Brick, A Literary Journal

Brick, A Literary Journal Brick brings international voices to Canadian readers, and Canadian voices to the world, in the widest and most galvanizing exploration of the arts possible.

Brick is a biannual international journal of literary non-fiction based in Toronto, featuring essays, interviews, and insights from the world’s best-loved writers and fresh, emerging voices. It prizes the personal voice and publishes essays, interviews, memoirs, cultural commentaries, and belles lettres on everything from film to food, as well as the occasional story or poem. Both up-to-date and d

eeply engaged with what has come before, the magazine celebrates opinion, passion, revelation, and the occasional bad joke.

"Vitti described her long relationship with Antonioni as a conversation, moving from the domestic to the artistic and ba...
02/07/2025

"Vitti described her long relationship with Antonioni as a conversation, moving from the domestic to the artistic and back again, which is the way she liked it."

Joanna Biggs rewatches Monica Vitti in Michelangelo Antonioni's " trilogia dell’incomunicabilità."

Read now in Literary Hub!

https://lithub.com/an-enigma-embodied-on-monica-vitti-italys-muse-of-incommunicability/
ID: On a beige background, a quote from Biggs's essay in Brick 114.

"Sometimes it feels as though I pay my therapist so that I can ask her, What does that even mean? over and over again. B...
02/05/2025

"Sometimes it feels as though I pay my therapist so that I can ask her, What does that even mean? over and over again. But when you email me after a year of not speaking, I feel it like an explosion in my chest and then realize, Oh, that’s what she meant."

Zoe Whittall on love, anxiety, and red flags. From her new poetry book, No Credit River. Now unlocked!

https://ocean.exacteditions.com/issues/116499/page/56?rc=bc5e919a-4618-41db-8715-5831a19b9c06
ID: On a purple background, a quote from Whittall's piece.

Artwork from Amitava Kumar's "Postcards from the Ganges," featured in the winter issue of Brick. Read the piece online: ...
01/24/2025

Artwork from Amitava Kumar's "Postcards from the Ganges," featured in the winter issue of Brick. Read the piece online: https://brickmag.com/postcards-from-the-ganges/
ID: Three postcard paintings my Amitava Kumar: Postmarked Highway 58 Near Chamoli, Postmarked Bali Island, Sundarbans, and Postmarked Devprayag

"Were I to write again about the day of my mother’s death, I might not mention the walk home from school, or the dog, or...
01/15/2025

"Were I to write again about the day of my mother’s death, I might not mention the walk home from school, or the dog, or my poor father, or my sister. I might leave out entirely that impassable sentence—my mother hanged herself… I might try, instead, to focus on the kettle."

From Robyn Davidson's "Self-Portrait with Imaginary Mother" in Brick 68.

https://brickmag.com/self-portrait-with-imaginary-mother/
ID: On a pale orange background, a quote from Davidson's essay.

"Also, the desire to write. To process thought and emotion but also set the self against a larger background."Amitava Ku...
01/13/2025

"Also, the desire to write. To process thought and emotion but also set the self against a larger background."

Amitava Kumar returns to India in our winter issue.

https://brickmag.com/postcards-from-the-ganges/
ID: On a light beige background, a quote from Kumar's piece.

"My father, on the topic of heartbreak, had nothing to say. On the topic of my heart, nothing to say. Except the fatherl...
01/10/2025

"My father, on the topic of heartbreak, had nothing to say. On the topic of my heart, nothing to say. Except the fatherly things-how could he leave you? Being my father, and thinking that there was only me like me. I was feeling rather acutely that there were in fact many potential mes."

Semi Chellas on infinity and lost love.

https://ocean.exacteditions.com/issues/85293/spread/68?rc=378f54c2-741e-4109-a2c1-fd69da364051
ID: On a purple background, a quote from Chellas's essay.

"The institution has no idea of the value of what it owns, of the papers that lie silent in its files. But what if it fo...
01/08/2025

"The institution has no idea of the value of what it owns, of the papers that lie silent in its files. But what if it found out? Then the hierarchy of intellectual value it embodies would allow it to destroy anything that does not closely align with its own project."

Iman Mersal on the nihilism of the archive.

https://ocean.exacteditions.com/issues/116499/spread/28?rc=154e5e42-78e1-46a7-80b7-9453ebedc9dc
ID: On a purple background, a quote from Mersal's essay.

"He told me his story with none of the drama we perceive in it but rather with a forceful pragmatism. I knew that was pr...
01/06/2025

"He told me his story with none of the drama we perceive in it but rather with a forceful pragmatism. I knew that was precisely the tone and plain language in which I had to write the book, if it was to be a faithful account."

Sunila Galappatti tells Commodore Boyagoda's story, cautiously, in Brick 98.

https://brickmag.com/did-he-go-stockholm/
ID: On a peach-coloured background, a quote from Galappatti's essay.

"In Tropisms, often regarded as essential to understanding the body of her work, Sarraute explores the different layers ...
01/03/2025

"In Tropisms, often regarded as essential to understanding the body of her work, Sarraute explores the different layers of the self that are formed prior to language and prior to sexual identity: 'On the inside, where I am, the sexes don’t exist,' she declared."

Lily Tuck on Nathalie Sarraute in Brick 94.

https://ocean.exacteditions.com/issues/83501/spread/100?rc=0c6c8d97-95b7-4187-8398-a91909b3adf
ID: On a brown background, a quote from Tuck's essay.

"Much of the best things in a [John] Ford film," said his devotee, Satyajit Ray, after Ford's death in 1973, "has the my...
12/30/2024

"Much of the best things in a [John] Ford film," said his devotee, Satyajit Ray, after Ford's death in 1973, "has the mysterious, indefinable quality of poetry. Because some of them appear casual-even accidental-it is difficult to realize how much experience and mastery lie behind them."

Amit Chaudhuri on the casual cinematic moment.

https://brickmag.com/the-casual-moment/
ID: On a sandy beige background, a quote from Chaudhuri's essay, which appears in Brick 75.

Go literary this Boxing Day and treat yourself or a loved one to a Brick subscription. Receive or send the finest in con...
12/26/2024

Go literary this Boxing Day and treat yourself or a loved one to a Brick subscription. Receive or send the finest in contemporary writing—essays, fiction, interviews, and poetry—to enjoy year-round.

Save $5 on all one- and two-year subscriptions with code BRICKTHEHALLS.

Add Brick to your Boxing Day haul by following https://brickmag.com/subscribe/.

It's the shortest (darkest) day of the calendar year, and we can't help but wondering, Why go out?Sheila Heti ruminates ...
12/21/2024

It's the shortest (darkest) day of the calendar year, and we can't help but wondering, Why go out?

Sheila Heti ruminates on the prospect of staying in and quitting people altogether. Read more on Brick's website.

https://brickmag.com/why-go-out/
ID: On a light beige background, an excerpt from Heti's essay.

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