth sector, liberated from its traditional boundaries by pocket technology that makes anyone with a fully-charged phone an international broadcaster. Culture: where a well-honed hashtag can topple governments, or alternatively, where the political, artistic, aesthetic and moral judgement of entire nations can be neutered by a cute picture of a kitten. Soak it up, it can’t be avoided, only documented.


3. What do you think are the problems of aesthetics and art critics in your context, and how do you think they could be solved? Seeing, feeling and writing beyond the press release. Beyond the established consensus. Every piece of art now comes with a meta-narrative, written by the artist, or by the artist’s PR agency. Suggestion is a poweful tool, and it takes a strong-willed critic to visit an exhibition and take the time to form their own judgement. Something as amorphous and subjective as an opinion on visual art is very easily manipulated, especially in a context where the viewer can feel intimidated into following a consensus. Everyone else thinks it’s wonderful, I think it’s dross. What’s wrong with me? It’s important to have art critics who are strong-willed enough to trust in their own experience, knowledge, and instinct. It also helps that many of Trebuchet’s art critics are established artists themselves, and know how to recognise a polished turd.


4. Secret wishes for Trebuchet Magazine? That we get even more self-confident and obtuse, more stubbornly intransigent in the face of dumbing-down; search engine optimisation; social network link-baiting, and all those peripheral but insistent distractions that ultimately dilute the impact of what is put on the page by our writers and photographers. Secret wish in a nutshell? That content will always be king. http://www.trebuchet-magazine.com

Kristen Hjellegjerde Gallery's Berlin chapter presents two challenging perspectives on the female experience....
22/07/2024

Kristen Hjellegjerde Gallery's Berlin chapter presents two challenging perspectives on the female experience....

Kristen Hjellegjerde Gallery’s Berlin chapter presents two challenging perspectives on the female experience.

A review of Mr. Bungle, supported by Spotlights, live at the O2 Ritz, Manchester, 13th June 2024....
19/07/2024

A review of Mr. Bungle, supported by Spotlights, live at the O2 Ritz, Manchester, 13th June 2024....

A review of Mr. Bungle, supported by Spotlights, live at the O2 Ritz, Manchester, 13th June 2024.

A review of Biennale Gherdëina 9: The Parliament of Marmots and GaMec: Thinking Like a Mountain. 2024 Italy.
16/07/2024

A review of Biennale Gherdëina 9: The Parliament of Marmots and GaMec: Thinking Like a Mountain. 2024 Italy.

A review of Biennale Gherdëina 9: The Parliament of Marmots and GaMec: Thinking Like a Mountain. 2024 Italy.

Featuring a selection of works by Argentinian artist, Laura Langer, Ilenia gallery in Shoreditch presents Mothers. Gathe...
15/07/2024

Featuring a selection of works by Argentinian artist, Laura Langer, Ilenia gallery in Shoreditch presents Mothers. Gathering works from multiple themes seen in previous collections, Mothers brings together various elements of Langer's work in a single space....

Featuring a selection of works by Argentinian artist, Laura Langer, Ilenia gallery in Shoreditch presents Mothers. Gathering works from multiple themes seen in previous collections, Mothers brings …

An interview with Magnus Renfrew in re Tokyo Gendai`
07/07/2024

An interview with Magnus Renfrew in re Tokyo Gendai`

An interview with art doyen Magnus Renfrew

Amsterdam Art Week: Contrast and Delight⁠⁠"For Amsterdam Art Week 2024 (29th May – 2nd June and scheduled for 2025 for 2...
07/07/2024

Amsterdam Art Week: Contrast and Delight⁠

"For Amsterdam Art Week 2024 (29th May – 2nd June and scheduled for 2025 for 21-25 May), the city extended the expected; established galleries showcased local-inflected works, including challenging student pieces. Angles ranged from arch political comment to cultural boat tours along historical canals and, of course, boutique hotels displaying rare works from their often shuttered private collections. But in our globalised world, what is it about Amsterdam art week that makes it something specific to Amsterdam? "⁠

Read more link in bio ⁠




Img: Josse Pyl ⁠
⁠art ⁠


An Exploration of Global Artists, Local Narratives, and Environmental Consciousness on the Balearic Island...
03/07/2024

An Exploration of Global Artists, Local Narratives, and Environmental Consciousness on the Balearic Island...

An Exploration of Global Artists, Local Narratives, and Environmental Consciousness on the Balearic Island

A three-week residency in Cambridge sees Megan Rooney bring all new large-scale works on canvas, a series of dance perfo...
01/07/2024

A three-week residency in Cambridge sees Megan Rooney bring all new large-scale works on canvas, a series of dance performances and a site-specific mural painted directly onto the walls of Kettle’s Yard gallery....

A three-week residency in Cambridge sees Megan Rooney bring all new large-scale works on canvas, a series of dance performances and a site-specific mural painted directly onto the walls of Kettle’s…

Celebrating 60 years of diplomatic relations between South Korea and Kenya, the eagerly awaited exhibition Dance to the ...
25/06/2024

Celebrating 60 years of diplomatic relations between South Korea and Kenya, the eagerly awaited exhibition Dance to the Rhythm of My Soul arrives at the Nairobi National Museum this August for a dazzling month-long run....

Celebrating 60 years of diplomatic relations between South Korea and Kenya, the eagerly awaited exhibition Dance to the Rhythm of My Soul arrives at the Nairobi National Museum this August for a da…

Edinburgh creative space Fruitmarket prepares to host Zodiac Journey—a documentation of artist Jill Smith's performances...
21/06/2024

Edinburgh creative space Fruitmarket prepares to host Zodiac Journey—a documentation of artist Jill Smith's performances across the Outer Hebrides archipelago....

Edinburgh creative space Fruitmarket prepares to host Zodiac Journey—a documentation of artist Jill Smith’s performances across the Outer Hebrides archipelago.

An overview of An Other View — Joan Semmels' reimagining of the female form released from the ever-present leer of the m...
20/06/2024

An overview of An Other View — Joan Semmels' reimagining of the female form released from the ever-present leer of the male gaze....

An overview of An Other View — Joan Semmels’ reimagining of the female form released from the ever-present leer of the male gaze.

The immersive soundscapes of Sam Lee's contemporary folk music fill the Round Chapel in east London...
19/06/2024

The immersive soundscapes of Sam Lee's contemporary folk music fill the Round Chapel in east London...

The immersive soundscapes of Sam Lee’s contemporary folk music fill the Round Chapel in east London

Getting inside the head of the artist, or at the very least, of his creation. Artist Paul Robinson/LUAP explains the Pin...
14/06/2024

Getting inside the head of the artist, or at the very least, of his creation. Artist Paul Robinson/LUAP explains the Pink Bear Pavilion in Hamburg, Germany....

Getting inside the head of the artist, or at the very least, of his creation. Artist Paul Robinson/LUAP explains the Pink Bear Pavilion in Hamburg, Germany.

Theory meets anecdote in philosopher Emanuele Coccia’s new work....
12/06/2024

Theory meets anecdote in philosopher Emanuele Coccia’s new work....

Theory meets anecdote in philosopher Emanuele Coccia’s new work.

A preview of Tokyo Gendai international art fair, showcasing curated presentations by internationally recognised contemp...
07/06/2024

A preview of Tokyo Gendai international art fair, showcasing curated presentations by internationally recognised contemporary art galleries....

A preview of Tokyo Gendai international art fair, showcasing curated presentations by internationally recognised contemporary art galleries.

The weight of her country’s history and the ongoing phenomenon of enforced disappearances...
05/06/2024

The weight of her country’s history and the ongoing phenomenon of enforced disappearances...

The weight of her country’s history and the ongoing phenomenon of enforced disappearances

The new art rijksakademie  .jeffs Check back for preview.
29/05/2024

The new art rijksakademie .jeffs
Check back for preview.

Karolina Halatek: Liminal spaces for visiting the sublime...
29/05/2024

Karolina Halatek: Liminal spaces for visiting the sublime...

Karolina Halatek: Liminal spaces for visiting the sublime

A preview of LUAP's €250,000 art prize...
27/05/2024

A preview of LUAP's €250,000 art prize...

A preview of LUAP’s €250,000 art prize

The revolutionary potential of sound art...
25/05/2024

The revolutionary potential of sound art...

The revolutionary potential of sound art

Destilacija [RMZ-24] by Sz. Berlin ± Panic [Premiere]...
22/05/2024

Destilacija [RMZ-24] by Sz. Berlin ± Panic [Premiere]...

Destilacija [RMZ-24] by Sz. Berlin ± Panic [Premiere]

A preview of Blue Sky Red by Veronica Smirnoff at Candida Stevens Gallery, 2024....
20/05/2024

A preview of Blue Sky Red by Veronica Smirnoff at Candida Stevens Gallery, 2024....

A preview of Blue Sky Red by Veronica Smirnoff at Candida Stevens Gallery, 2024.

The story behind the touring exhibition “In the Eye of the Storm: Modernism in Ukraine, 1900-1930”...
16/05/2024

The story behind the touring exhibition “In the Eye of the Storm: Modernism in Ukraine, 1900-1930”...

The story behind the touring exhibition “In the Eye of the Storm: Modernism in Ukraine, 1900-1930”

Places: The Potential of Space...
15/05/2024

Places: The Potential of Space...

Places: The Potential of Space

Studies in the intersection of East Asian spiritual and aesthetic traditions with the emotional and philosophic rhythms ...
14/05/2024

Studies in the intersection of East Asian spiritual and aesthetic traditions with the emotional and philosophic rhythms of contemporary artistic practice

Studies in the intersection of East Asian spiritual and aesthetic traditions

Interacting with physical surfaces, both skin and fabric, was a source of contention during the pandemic—a site of disco...
14/05/2024

Interacting with physical surfaces, both skin and fabric, was a source of contention during the pandemic—a site of discomfort and sensitivity around the transference of germs. In the years following the formalised parameters of viral transmission, the body is a reminder of that cautious time in recent memory. Academic surveys report that Gen Z are having less s*x than previous generations…...

Interacting with physical surfaces, both skin and fabric, was a source of contention during the pandemic—a site of discomfort and sensitivity around the transference of germs. In the years followin…

A review of Softer, Softest at Guts Gallery, London....
10/05/2024

A review of Softer, Softest at Guts Gallery, London....

A review of Softer, Softest at Guts Gallery, London.

An interview with artist Jon Kipps...
08/05/2024

An interview with artist Jon Kipps...

An interview with artist Jon Kipps

The constructs of Jon Kipps...
01/05/2024

The constructs of Jon Kipps...

The constructs of Jon Kipps

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How did Trebuchet start

Trebuchet was born through a desire to provide a platform for popular non-fiction. Many of our staff come from commercial media backgrounds or regimented academic backgrounds, the thrill then is to write from a place that is neither beholden to financial interests nor academic process but has the impact and appeal of the former and the insight of the latter. We hope that to this day Trebuchet conveys our belief that smart fun creates joy. 2. Art, Culture and Politics. What they have in common, what they shouldn’t have in common. This is a societal game of rock, scissors, paper. Art shapes culture, culture directs politics, politics inspires art. Each of them is a driving force to the other, and also a limiting agent. Art crystallises and concentrates the issues of its day, whether through a painting like Guernica or a meme based on the pepper-spray cop. It focuses complex issues into instant expressions, rendered suddenly sensory instead of cerebral. And therein lies its danger, because converting complex issues into instantly experienced artistic epiphanies bypasses our rational, analytic impulses. And unless we are very, very wary, can just as easily become a tool of propaganda as of exigesis. That’s where politics and art have too much in common - when the techniques of art are used for political ends. Nevertheless, it happens. It exists in every stage-managed pause on a presidential autocue, down to the typography on a campaign poster. Which is why culture and society has to constantly evolve and develop its skills at deconstructing those propagandist messages. Ironically, it is through art, and artists, that societies are best at doing so. That can be something as simple as clever kids re-writing the slogans on billboard advertisements with a spraycan and a quip; through to a visual metaphor as instantly iconic and meaningful as the ballerina posing on the Wall Street Bull during Occupy. That’s where art, culture and politics become one and the same. And as for culture, dear old culture. Always the bridesmaid, never the bride. The bottom-up leaching of ideas, customs, manners, attitudes and every other human concept that defines any one group of people (usually in contrast to another group). A growth sector, liberated from its traditional boundaries by pocket technology that makes anyone with a fully-charged phone an international broadcaster. Culture: where a well-honed hashtag can topple governments, or alternatively, where the political, artistic, aesthetic and moral judgement of entire nations can be neutered by a cute picture of a kitten. Soak it up, it can’t be avoided, only documented. 3. What do you think are the problems of aesthetics and art critics in your context, and how do you think they could be solved? Seeing, feeling and writing beyond the press release. Beyond the established consensus. Every piece of art now comes with a meta-narrative, written by the artist, or by the artist’s PR agency. Suggestion is a poweful tool, and it takes a strong-willed critic to visit an exhibition and take the time to form their own judgement. Something as amorphous and subjective as an opinion on visual art is very easily manipulated, especially in a context where the viewer can feel intimidated into following a consensus. Everyone else thinks it’s wonderful, I think it’s dross. What’s wrong with me? It’s important to have art critics who are strong-willed enough to trust in their own experience, knowledge, and instinct. It also helps that many of Trebuchet’s art critics are established artists themselves, and know how to recognise a polished turd. 4. Secret wishes for Trebuchet Magazine? That we get even more self-confident and obtuse, more stubbornly intransigent in the face of dumbing-down; search engine optimisation; social network link-baiting, and all those peripheral but insistent distractions that ultimately dilute the impact of what is put on the page by our writers and photographers. Secret wish in a nutshell? That content will always be king. http://www.trebuchet-magazine.com

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