A podcast journey through the Disney animated classics. Hosted by Daniel Lammin, with new episodes every fortnight through SWITCH.
All archival material featured is property of the Walt Disney Company, unless otherwise stated.
Finally back behind the mic, recording the first interview for our upcoming season on the Disney Renaissance! It’s been a gigantic endeavour of research, writing and scheduling, and it’s all starting to come together. We’re still a little while away from a release date, but we can’t wait to share this incredible period of Disney feature animation with you.
It’s a holiday surprise! To celebrate the release of STRANGE WORLD on Disney+, we’ve added our Patreon episode of this terrific film to our main feed, along with ah update on how work on the next season is going. Check it out now, and be sure to watch this tremendous film streaming now!
We may be on a break between seasons, but we’re still releasing bonus episodes through Patreon! This month, Daniel and Alex do a deep dive into Ralph Bakshi’s flawed 1978 animated adaptation of THE LORD OF THE RINGS. Support us now at patreon.com/inkpaintpod
With our season on the Bronze Age complete, we're taking a break for a few months to get ready for our season on the Disney Renaissance. In the meantime, you can find previous episodes at http://inkandpaint.com.au and new ongoing bonus episodes on our Patreon at http://patreon.com/inkpaintpod
An enormous thank you to Dave Lee for joining us for our episode on OLIVER & COMPANY and sharing his passion and knowledge with us. You can find Dave's terrific work on at youtube.com/daveleedownunder, and listen to our latest episode now at inkandpaint.com.au
Disney launched an aggressive publicity campaign for OLIVER & COMPANY, including a gorgeous theatrical poster. Here is the hand-painted concept for the poster, created using a combination of cel line print and shading beneath. Learn more in our latest episode at inkandpaint.com.au
Here are some terrific examples of the work competed by the Ink and Paint department on OLIVER & COMPANY. The legendary department were in the process of shifting to vinyl paints, developing the formula to their high standards. Learn more in our latest episode at inkandpaint.com.au
These terrific photos from the recording sessions for OLIVER & COMPANY show music superstar Billy Joel recording his dialogue for Dodger with director George Scribner and story artist Mike Gabriel. Learn more in our latest episode at inkandpaint.com.au
Artist Mike Gabriel came into his own on OLIVER & COMPANY, overseeing story development and recording sessions. These terrific storyboards by Gabriel map our ideas for the film's terrific opening sequence. Learn more in our latest episode at inkandpaint.com.au
The idea for OLIVER & COMPANY originated from beloved Disney story artist Pete Young, pictured here centre with Ron Clements and Steve Hullett. His sudden and tragic death during development was a huge blow to the Disney family. Learn more in our latest episode at inkandpaint.com.au
These delightful story sketches show further story development on OLIVER & COMPANY. Though the film was based on Charles Dickens' OLIVER TWIST, the story team tried a number of ideas in their adaptation. Learn more in our latest episode at inkandpaint.com.au
These delightful story sketches show further story development on OLIVER & COMPANY. Though the film was based on Charles Dickens' OLIVER TWIST, the story team tried a number of ideas in their adaptation. Learn more in our latest episode at inkandpaint.com.au
One of the artists to work on the development of OLIVER & COMPANY was layout artist Al Wilson. These concept sketches show some of his early ideas for the film. Learn more in our latest episode at inkandpaint.com.au
The Bronze Age comes to an end! Daniel is joined by film and animation expert to look at the final film of the era OLIVER & COMPANY and its important place in Disney history. Listen now to the final episode of this season at inkandpaint.com.au
An enormous thank you to the incomparable Richard Watts for joining us on our second episode looking at THE BLACK CAULDRON. Follow him on Twitter to keep up-to-date with his incredible work for ArtsHub and 3RRR. Listen to Richard’s episode now at inkandpaint.com.au
In 1990, Disney attempted to salvage THE BLACK CAULDRON and recut it into a more family-friendly film. This new version, which would have been named TARAN & THE MAGIC CAULDRON after the European title, was never released. Learn more in our episodes on THE BLACK CAULDRON at inkandpaint.com.au
The film may have been a critical and financial disappointment, but the poster design for THE BLACK CAULDRON is one of the great Disney poster designs of the 1980's. Learn more in our episodes on the film at inkandpaint.con.au
Despite misgivings about the film, the publicity for THE BLACK CAULDRON tried to hide the internal conflicts over the film. This promotional photo features director Ted Berman, producer Joe Hale and director Richard Rich. Learn more in our episodes on THE BLACK CAULDRON at inkandpaint.com.au
In this behind-the-scenes photo from the making of THE BLACK CAULDRON, animator Phil Nibbelink holds a cel from his sequence of the Gwythaints attack on Hen Wen. Nibbelink would become instrumental in developing computer animation at Disney. Learn more in our episodes on THE BLACK CAULDRON at inkandpaint.com.au
Another legendary Disney artist who contributed early character designs for THE BLACK CAULDRON was Marc Davis, who had shifted from animation to imagineering. These are designs for the three witches of Morva. Learn more in our episode on THE BLACK CAULDRON at inkandpaint.com.au
Before joining the studio in the 1980, German-American animator Andreas Deja conceived of his own designs for THE BLACK CAULDRON for his portfolio, featured on his tremendous blog andreasdeja.blogspot.com. Learn more in our episode on THE BLACK CAULDRON at inkandpaint.com.au
The 1984 romantic comedy SPLASH! was the flagship release of Touchstone Pictures, the division of Disney created to release films for mature audiences. Listen to Daniel and Alex discuss the film in our latest Patreon episode and support the podcast at patreon.com/inkpaintpod
This month for our Patron bonus episode, voted on by our listeners, Daniel and Alex look into the 1984 romantic comedy SPLASH! and the creation of Touchstone Pictures. To listen and to support Ink & Paint, head to patreon.com/inkapaintpod
After years of waiting, SNOW WHITE AND THE SEVEN DWARFS finally made its VHS debut in 1994, the first of the Walt Disney Masterpiece line. Like FANTASIA, it was billed as the only home entertainment release planned for the film. Learn more in our latest In-Betweener at inkandpaint.com.au
Available for only 50 days, the VHS release of FANTASIA was a major event, presenting the restored 50th anniversary edition of the film on home video "for the first and last time". This poster is one of Walt Disney Home Video's finest. Learn more in our latest In-Betweener at inkandpaint.com.au
By the 1990 VHS release of PETER PAN, the Walt Disney Company had realised the value of VHS releases as a staple of American households. This advertisement demonstrates that shift in perception of these titles into important family heirlooms. Learn more in our latest In-Betweener at inkandpaint.com.au
After initial trepidation, CINDERELLA was finally released on home video in 1987, selling over 7 million copies in the six months of its release. Learn more in our latest In-Betweener at inkandpaint.com.au
This iconic advertising image, created for the theatrical re-release and the 1987 VHS release of LADY AND THE TRAMP, is a perfect example of the extra care and attention that went into the Walt Disney Classics VHS releases. Learn more in our latest In-Betweener at inkandpaint.com.au
The 1986 VHS release of SLEEPING BEAUTY was not only an enormous hit, but shifted public perception of the film from an empty bauble to a significant artistic achievement. Learn more in our latest In-Betweener on Walt Disney Home Video at inkandpaint.com.au
The success of PINOCCHIO on VHS promoted the Walt Disney Company to bring more of their "minor" classics to VHS, as seen in this advertisement promoting the release of DUMBO in 1985. Learn more in our latest In-Betweener at inkandpaint.com.au
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