Monika Fleischmann & Wolfgang Strauss

Monika Fleischmann & Wolfgang Strauss Monika Fleischmann (* 1950 in Karlsruhe) and Wolfgang Strauss (* 1951 near Nuremberg) German artists

MONIKA FLEISCHMANN & WOLFGANG STRAUSS
Research Artists Monika Fleischmann & Wolfgang Strauss describe their work on Information Visualization and Evocative Interfaces as Aesthetic Spaces of Experience or Knowledge Art [Wissenskunst]: How Knowledge evokes through interactive environments. Their artistic research is based on two areas: to study bodily perception in interactive environments (Liquid V

iews); and to experiment how knowledge can be unfolded with digital media (Media Flow). Fleischmann & Strauss have a long career in the creation of artistic research institutions. In 1987 they founded ART+COM (the Billion Dollar Code) in Berlin, the first German Research Laboratory for Art and Interactive Technology, in 1996 the MARS Exploratory Media Lab at GMD, the German National Research Institute for Information Technology in Bonn and in 2005 the eCulture Factory at Fraunhofer Research Society in Bremen. Their transdisciplinary research and development team of up to 50 artists and scientists from allover the world realized ahead of its time interfaces and applications. They built up netzspannung.org, one of the first media art archives and knowledge platforms based on semantic structuring of information (netzspannung.org/about). Netzspannung.org connects structure and content of the archive with innovative interfaces : The archive speaks (Media Flow). They are patent holders of novel interaction techniques for gesture based interaction (inspired by the theremin) and published more than 100 scientific or artistic articles. Many of their works has been awarded (Golden Nica of Ars Electronica) and exhibited worldwide over the last 26 years. The creation of knowledge within a networked information space - one of todays most important topics - was visualized with Energie-Passagen and performed in public space. Semantic Map and PointScreen were rated as groundbreaking products of the 21 century. Since 2010, most works of Fleischmann & Strauss are part of the collection of the ZKM | Center for Art and Media, Karlsruhe, Germany: Intersections of architecture and performance art that create participatory environments: YOU become a data performer. Their artistic research is documented on netzspannung.org (video) and was supported by EU, German Federal Ministry for Education and Research (BMBF) and partners such as Burda Akademie (Iconic Turn, pdf), DAAD, Goethe Institute, IFA. Monika Fleischmann
https://www.facebook.com/monika.fleischmann,
2014 - Momentum Women Art Technology - http://bit.ly/1smbXMZ
Wolfgang Strauss
https://www.facebook.com/wolfgang.strauss.33
YouTube Videos Fleischmann & Strauss - http://bit.ly/1opaWp7,

Don't miss 'Liquid Views' at the Tate Modern!'Liquid Views' (1992) – Beyond Narcissus: images from the public screening ...
27/05/2025

Don't miss 'Liquid Views' at the Tate Modern!

'Liquid Views' (1992) – Beyond Narcissus: images from the public screening at the opening of Electric Dreams at the Tate Modern in London. The exhibition runs until 1 June 2025.

Please submit a photo/video of your encounter for our research and next exhibition. Free access to our work through the gift shop, on the third floor, next to the café.
https://news.artnet.com/art-world/electric-dreams-tate-2590703

Dear friends, We are pleased to announce the forthcoming publication of our paper developed in response to Wolfgang's pr...
17/05/2025

Dear friends,
We are pleased to announce the forthcoming publication of our paper developed in response to Wolfgang's presentation at RE:SOURCE, the Media Art Histories Conference in Venice, 2023.
"The Online Archive as a Dynamic Thinking Space: From Search to Re-Search," by Monika Fleischmann and Wolfgang Strauss, will be published by Artnodes, Node 36, in English and Catalan.
Abstract
"This paper examines the evolution of digital archives from static repositories to dynamic, inter-active Thinking Spaces that fuse art, technology and education. Centred on the pioneering media art platform Netzspannung.org, we trace the development of performative interfaces – including the Semantic Map, Media Flow, and Matrix Browser – that reframe information retrieval as a co‐crea-tive, embodied process. By integrating techniques from artificial intelligence (AI) with principles of intelligence augmentation (IA), these tools empower people to explore, reinterpret and reassemble data in real time. The discussion extends to Energy Passages – a site‐specific installation that trans-forms urban space into a public arena for collective meaning‐making. Ultimately, the paper argues for a reconceptualization of online archives as interactive Thinking Spaces that stimulate reflective learning and democratic engagement in the digital age."
Fleischmann, Monika; Strauss, Wolfgang. 2025. «The online archive as a dynamic thinking space: from search to re-search». In: Francesca Franco and Clio Flego (coords.). Node «Memory matters: navigating the history of media art, science and technology» Artnodes, no. 36. UOC.
https://doi.org/10.7238/artnodes.v0i36.431331
https://raco.cat/index.php/Artnodes/article/view/431331
Many thanks to Francesca Franco, Clio Flego and Oriol Solé Granier for their valuable support.
No. 36 (June 2025). Memory Matters: Navigating the Histories of Media, Art, Science, and Technology."
DOI: https://doi.org/10.7238/artnodes.v0i36

In London in May 2025, the last month of the Fantastic Exhibition: 'Electric Dreams: Art and Technology Before the Inter...
07/05/2025

In London in May 2025, the last month of the Fantastic Exhibition:
'Electric Dreams: Art and Technology Before the Internet' can be seen on the 3rd floor of the Tate Modern (Bankside, London, England) until 1 June 2025. The exhibition is curated by Val Ravaglia, Odessa Warren and Kira Wainstein. Our interactive work 'Liquid Views' (1992) by Monika Fleischmann & Wolfgang Strausscan be seen in ROOM 15 - freely accessible via the Giftshop. We look forward to receiving photos and videos relevant to our research.
https://www.tate.org.uk/whats-on/tate-modern/electric-dreams
More in: "Beyond Narcissus: Seeing the self in the other" by Monika Fleischmann & Wolfgang Strauss, 2023, Intellect Ltd https://www.academia.edu/127014798/Beyond_Narcissus_Seeing_the_self_in_the_other

Photo: Liquid Views - Wolfgang Strauss, artist, Tate Modern, Nov 2024  'Liquid Views' (1992) and many other pioneering w...
30/03/2025

Photo: Liquid Views - Wolfgang Strauss, artist, Tate Modern, Nov 2024

'Liquid Views' (1992) and many other pioneering works in Electric Dreams at the Tate Modern, London, until 1 June 2025
[https://www.tate.org.uk/whats-on/tate-modern/electric-dreams/exhibition-guide]
Maybe someone is in London and has time to see our interactive work 'Liquid Views' (1992) in 'ROOM 15' of the 'Electric Dreams' exhibition on the third floor next to the café.
Please send us photos/videos of the encounter with yourself. ROOM 15 is accessible free of charge via the gift shop.
Love and kisses, Monika Fleischmann & Wolfgang Strauss

The Earl of Clancarty reviews 'Electric Dreams' at the Tate Modern, London, 27 February 2025."This Tate Modern exhibitio...
01/03/2025

The Earl of Clancarty reviews 'Electric Dreams' at the Tate Modern, London, 27 February 2025.

"This Tate Modern exhibition examining how art engaged with science, technology and material innovation before the age of the internet is a topical, Proustian assault on the senses

With the topicality of Artificial Intelligence, now is a good moment to look at how art has responded to and engaged with technology. The current exhibition at the Tate Modern, Electric Dreams, does precisely this in a survey that spans a period from the late 50s to the early 90s, just before the internet took off."

"The final piece in the exhibition, Liquid Views – Narcissus’ Digital Reflections (1992-3) by Monika Fleischmann and Wolfgang Strauss, poses helpful questions about the use of technology. You peer into a small screen below you and appear on a big screen on the wall as a face in a stream. To get the sense of what Narcissus was about, you could look into a real stream and see your own reflection in nature. But here the personal becomes something that can be viewed by anyone. Both, then, the benefit and curse of our contemporary digital lives."

Here is the impressive line-up of artists in the show: Rebecca Allen, Marina Apollonio, Manuel Barbadillo, Alberto Biasi, Vladimir Bonačić, Davide Boriani, Martha Boto, Pol Bury, Harold Cohen, Analivia Cordeiro, Waldemar Cordeiro, Carlos Cruz-Diez,
Charles Csuri, Computer Technique Group, Dadamaino, Atul Desai, Lucia Di Luciano, Ivan Dryer and Elsa Garmire, E.A.T., Monika Fleischmann and Wolfgang Strauss, Herbert W. Franke, Brion Gysin, Samia Halaby, Desmond Paul Henry, Hervé Huitric and Monique Nahas, Edward Ihnatowicz, Eduardo Kac, Hiroshi Kawano, Ben Laposky, Julio Le Parc, Ruth Leavitt, Liliane Lijn, Heinz Mack, Robert Mallary, Mary Martin, Almir Mavignier, Gustav Metzger, David Medalla, Tatsuo Miyajima, Manfred Mohr, Vera Molnar, François Morellet, Tomislav Mikulić, Fujiko Nakaya, Frieder Nake, Georg Nees, Akbar Padamsee, Nam June Paik and Jud Yalkut, Ivan Picelj, Otto Piene, Günther Uecker, Paolo Scheggi, Lillian F. Schwartz, Sonia Landy Sheridan, Aleksandar Srnec, Jesús Rafael Soto, Vera Spencer, Takis, Atsuko Tanaka, Jean Tinguely, Franciszka Themerson, Suzanne Treister, Wen-Ying Tsai

This Tate Modern exhibition examining how art engaged with science, technology and material innovation before the age of the internet is a topical,...

23/02/2025
Who would have thought in 1992 that 32 years later we would be in the world news such as NYT, Guardian, Standard, Wallpa...
13/12/2024

Who would have thought in 1992 that 32 years later we would be in the world news such as NYT, Guardian, Standard, Wallpaper, and others because we were part of the Electric Dreams exhibition at the Tate Modern? It took a while. :)
Alongside other visionary artists who have shaped digital art since the 1950s, we are showing 'Liquid Views - Narcissus' digital Reflection' (1992). We watched people interact with the piece in over 100 cities. All the kissing, playing, curious, and shy people who have approached the interactive installation over the past three decades have taught us something about how people from different cultural backgrounds around the world behave in front of an interactive virtual mirror.
Today, visitors take pictures with their mobile phones before they watch. For the first time in the UK, we may yet learn something special about Londoners - a curious audience.
https://houghtonmackay.com/new/electric-dreams-art-tech-before-the-internet-reviewed/emilyallen/

'Liquid Views' is in Room 15 next to the bookshop of the 'Electric Dreams' exhibition curated by Val Ravaglia at the Tate Modern until June 1, 2025. Come and experience it!

13/12/2024

See 'Liquid Views-Narcissus' Digital Reflection' (1992) in Electric Dreams at Tate Modern in London.

We are thrilled that the press has responded so enthusiastically to "Liquid Views" (1992), which is now on display at th...
01/12/2024

We are thrilled that the press has responded so enthusiastically to "Liquid Views" (1992), which is now on display at the Tate Modern until June 2025!
"Electric Dreams: Art and Technology Before the Internet at Tate Modern review: thrillingly experimental. This fusion of art and early technology is thoroughly engaging, so take your time." Nancy Durrant, The Standard
standard.co.uk/culture/exhibitions/electric-dreams-art-and-technology-before-the-internet-tate-modern-review-b1196277.html
"“So cool” reads the legend scrawled on the final page of my notes from the morning I spent in Tate Modern’s new exhibition, Electric Dreams. It was about the last piece, on display in the 15th room (the show is massive): an interactive video work by Monika Fleischmann and Wolfgang Strauss entitled Liquid Views – Narcissus’ Digital Reflections, made in 1992 when interaction with your own digitised image was still a new experience.
Capturing you on video in real time, it projects your reflection into a limpid pool on the wall. When you touch the screen in front of you, as well as making an incongruous electronic boop noise, it sends a ripple across the water.
The piece was intended as a metaphor for the then-emerging internet, but the artists can't possibly have predicted just how accurate it would be, more than 20 years down the line, as younger generations slip seamlessly between real and virtual existence, and social media endlessly reflects our own selves and biases back at us. It’s chilling, when you think about it – but it’s really fun if you don’t."

This fusion of art and early technology is all thoroughly engaging, so take your time

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PERFORMING DATA

MONIKA FLEISCHMANN & WOLFGANG STRAUSS “Our artistic research reflects an increasingly digitalized world of real and virtual presence. We invent emotional objects, allow data and the audience to perform in interactive stagings. Performing Data - as we call our media art - means experiencing the world as a metaphor. We visualize the present with mixed reality models. Participants become data performers and performance becomes the driving force for new knowledge. A space of thinking is created - a new kind of Denkraum. It's about reflecting on data and its impact on our existence.”

Research Artists Monika Fleischmann & Wolfgang Strauss describe their work on Information Visualization and Evocative Interfaces as Aesthetic Spaces of Experience or Knowledge Art [Wissenskunst]: How Knowledge evokes through interactive environments. Their artistic research is based on two areas: to study bodily perception in interactive environments (Liquid Views); and to experiment how knowledge can be unfolded with digital media (Media Flow). Fleischmann & Strauss have a long career in the creation of artistic research institutions. In 1987 they founded ART+COM in Berlin, the first German Research Laboratory for Art and Interactive Technology, in 1996 the MARS Exploratory Media Lab at GMD, the German National Research Institute for Information Technology in Bonn and in 2005 the eCulture Factory at Fraunhofer Research Society in Bremen. Their transdisciplinary research and development team of up to 50 artists and scientists from allover the world realized ahead of its time interfaces and applications. They built up netzspannung.org, one of the first media art archives and knowledge platforms based on semantic structuring of information (netzspannung.org/about). Netzspannung.org connects structure and content of the archive with innovative interfaces : The archive speaks (Media Flow). They are patent holders of novel interaction techniques for gesture based interaction (inspired by the theremin) and published more than 100 scientific or artistic articles. Many of their works has been awarded (Golden Nica of Ars Electronica) and exhibited worldwide over the last 26 years. The creation of knowledge within a networked information space - one of todays most important topics - was visualized with Energie-Passagen and performed in public space. Semantic Map and PointScreen were rated as groundbreaking products of the 21 century. Since 2010, most works of Fleischmann & Strauss are part of the collection of the ZKM | Center for Art and Media, Karlsruhe, Germany: Intersections of architecture and performance art that create participatory environments: YOU become a data performer. Their artistic research is documented on netzspannung.org (video) and was supported by EU, German Federal Ministry for Education and Research (BMBF) and partners such as Burda Akademie (Iconic Turn, pdf), DAAD, Goethe Institute, IFA.

Monika Fleischmann / FB actual https://www.facebook.com/Monika.FleischmannStrauss Monika Fleischmann / FB https://www.facebook.com/monika.fleischmann, 2014 - Momentum Women Art Technology - http://bit.ly/1smbXMZ Wolfgang Strauss / FB actual https://www.facebook.com/wolfgang.strauss.33 YouTube Videos Fleischmann & Strauss - http://bit.ly/1opaWp7