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12/07/2024

Get vinyl LP Malasaña Republic at play loud! archive & store

Dear all,We are happy to announce a special collaboration between play loud! and silent green, one of the most exciting ...
08/07/2024

Dear all,

We are happy to announce a special collaboration between play loud! and silent green, one of the most exciting cultural spaces in Berlin.

Two years ago, we contacted Beth B regarding her film work. At one point, she asked if maybe play loud! could help to set up an event in Berlin. We got in touch with silent green, and now we are glad to see that things are falling into place.

silent green presents Now Wave: Beth B – Glowing, an extensive exhibition and retrospective to the US-American artist. It runs from August 15th - August 25th, 2024.

In conjunction with the exhibition, play loud! presents the original soundtrack album by Jim Coleman (Cop Shoot Cop). It is already available on all major streaming platforms:
https://orcd.co/jimcolemanbethbnowwavesoundtrack

For those who like the physical experience, the 32-page exhibition catalogue will include a CD with Coleman´s complete soundtrack. It can be pre-ordered through our play loud! archive&store.

Pre-order the art catalog including CD at play loud! archive & store

Now Wave: Beth B - Glowing: Exhibition catalogue + CD with original soundtrack by Jim ColemanWe are happy to announce a ...
08/07/2024

Now Wave: Beth B - Glowing: Exhibition catalogue + CD with original soundtrack by Jim Coleman
We are happy to announce a special collaboration between play loud! and silent green, one of the most exciting cultural spaces in Berlin.
silent green presents Now Wave: Beth B – Glowing, an extensive exhibition and retrospective to the US-American artist. It runs from August 15th - August 25th, 2024.
In conjunction with the exhibition, play loud! presents the original soundtrack album by Jim Coleman (Cop Shoot Cop). It is already available on all major streaming platforms:
https://orcd.co/jimcolemanbethbnowwavesoundtrack
For those who like the physical experience, the 32-page exhibition catalogue will include a CD with Coleman´s complete soundtrack. It can be pre-ordered through our play loud! archive&store: https://www.playloud.org/archiveandstore/en/cd/889-now-wave-glowing.html
Coleman collaborated with a stellar group of musicians and artists: Annie Bandez (Little Annie), Robert O. Leaver (This Wilderness, Birdthrower), Phil Puleo (Swans, Cop Shoot Cop), Jared Louche, Kirsten McCord, Paul Wallfisch, Vincent Dubuis, Nick Flynn, Evelyn Frantti, No Anger, Louise Hoffmeister and Bliss Blood.
The fusion of text, music, filmic image material, and performance create an immersive experience that is captivating and entertaining, but also confronts existential questions of human coexistence.
The universal stories of artists Nick Flynn, Little Annie, No Anger, Vincent Dubuis, Robert O. Leaver, and Evelyn Frantti confront perceptions and assumptions concerning heartache, disability, mental illness, and addiction alongside the visceral music by Jim Coleman accompanied by the artists and other creatives such as Phil Puleo, Kirsten McCord, Jared Louche, Bliss Blood and Paul Wallfisch. Voicing the unheard and seeing the unseen are themes that have run through Beth B’s films, art, and installation work with an eye to creating dialogue, community, and a place for self-knowledge and acceptance.

For our fans and friends in the US, get the double vinyl LP here:
30/06/2024

For our fans and friends in the US, get the double vinyl LP here:

"Moments Remixes began from a conversation with Jlin. We did an interview together for Talkhouse in fall of 2019, in season with the original Moments release on Unseen Worlds. Her poignant and effusive dialogue sparked the inspiration for us to do a remix together. That o...

More fun with The Pleasure Fu***rs:
12/06/2024

More fun with The Pleasure Fu***rs:

Use streaming platforms that pay artists decently. SPOTIFY is not among them.

Here goes the LP B side:
07/06/2024

Here goes the LP B side:

Get the LP at play loud! archive & store

07/06/2024

Do not use digital platforms that do not pay artsits & labels

05/06/2024

Excellent review of Limpe Fuchs' new album AMOR in The Wire Magazine.
Concert & record release on June 8 at the Galiläa Kirche in Berlin.
Here is an excerpt:
"Fuchs's recent records Pianoon and Piano In The Rain have marked her returning interest in the piano, her first instrument, while glimmers of more bound, storytelling songs have cropped up throughout her career. But Amor is her most sustained embrace of lyrics and storytelling. The album includes two bonus tracks documenting live performances. Euphonious, textural, abstract, they situate Amor as the surprising left turn it is. A testament to the ongoingness of Fuchs's practice, an openended commitment to playful invention that’s still springing surprises."
By Daryl Worthington

04/06/2024
African Paper schreibt eine Kritik zu Limpe Fuchs neuem Album Amor. Erhältlich bei play loud! productions
03/06/2024

African Paper schreibt eine Kritik zu Limpe Fuchs neuem Album Amor. Erhältlich bei play loud! productions

Auf Lampe Fuchs' neuem Album "Amor" dreht sich, wie der Titel bereits vermuten lässt, alles um die Liebe, ein Thema, das öfter mal und vermutlich zurecht als das meist besungene Thema in der populären Musik bezeichnet wird. ...

28/05/2024
Da würde ich hingehen:
28/05/2024

Da würde ich hingehen:

FAMILIE HESSELBACH Als "das wichtigste Organ des Tübinger Untergrunds" bezeichnet Frank Apunkt Schneider in seinem Buch "Als die Wel...

GET THE DOUBLE VINYL LP by Michael Vincent Waller feat.  Moor Mother, Jlin, DJ Marcelle, XiuXiu, Yu Su, Fennesz, Loraine...
28/05/2024

GET THE DOUBLE VINYL LP by Michael Vincent Waller feat. Moor Mother, Jlin, DJ Marcelle, XiuXiu, Yu Su, Fennesz, Loraine James, Prefuse 73, Lex Luger, Jefrey Cantu, Lafawndah, Carmen Villian, Levon Vincent, Tom VR & Ka Baird https://orcd.co/michaelvincentwallerremixdoublealbum

Liebe Freundinnen und Freunde der Familie Hesselbach. Joe Whirlypop hat eine wunderbare Plattenkritik zu "Süddeutschland...
28/05/2024

Liebe Freundinnen und Freunde der Familie Hesselbach. Joe Whirlypop hat eine wunderbare Plattenkritik zu "Süddeutschland & Der Untergang des Hauses H." geschrieben. Noch gibt es rote Vinylscheiben. Und nicht vergessen, dass SPOTIFY kleine Labels mit unter tausend Klicks nicht mehr bezahlt.
_______

VÖ: 10. Mai 2024 (Play Loud!)

Familie Hesselbach - Süddeutschland & Der Untergang Des Hauses H.

Krönender Abschluss (?) der Familie Hesselbach-Werkschau – was für ein großartiges Stück Musikgeschichte aus der schwäbischen Provinz. Waren die ersten Releases der Tübinger Postpunks noch recht sperrig und wild, entfaltet die Band auf diesen letzten Songs vor dem einstweiligen Karriereende eine erstaunliche Grandezza – spiel- und produktionstechnisch (sogar mit heute bei der Band umstrittenen Gast-Congas), aber auch was die Songqualität betrifft. Das limitierte Vinyl von Play Loud! fasst die vier Songs der anno 1984 bei Zickzack erschienenen „Süddeutschland“-EP (+ Bonus vom „lautt-Sampler") mit den Studiosongs der 1985 veröffentlichten Kassette „Der Untergang des Hauses H.“ zusammen. Was dann ein richtig knackiges 11-Song-Album aus der Spätphase der Familie Hesselbach ergibt. Als knapp zu spät Geborener finde ich das Werk fast schon sensationell frisch geblieben, knackig, funky, tanzbar und eingängig. Begeistert hat mich zuletzt auch das Stuttgarter Reunion-Konzert, wo sich die Band höchst spielfreudig und dynamisch präsentierte. Mindestens zwei Live-Hits der Hesselbachs finden sich auf der „Süddeutschland“-EP (nur echt mit dem bei John Ford geklauten Cover): „Rimini“ verheißt poppunkige Urlaubsträume, zum Tanzen und Mitsingen – ein Song, der auch den Ärzten gut stehen würde. Noch besser ist der Titelsong mit funky Fehlfarben-Gitarren-Lick und Ska-Gebläse, dazu der Monster-Groove von Lupes Joy Division- Bass – ein Hit fast ohne Vocals, irgendwo zwischen Pigbag, Talking Heads und James Chance. Bei den Songs des Abschlusswerks „Der Untergang des Hauses H.“ horcht man dann erst mal auf – hier wird auf Englisch gesungen! Auch diese Songs sind deutlich glatter als das rohe Frühwerk. Eingängiger Poppunk und zickiger New Wave mit knackigen Melodien trifft auf straighten Beat – damit lässt sich auch heute noch der Floor bei Postpunk-Parties füllen. Schade, dass die kreative Luft bei den Hesselbachs Mitte der 80er raus war – umso schöner, dass sie heute wieder da sind. Zuletzt gab es ein Konzert in Düsseldorf und auch in Stuttgart wird im Herbst wieder gespielt – ich freu mich schon sehr drauf. Wie schon bei den beiden vorangegangenen Reissues kommt auch dieses Album im perfekt aufbereiteten Remaster von Moritz Illner und mit den kundigen Linernotes von Frank Apunkt Schneider ("Als die Welt noch unterging").

(Joe Whirlypop / Glitterhouse)

Use digital platforms that pay artists & labels

https://www.indiewire.com/features/interviews/dont-knock-the-rock-festival-rarely-seen-allison-anders-1235005807/ Indiew...
24/05/2024

https://www.indiewire.com/features/interviews/dont-knock-the-rock-festival-rarely-seen-allison-anders-1235005807/ Indiewire writes about the up-coming music documentary film festival Don't Knock The Rock, curated by Allison & Tiffany Anders. play loud! will form part of this outstanding festival with three films. Tiffany Anders told IndieWire: On the virtual side, Tiffany points out that many of the films being screened have had little if any streaming presence, which makes the appearance of films like “Monks: The Transatlantic Feedback” so welcome. “The Monks documentary, which we showed back in 2006, is such a crazy story and there’s amazing footage of them,” Tiffany said of the film about a vital German-American beat band of the 1960s. It’s one of several entries from past festivals getting a new life on Cineville’s platform. “I’m really trying to shine a light on some films that have been lost. What’s cool about this is not only getting the chance to show some things that people likely missed, but to have it all in one place with Q&As and panel discussions and master classes.”

Allison Anders and Tiffany Anders give their picks for the best films of the 2024 'Don't Knock the Rock' festival at the American Cinematheque

MOJO about the last record by fabulous Familie Hesselbach, the lost treasure of German New Wave. Buy the real record and...
17/05/2024

MOJO about the last record by fabulous Familie Hesselbach, the lost treasure of German New Wave. Buy the real record and stay away from digital platforms that do not pay artists & labels: https://orcd.co/familiehesselbachsueddeutschland

Here goes the second digital single to what will be the new LP 'Malasaña Republic' by The Pleasure Fu***rs, due on June ...
15/05/2024

Here goes the second digital single to what will be the new LP 'Malasaña Republic' by The Pleasure Fu***rs, due on June 7, 2024.

Use digital platforms that pay artists & labels

10/05/2024

Use digital platforms that pay artists & labels

Heimatlose Jugend now also on bandcamp.
07/05/2024

Heimatlose Jugend now also on bandcamp.

2 track album

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play loud! productions (film & music)

play loud! productions is a film & music production & label, founded 1997 in New York by filmmakers Dietmar Post and Lucía Palacios. Since 2002 the office is in Berlin. www.playloud.org

play loud! productions is a Berlin-based film production company and film and music label, founded in 1997 in New York by filmmakers Dietmar Post and Lucía Palacios. They are primarily known for their award winning documentaries covering music (Monks, Klangbad, Donna Summer) and politics (Franco’s Settlers, German Pop and Circumstance) in addition to fiction short films (Bowl of Oatmeal, Cloven Hooved). Their films capture multiple perspectives of their subjects with thorough interviews (conversations), allowing viewers to draw their own conclusions. Similar to many writers, labels and musicians, such as, Mark Twain, Walt Whitman, Can, Kraftwerk, Faust, ESP, Ton Steine Scherben, Dead Kennedys, EA 80, Einstürzende Neubauten, SST, Trikont, Frederick Wiseman, and others play loud! releases their films on their own film and music label. German critic Andreas Döhler has called Post and Palacios the German counterpart to the American Direct Cinema directors D.A. Pennebaker and Chris Hegedus.

In 2008 the filmmakers started working on a large archive project, the “play loud! (live) music series”, which is based on three precepts: Alan Lomax‘s work as an archivist and chronicler, John Peel‘s BBC radio sessions, and the work of Direct Cinema pioneers, such as the Maysles Brothers, Leacock, Wildenhahn and Pennebaker. “Filming live shows means not doing things TV-style, but in a very personal, intuitive and adventurous manner – nothing is staged for the shoot. You go along with things as they happen.” Some of the live performances are filmed with only one camera in one continuous shot and without any edits. Some critics have dubbed it “filmed paintings/painted films”.

play loud!’s music films have been called: “raw, rough, canny, straightforward, adventurous, witty, insightful, direct, non-tricksy, economic, minimal, unpretentious handheld camera work, unobtrusive, discreet and in depth”.