Australian Screen Editors

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Australian Screen Editors

The Australian Screen Editors Guild is comprised of the best Screen Editors in Australia.

The Australian Screen Editors Guild (ASE) is a cultural, professional and educational organisation, dedicated to the pursuit and recognition of excellence in the arts, sciences and technology of motion picture film and televisual post production. It is a cultural, professional and educational organisation, dedicated to the pursuit and recognition of excellence in the arts, sciences and technology

of motion picture film and televisual post production. The Guild aims to promote, improve and protect the role of editor as an essential and significant contributor to all screen productions.

19/12/2024

Happy Holidays from all of us at ASE! 🎄✨ We’ll be taking a short break from December 23rd to January 12th. Wishing you a joyful and restful season, and we look forward to seeing you in the new year!

16/12/2024

👏👏 Congratulations to Ginger Woolley for winning 𝗕𝗲𝘀𝘁 𝗘𝗱𝗶𝘁𝗼𝗿 award for "The Wake" at the Swinburne University of Technology Film & Television Students' Showcase and Industry Awards. The award was presented by Shannon Michaelas from Australian Screen Editors (ASE) Victoria. Well done to all the winners! 🎬

11/12/2024

🎬👏 The Australian Screen Editors (ASE) Guild is thrilled to celebrate the incredible talent and dedication of our members nominated for next year's Australian Academy of Cinema and Television Arts (AACTA) Awards.

𝗕𝗲𝘀𝘁 𝗘𝗱𝗶𝘁𝗶𝗻𝗴 𝗶𝗻 𝗧𝗲𝗹𝗲𝘃𝗶𝘀𝗶𝗼𝗻

📺 Danielle Boesenberg: Colin From Accounts (Episode 3)
📺 Mark Perry ASE: Boy Swallows Universe (Episode 4)
📺 Leila Gaabi: Exposure (Episode 5)
📺 Katie Flaxman ASE: Fisk (Episode 3)
📺 Rodrigo Balart: The Artful Dodger (Episode 6)

𝗕𝗲𝘀𝘁 𝗘𝗱𝗶𝘁𝗶𝗻𝗴 𝗶𝗻 𝗙𝗶𝗹𝗺

🎥 Alexandre de Franceschi ASE & Maria Papoutsis: Force of Nature: The Dry 2
🎥 Eliot Knapman: Furiosa: A Mad Max Saga

𝗕𝗲𝘀𝘁 𝗘𝗱𝗶𝘁𝗶𝗻𝗴 𝗶𝗻 𝗮 𝗗𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆

🎬 Gretchen P.: Midnight Oil: The Hardest Line
🎬 johanna scott: ONEFOUR: Against All Odds
🎬 Orly Danon ASE: Revealed: Ben Roberts-Smith – Truth on Trial
🎬 Sean Lahiff ASE: The Speedway Murders
🎬 Karen Johnson: Welcome to Babel

We are so proud of your exceptional contributions to storytelling and your well-deserved recognition. The ASE community is cheering you on—congratulations and best of luck! 🏆🥳

09/12/2024

🎄 Queensland Screen Industry Christmas Drinks 🎄

Jingle and Mingle, it's that time of year, Join us for joy and holiday cheer!
For a cinematic Christmas celebration that's just right!
Let's jingle and mingle, our film family is here,
To toast the season and share holiday cheer!

Thursday 12th December 6.00-10.00 pm
The Sound Garden - 318 Brunswick St, Fortitude Valley,

Link: https://QLDScreenChristmasDrinks.eventbrite.com.au

$15 for members
$20 for non-members

1 standard drink is included with the ticket purchase.

06/12/2024

🏆🐘 We want your feedback! 🐘🏆

Did you attend the Ellies or the Cutting It Editing Festival this year? We'd love to hear your thoughts!

Check your inbox for a feedback form—it only takes a few minutes to complete and is entirely anonymous. Your input helps us make next year’s event even more memorable and impactful.

Thank you for helping us celebrate and improve together!

05/12/2024

The Australian Screen Editors Guild is thrilled to announce the recipients of the 2025 Diverse Voices Mentorship are:

Jeremy Nicol
Jodie Nguyen
John Schmidt
Megan Finlay
Nikolaos Aridas

‘Diverse Voices’ is designed to support underrepresented talent within the Guild. Thank you to everyone that applied, we received many outstanding submissions. We also wish to thank our incredible mentors for their support of the program.

02/12/2024

🎄 VIC ASE Christmas Catch-Up 🎄

Head along for the final VIC ASE social event of the year! Let’s wrap up 2024 with some festive cheer, great chats, and a drink or two before everyone heads off for the holiday season.

📍 Where: Beer Deluxe, Fed Square (next to ACMI)
📅 When: Sunday, 15th December, 2–5 PM
🚶‍♀️ Just a 2-minute walk from Flinders Street Station!

Whether you're a regular or a new face, everyone in the post-production community is welcome. Come down and celebrate the year with us! 🍻🎉

02/12/2024

📣 South Australian ASE Members 📣

01/12/2024

The ASE’s 2024 Lifetime Member is awarded to Phillippa Harvey
Presented by her AFTRS colleagues Roland Gallois ASE & Milena Romanin

📸 Photography Julia Firak

𝘓𝘪𝘧𝘦𝘵𝘪𝘮𝘦 𝘔𝘦𝘮𝘣𝘦𝘳𝘴𝘩𝘪𝘱𝘴 𝘢𝘳𝘦 𝘢𝘸𝘢𝘳𝘥𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘈𝘶𝘴𝘵𝘳𝘢𝘭𝘪𝘢𝘯 𝘚𝘤𝘳𝘦𝘦𝘯 𝘌𝘥𝘪𝘵𝘰𝘳𝘴 𝘎𝘶𝘪𝘭𝘥 𝘵𝘰 𝘪𝘯𝘥𝘪𝘷𝘪𝘥𝘶𝘢𝘭𝘴 𝘸𝘩𝘰 𝘩𝘢𝘷𝘦 𝘮𝘢𝘥𝘦 𝘴𝘪𝘨𝘯𝘪𝘧𝘪𝘤𝘢𝘯𝘵 𝘤𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘵𝘪𝘰𝘯𝘴 𝘵𝘰 𝘵𝘩𝘦 𝘴𝘤𝘳𝘦𝘦𝘯 𝘪𝘯𝘥𝘶𝘴𝘵𝘳𝘺 𝘰𝘷𝘦𝘳 𝘢𝘯 𝘦𝘹𝘵𝘦𝘯𝘥𝘦𝘥 𝘱𝘦𝘳𝘪𝘰𝘥, 𝘱𝘰𝘴𝘪𝘵𝘪𝘷𝘦𝘭𝘺 𝘪𝘮𝘱𝘢𝘤𝘵𝘪𝘯𝘨 𝘦𝘥𝘪𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘌𝘥𝘪𝘵𝘰𝘳𝘴.

𝘖𝘶𝘳 𝘓𝘪𝘧𝘦𝘵𝘪𝘮𝘦 𝘔𝘦𝘮𝘣𝘦𝘳𝘴 𝘩𝘢𝘷𝘦 𝘢𝘭𝘭 𝘮𝘢𝘥𝘦 𝘢 𝘮𝘦𝘢𝘯𝘪𝘯𝘨𝘧𝘶𝘭 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘤𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘦𝘥𝘪𝘵𝘪𝘯𝘨 𝘱𝘳𝘰𝘧𝘦𝘴𝘴𝘪𝘰𝘯. 𝘚𝘰𝘮𝘦 𝘢𝘳𝘦 𝘌𝘥𝘪𝘵𝘰𝘳𝘴 𝘸𝘩𝘰 𝘳𝘦𝘵𝘪𝘳𝘦𝘥 𝘧𝘳𝘰𝘮 𝘳𝘦𝘨𝘶𝘭𝘢𝘳 𝘦𝘥𝘪𝘵𝘪𝘯𝘨 𝘸𝘰𝘳𝘬 𝘣𝘦𝘧𝘰𝘳𝘦 𝘰𝘶𝘳 𝘢𝘸𝘢𝘳𝘥𝘴 𝘢𝘯𝘥 𝘢𝘤𝘤𝘳𝘦𝘥𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘴𝘺𝘴𝘵𝘦𝘮𝘴 𝘸𝘦𝘳𝘦 𝘦𝘴𝘵𝘢𝘣𝘭𝘪𝘴𝘩𝘦𝘥, 𝘸𝘩𝘰𝘴𝘦 𝘢𝘤𝘩𝘪𝘦𝘷𝘦𝘮𝘦𝘯𝘵𝘴 𝘵𝘩𝘦 𝘎𝘶𝘪𝘭𝘥 𝘴𝘰𝘶𝘨𝘩𝘵 𝘵𝘰 𝘳𝘦𝘤𝘰𝘨𝘯𝘪𝘻𝘦 𝘪𝘯 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘺.

𝘖𝘵𝘩𝘦𝘳𝘴 𝘢𝘳𝘦 𝘪𝘯𝘥𝘪𝘷𝘪𝘥𝘶𝘢𝘭𝘴 𝘸𝘩𝘰 𝘩𝘢𝘷𝘦 𝘸𝘰𝘳𝘬𝘦𝘥 𝘣𝘦𝘩𝘪𝘯𝘥 𝘵𝘩𝘦 𝘴𝘤𝘦𝘯𝘦𝘴 𝘰𝘯 𝘣𝘦𝘩𝘢𝘭𝘧 𝘰𝘧 𝘌𝘥𝘪𝘵𝘰𝘳𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘢𝘳𝘵 𝘰𝘧 𝘦𝘥𝘪𝘵𝘪𝘯𝘨, 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘪𝘯𝘨 𝘰𝘶𝘳 𝘤𝘳𝘢𝘧𝘵 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦𝘪𝘳 𝘴𝘬𝘪𝘭𝘭𝘴 𝘢𝘯𝘥 𝘥𝘦𝘥𝘪𝘤𝘢𝘵𝘪𝘰𝘯.

𝘓𝘪𝘧𝘦𝘵𝘪𝘮𝘦 𝘔𝘦𝘮𝘣𝘦𝘳𝘴𝘩𝘪𝘱 𝘪𝘴 𝘨𝘳𝘢𝘯𝘵𝘦𝘥 𝘳𝘢𝘳𝘦𝘭𝘺 𝘢𝘯𝘥 𝘪𝘴 𝘢𝘭𝘸𝘢𝘺𝘴 𝘢 𝘮𝘢𝘳𝘬 𝘰𝘧 𝘱𝘳𝘰𝘧𝘰𝘶𝘯𝘥 𝘳𝘦𝘴𝘱𝘦𝘤𝘵 𝘢𝘯𝘥 𝘢𝘱𝘱𝘳𝘦𝘤𝘪𝘢𝘵𝘪𝘰𝘯 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘈𝘶𝘴𝘵𝘳𝘢𝘭𝘪𝘢𝘯 𝘦𝘥𝘪𝘵𝘪𝘯𝘨 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺.

Image description: A circular photo of Phillippa Harvey in the centre, smiling. A black background with golden, geometric patterns. Bold gold text at the top reading: “LIFETIME MEMBER”. Below the photo, the text states Phillippa Harvey's name. Logos of "The Ellie Awards 2024" (Australian Screen Editors) at the bottom corner. The overall tone of the image is formal and celebratory.

01/12/2024

Accreditation Certificate presented by ASE Vice President Scott Walmsley

Congratulations Brad Hurt ASE

📸 Photography Julia Firak

Image description: A circular photo of Brad Hurt ASE in the centre, smiling and holding a certificate. A black background with golden, geometric patterns. Bold gold text at the top reading: “ASE Accreditation”. Below the photo, the text states Brad Hurt ASE's name in black and gold. Logo of "The Ellie Awards 2024" (Australian Screen Editors) at the bottom. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the Avid Award for Best Editing in Feature Drama is…
Andy Canny - Woman of the Hour

Avid

📸 Photography Julia Firak

Image description: A circular photo of a hand holding the award in the centre. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Andy Canny’s name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) and “AVID” are at the bottom corners. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the Audio Network Award for Best Editing in Documentary Feature is…
Matias Bolla and Zac Grant - This Is Going To Be Big

Audio Network

📸 Photography Julia Firak

Image description: A circular photo of Matias Bolla in the centre, smiling and holding two awards. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Matias Bolla's name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) and “Audio network” are at the bottom corners. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the Blue Post Award for Best Editing in a Drama is…
Deborah Peart ASE - The Lost Flowers of Alice Hart Part 1 Black Fire Orchid

Blue Post

📸 Photography Julia Firak

Image description: A circular photo of Deborah Peart ASE in the centre, smiling. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Deborah Peart ASE's name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) and “BLUE POST” are at the bottom corners. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the Eizo Award for Best Editing in Documentary or Documentary Series is…
Pete Ward - Pressure and Release

EIZO APAC

📸 Photography Julia Firak

Image description: A circular photo of Pete Ward in the centre, smiling. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Pete Ward's name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) and “EIZO” are at the bottom corners. The overall tone of the image is formal and celebratory.

30/11/2024

Accreditation Certificate presented by incoming ASE President Scott Walmsley

Congratulations David Scarborough ASE

📸 Photography Julia Firak

Image description: A circular photo of David Scarborough ASE in the centre, smiling and holding a certificate. A black background with golden, geometric patterns. Bold gold text at the top reading: “ASE Accreditation”. Below the photo, the text states David Scarborough ASE's name in black and gold. Logo of "The Ellie Awards 2024" (Australian Screen Editors) at the bottom. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the Adobe Award for Best Editing in Factual Entertainment is…
Nic Venettacci - Hunt For Truth - Tasmanian Tiger Episode 1: Tigermania

Adobe Adobe Creative Cloud

📸 Photography Julia Firak

Image description: A circular photo of Nic Venettacci in the centre, smiling. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Nic Venettacci's name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) and “Adobe” are at the bottom corners. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the ASE Award for Best Editing in Reality is…
Karen Crespo - Love Triangle Season 2 Episode 1

📸 Photography Julia Firak

Image description: A circular photo of Karen Crespo in the centre, smiling and holding an award. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Karen Crespo's name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) at the bottom corner. The overall tone of the image is formal and celebratory.

30/11/2024

The winner of the ASE Award for Best Editing in Children’s Entertainment is…
Josef Switak - Bluey: The Sign

📸 Photography Julia Firak

Image description: A circular photo of Josef Switak in the centre, smiling and holding an award. A black background with golden, geometric patterns. Bold gold text at the top reading: "WINNER”. Below the photo, the text states Josef Switak's name and the award details in black and gold. Logos of "The Ellie Awards 2024" (Australian Screen Editors) at the bottom corner. The overall tone of the image is formal and celebratory.

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Videos

🎉 What an incredible day at the festival! 🎬✨ If you missed it, here’s a highlight of the inaugural Cutting It Festival! 🎥 Huge thanks to AFTRS, our new Partner-level sponsor, for hosting us at their amazing venue. The day kicked off with a networking breakfast, courtesy of our other amazing Partner, Netflix! 🍽️ We then headed to the AFTRS theatre for some thought-provoking talks on: 🔹 Cutting it in the Streaming Age 🔹 Work-life Balance: Job Share 🔹 AI: The Disruptor 🔹 Writing Credits & Royalties for Editors 🔹 The Great Debate 🎤 Grateful for all the inspiring conversations and insights shared. 🙌 #ASEFestival #AFTRS #Netflix #StreamingAge #AI #Editors #FilmIndustry #WorkLifeBalance #CreativeCommunity #Cuttingitfestival

FINAL_FINAL_LOCKED Episode 3 Teaser

Got a run? A walk? A long drive planned this weekend? Check out one of our many episodes of FINAL_FINAL_LOCKED Here's a taste of Episode 3 between host Sally Fryer ASE and Sound designer Wayne Pashley talking about working on the film Elvis and the moment the decision was made to record all the live concerts!

ABC Series Editor Zoe Davis has a new show coming to ABC and iView. THE ART OF... is a brand new documentary arts series that endeavours to answer life's big questions through art. Catch "The Art of Heartbreak" tonight on ABC and future episodes weekly.

Is bringing a composer in early worth it or no..? Find out what Deborah Peart ASE has to say as she chats with host Sally Fryer ASE on V1 of Final_Final_Locked. You can listen to V1 here: https://podcasters.spotify.com/pod/show/final-final-locked Got 2c to add? We'd love to hear your POV! 🎬✨ #EditingMagic #SoundOfEditing #EditingJourney #SoundInfluence #BehindTheScenes #postproduction #editsuitestories #fixitinpost #videoeditor #composersinediting #postproductionpodcast #editingpodcast #podcast

Deborah Peart ASE talks with host Sally Fyer about if a typical day in the edit suite even exists.. 👀 An amazing interview (V1) with much more that you can listen to now via: https://podcasters.spotify.com/pod/show/final-final-locked 🎬✨ #EditingMagic #dayinthelife #EditingJourney #editsuite #BehindTheScenes #postproduction #editsuitestories #fixitinpost #videoeditor #postproductionpodcast #editingpodcast #podcast

A taste of the amazing interview between host Sally Fryer ASE and Gabe Dowrick. Gabe talks about the questions he asks before he starts editing. Listen Now, link in bio! Make sure you're up to date on the latest episodes of 'Final_Final_Locked' the Australian Screen Editors podcast. Please subscribe and share with friends in the post-production community. Listen now via the link: https://podcasters.spotify.com/pod/show/final-final-locked #podcast #filmeditor

Happy Timeline Tuesday! A short documentary edited by @Linda Ung about Sensory Overload now doing the festival route. Edited on DaVinci Resolve.

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