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Big Q Reviews Big Q Reviews is the Facebook presence for Q, the Editor of Scene: Reviews of Early Modern Drama.

Editorial about our pre-COVID theatrical nearsightedness.
13/05/2022

Editorial about our pre-COVID theatrical nearsightedness.

Recently published Editorial for the 2019 edition of Scene:

"Systemic racism, white supremacy, and historic culpability might be difficult truths for us to acknowledge when eagerly awaiting a post-pandemic return to theatrical normalcy, but it behooves us to recognize how, for many of our fellow citizens, the opportunity to attend an early modern play and to consider its performative value is tainted by a fear for personal safety, the threat of racially-motivated violence, and a serious concern for the wellbeing of loved ones at the hands of those we invite to guard our fundamental human rights.

Let it be known, therefore, that Scene: Reviews of Early Modern Drama, like the US actors’ union to which some of the performers referenced in its reviews belong, likewise “commits to considering all options to help move forward the cause of racial and economic justice.”

https://journals.uvic.ca/index.php/scene/article/view/20639

Q reviews the SF Shakes King Lear, a socially-distanced experiment in live Shakespearean performance.
28/04/2022

Q reviews the SF Shakes King Lear, a socially-distanced experiment in live Shakespearean performance.

Scene Editor, Kevin Quarmby, reviews the San Francisco Shakespeare Festival's virtual production of King Lear with its innovative use of Zoom and Open Broadcast Software. https://journals.uvic.ca/index.php/scene/article/view/19800

Taming of the Shrew review from 2019, set in the Wild Wild West, thanks to Meredith Beales from the University of Britis...
28/03/2022

Taming of the Shrew review from 2019, set in the Wild Wild West, thanks to Meredith Beales from the University of British Columbia.

Meredith Beales reviews Bard on the Beach's 2019 pre-pandemic production of The Taming of the Shrew, relocated to a gun-toting Wild West. A “satire of sexism” or “simply a straight-up sexist play”? Beales explores how this Canadian company's production choices offer insights into both. https://journals.uvic.ca/index.php/scene/article/view/20637

A reminder that at the end of the pandemic tunnel there are masterclasses waiting in a theater near you!
17/03/2021

A reminder that at the end of the pandemic tunnel there are masterclasses waiting in a theater near you!

Check out Cliff Werier's excellent production notice for the 2019 Shakespeare Company productions of The Tempest and The Merchant of Venice in Calgary. As Werier says, "watching [Seana McKenna's] Shylock was like attending a masterclass in Shakespearean acting." Here's hoping we can all return to the theatrical homes of great masterclasses in the very near future.
https://journals.uvic.ca/index.php/scene/article/view/20088

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