Australian Screen Editors

24/03/2025

🎬 Happy ! Today, we’re featuring ASE member Kent Hau and his editing timeline for Soulmate.

Kent reflects on the experience:
🗣️ “About five years ago while the world turned into a dystopian nightmare I got to edit an even more dystopian nightmare with long time collaborator Looking back .movie has been one of my favourite projects where I got to explore an incredibly rich and bleak world. Here’s the editing timeline, a few of my favourite stills shot by and VFX by , the trailer and finally the poster also designed by Nik.”

Swipe through to see:
📽️ Kent’s editing timeline
🎞️ Stunning stills shot by
💻 VFX magic by

What do you think of Soulmate’s eerie world? Let us know in the comments! 👀👇

24/03/2025

For March’s catch-up we are featuring Editors and Assistants from the world of 🎬 Scripted.✂️

🎬 Christine Cheung
🎬 Ariel Shaw
🎬 Danielle Boesenberg
🎬 Angelique Pham
🎬 Kent Hau
🎬 Kasra Rassoulzadegan
🎬 Milena Romanin

Whether you’re a seasoned pro or just starting in post-production, everyone is welcome!
The ASE celebrates work from all genres & it’s exciting when people from other disciplines connect and share experiences.

📍 Keg and Brew Rooftop - 26 Foveaux St, Surry Hills NSW
⏰ 2-5pm Sunday, 30th March
🎈 No RSVP is necessary, just turn up on the day and look for the blue balloons!

Looking forward to seeing you all there!🎉

Accessibility information: Elevator access to the rooftop from the Ground floor. Ramp entrance via Foveaux Street.

Visual Description: Poster with pink background, containing a photo featuring a group of people with drinks, casually dressed, at a rooftop bar. Australian Screen Editors logo, the venue and the date of the event at the top of the poster. ‘Sydney Social’ in block letters and ‘Scripted’ at the bottom of the screen.

22/03/2025

17/03/2025

📣 Attention Queensland Post Peeps! Join us for our first social gathering of 2025!

📍Where: Riverland - Upper Main Deck, 167 Eagle Street
🗓️When: Friday, 21 March | 6:30 PM
🎈No RSVP needed - just turn up!

It’s the perfect chance to grab a drink, meet fellow Editors / Post People, and mingle! Keep an eye out for the blue ASE banner.

Can’t wait to see you there! 🥳

26/02/2025

📣 Calling all Australian Screen Editors (ASE) Members! We’re inviting expressions of interest from members who would like to contribute to key initiatives such as the ASE Podcast, Mentorship Program, and the Ellie Awards. You can tailor the level of your involvement based on your availability: whether it’s sending a few emails, writing an article for the newsletter, or organising a Q&A screening, there are plenty of ways to participate.

Register your interest at:
🔗 https://lnkd.in/gD9Vbg4i

Find out how to become a member at: https://lnkd.in/gFMaUTs2

25/02/2025

🎬 Happy ! Today we go behind the scenes into the suite of ASE member Matt Dale, editing 𝙏𝙝𝙚 𝙂𝙮𝙢𝙠𝙝𝙖𝙣𝙖 𝙁𝙞𝙡𝙚𝙨 for Amazon Prime / [HOONIGAN] in Avid Media Composer. 😍 Loving that vertical monitor!

Directed by Gil Marsden, 𝙏𝙝𝙚 𝙂𝙮𝙢𝙠𝙝𝙖𝙣𝙖 𝙁𝙞𝙡𝙚𝙨 takes viewers deep behind the scenes of one of the world’s wildest, most successful viral video franchises of all time, with over 500 million online views and counting.

🔗 Streaming now at https://lnkd.in/gi_zVZuy

23/02/2025

This episode has been contributed by the Victorian arm of the Australian Screen Editors Guild. Guest host Cindy Clarkson sits down with Editors Daniela Raulli and Adam Wright to discuss their collaboration on The Test: A New Era For Australia's Team.

Listen here https://tr.ee/7aB09oopKg

17/02/2025

Happy ! Today we are featuring The Jury Ep1. Edited by Peter Crombie ASE, Scott Walmsley, Pete Ward and Maude Rokvic in Avid Media Composer for Northern Pictures.

08/02/2025

A special shoutout to Mark Perry ASE, who won the AACTA Award for Best Editing in Television (Boy Swallows Universe, Episode 4) and to Gretchen Peterson, who won the AACTA Award for Best Editing in a Documentary (Midnight Oil: The Hardest Line). 🥳

05/02/2025

ASE is proud to present Dr Karen Pearlman ASE in Conversation
on Thursday 20th February, 2025, 7pm-9pm at Backlot Cinema,
West Perth, Western Australia.

Join us for a deep dive into editing creativity with Karen, including a screening of An Editor’s Anthology, her multi-award-winning trilogy of short films about historical women editors which reclaim and recognise the creative work of women filmmakers.

Karen is the author of the acclaimed textbook on editing, Cutting Rhythms. Her ideas about editing have reached audiences of over one million people through her books, lecturing, seminars, videos and presentations.
This is a free event but booking is essential as numbers are limited: https://www.trybooking.com/CYSTN

30/01/2025

Videocraft Pro is proud to present an Adobe Premiere Pro Masterclass created alongside editor Paul Murphy, best known for his YouTube series “The Premiere Pro” and book “The Cool Stuff in Premiere Pro”!

This is a specialist course geared towards experienced professional editors and promises to fine tune your skills in a range of valuable areas such as audio mixing, colour grading and motion graphics.

There are still 4 spots available so be sure to book now at https://lnkd.in/gqmignQD



https://www.linkedin.com/posts/jonbarrie_premierepro-training-postdontstop-ugcPost-7290222767252127744-7pd_?utm_source=social_share_sheet&utm_medium=member_desktop_web

28/01/2025

Bus Stop Employment is Hitting the Road
And You’re Invited! 🚍

In 2025, Bus Stop Films is turning 16. So we’re celebrating our Sweet 16with a Bus Stop Employment Roadshow, an epic journey across Australia to showcase the life-changing impact of our work!

🌟 What’s Happening?�We’re visiting 16 amazing locations across the country between February and June 2025, to connect with:

• Deaf, disabled or neurodivergent individuals seeking meaningful opportunities in the commercial, screen and media industries

• Inclusive employers and producers committed to building diverse, accessible workplaces.

🚎 Where to Find Us�Catch us at one of our Roadshow stops or Disability and Screen Expos! Come and meet the team and our Bus Stop Employment members. Say hello and get to know more about how we can assist you!

Our first stop is the Gold Coast Saturday 8th Feb 2025. HOTA, Home of the Arts at the AACTA Careers Expo. Surfers Paradise. Check the link below to see the full list of events, with more to come.

Proudly Supported by the Australian Government

Thanks to a Building Employer Confidence grant, we’re bringing this important conversation to communities nationwide.

27/01/2025

Happy ! Today we are featuring EAT THE INVADERS, edited using Adobe Premiere Pro Productions by Emma McGavisk. The show, hosted by Tony Armstrong, along with help from scientists, land carers, an artist and a chef, will attempt to turn our unwanted ecological trash into desirable culinary gold, in a provocative attempt to Eat the Invaders. This episode features one of Australia's most destructive pests: RABBIT

Currently airing Tuesday 8:30pm on ABC TV + all episodes available to stream on ABC iview now!

Series Editors: Emma McGavisk & David Scarborough ASE
Edited using: Adobe Premiere Pro Productions
Created by: Closer Productions
Series Writer / Director: Matthew Bate
Executive Producer / Producer: Rebecca Summerton
Producer: Sarah Wormald
Lead Researcher / Additional Writer: Poppy Fitzpatrick
DOP: Maxx Corkindale
Composer: Benjamin Speed
VFX & Motion Graphics: Raynor Pettge
Post Facility: Artisan Post Group

27/01/2025

Happy ! Today we are featuring EAT THE INVADERS, edited using Adobe Premiere Pro Productions by Emma McGavisk. The show, hosted by Tony Armstrong, along with help from scientists, land carers, an artist and a chef, will attempt to turn our unwanted ecological trash into desirable culinary gold, in a provocative attempt to Eat the Invaders. This episode features one of Australia’s most destructive pests: RABBIT 🐇

Currently airing Tuesday 8:30pm on ABC TV + all episodes available to stream on ABC iview now!

Series Editors: Emma McGavisk & David Scarborough ASE
Edited using: Adobe Premiere Pro Productions
Created by: Closer Productions
Series Writer / Director: Matthew Bate
Executive Producer / Producer: Rebecca Summerton
Producer: Sarah Wormald
Lead Researcher / Additional Writer: Poppy Fitzpatrick
DOP: Maxx Corkindale
Composer: Benjamin Speed
VFX & Motion Graphics: Raynor Pettge
Post Facility: Artisan Post Group

27/01/2025

This episode has been contributed by the Queensland arm of the Guild.
Guest host Stewart Tyrell joins ABC News and Current Affairs Editors, Roger Carter ASE and Rebecca Richardson (nee Murphy) to discuss their craft, editing within the fast paced National Broadcaster.

https://linktr.ee/finalfinallockedpodcast?utm_source=linktree_profile_share<sid=f0302f82-5220-470c-b946-cc12df45d74e

27/01/2025

🌈 Fall in love with q***r cinema at ! 💖
Q***r Screen’s 32nd Mardi Gras Film Festival is all about celebrating love—love for stories, love for community, and love for LGBTQIA+ cinema.
Sydney screenings: 13–27 Feb
Stream a handpicked selection on demand nationwide: 28 Feb–10 Mar
With over 140 films spanning romance, passion, and everything in between, it’s the perfect reason to grab your date, your mates, or fly solo and experience love.
Tickets are on sale now at q***rscreen.org.au

22/01/2025

Hey Sydney People! Flickerfest 2025 has been a great success with capacity audiences and excited filmmakers adding to the festival vibe. Don't miss out on the festival's final weekend with many more exciting sessions and filmmakers to meet before the Bondi festival wraps with the awards ceremony on Sunday. Get on down to Bondi Beach and experience the best short films from home and the world with exciting comedy, EU, and kids shorts hitting the big screen.

Check out the programme and grab your tickets at https://lnkd.in/gDuAra3u

21/01/2025

🎙️📣 𝗡𝗲𝘄 𝗘𝗽𝗶𝘀𝗼𝗱𝗲 𝗼𝗳 𝗙𝗶𝗻𝗮𝗹_𝗙𝗶𝗻𝗮𝗹_𝗟𝗼𝗰𝗸𝗲𝗱 𝗷𝘂𝘀𝘁 𝗱𝗿𝗼𝗽𝗽𝗲𝗱! In this episode, Sally Fryer ASE chats with Annabelle Johnson and Phoenix Chisholm. They discuss their co-editing experience on Heartbreak High. Phoenix transitioned from Assistant Editor to Additional Editor on Season 1, then was approached to co-edit episodes with Annabelle on Season 2. They shed light on how this came about.