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Trusty Chords, Melbourne (2025)

04/09/2025

Episode 68: Beepus Burdett, Colie Hutzler & Bardo Novotny – Beauty School Dropout

For the past five years now, Los Angeles has been home to the alt-rock/pop-punk outfit Beauty School Dropout.

Initially being formed as a solo project from Colie Hutzler while still performing as part of the group Strangefaces, the project soon expanded with the membership of Brent 'Beepus' Burdett and Bardo Novotny.

Swiftly, the group found themselves surrounded by a strong stable of supporters, including the likes of Blink-182's Mark Hoppus and Fall Out Boy's Pete Wentz, who cemented their belief in the group by signing them to the Verswire label.

In these past five years, it's been a dizzying rise to fame for the group. Alongside two albums – including 2022's 'We Made Plans & God Laughed' and 2023's 'Ready To Eat' – Beauty School Dropout have been touring relentlessly, playing with a list of bands that any music fan would give their right arm to support.

Today, the band release their third album, 'Where Did All The Butterflies Go?.' As you might expect, it's another solid piece of work, capturing their raw energy and inimitable ability to craft some amazing songs that will undoubtedly see them going far.

This week, I was lucky enough to have a brief chat with Beepus, Colie, and Bardo ahead of the new record, while they were out on tour. As a result, the audio quality is a bit rough at some points, but look, if you don't mind, then neither do I.

Anyway, have a listen to Beauty School Dropout's 'Where Did All The Butterflies Go?,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

01/09/2025

Bonus Episode 5: Bindi McCallum – Kurralta Park

If you've been listening to this podcast over the last year and a half, then you'd probably be aware of how much I love to shine a light on artists from Adelaide.

Maybe it's my biased nature due to being from Adelaide, or maybe there's something in the water there, but whatever the case, I reckon one Adelaide act you need to hear right now is none other than Kurralta Park.

Named for the Adelaide suburb of the same name, Kurralta Park are an impressive mix of indie-rock and emo that is wholly unique in the way that it captures emotion and filters it through a lens of true sincerity in how the music is crafted and performed.

Initially beginning as a solo project for Bindi McCallum, Kurralta Park has since expanded into a three-piece, and just a matter of days ago, they released their debut album, 'Powell Place.'

If you're someone who enjoys music with raw power, honest songwriting, and an impassioned delivery, then I think you need to find yourself listening to Kurralta Park right away.

This week, I was lucky enough to have a brief chat with Bindi about the project's launch and its journey to now.

Anyway, have a listen to Kurralta Park's 'Powell Place,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

28/08/2025

Episode 67: Sean Thompson – MUDRAT

If you're looking for an artist to give your attention to this year, I humbly and assertively request that it be Mudrat.

MUDRAT is a project that has been going officially since December 2023, with a string of releases arriving in that first year, including the likes of 'I HATE RICH C***S,' 'WE DESPISE THE BOURGEOISIE,' and 'YEAR OF THE RAT.'

Judging by the titles alone, you can probably ascertain that social justice is a key component to the MUDRAT experience, with tracks such as 'YOU DON'T CARE ABOUT POOR PEOPLE' helping to cement that notion.

Following an impressive rise to fame, including plenty of live shows and even a support for the likes of Denzel Curry, this month sees MUDRAT releasing the 'Social Cohesion' album. A brilliant and vital piece of music that speaks to contemporary topics ranging from Indigenous rights, race, social injustice, war, and myriad other matters, I'm of the belief it's one of the best Australian releases you will hear this year.

This week, I was lucky enough to be joined by Sean Thompson for a chat about the MUDRAT project, how it came to be, and the importance of speaking when you know your voice will add something to the wider conversation.

Anyway, have a listen to MUDRAT's 'Social Cohesion,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

21/08/2025

Episode 66: Anthony Gesa & Chris Teti – The World Is A Beautiful Place & I Am No Longer Afraid To Die

For over 15 years now, the worlds of emo, indie, and post-hardcore have been home to the ever-enjoyable The World Is A Beautiful Place & I Am No Longer Afraid To Die.

If you're anything like me, you might have been intrigued by the group's often unmanageable name, but once you checked them out, you were struck by their inimitable approach to music, with an expertly-crafted blending of power, emotion, and technical prowess.

An eclectic band whose surprises are as plentiful as their talents, they've undergone a number of lineup changes over the years, releasing myriad EPs and splits alongside a modest collection of albums.

Their fourth record, 'Illusory Walls,' arrived in 2021 and after four long years of waiting, fans have this week received a new LP by way of the brilliant 'Dreams Of Being Dust.'

As always, it's immersive and impactful, pairing raw emotion with blistering works of musical brilliance that leave you feeling a little bit stunned. In case you can't tell, I really liked this album.

This week, I was lucky enough to have a brief chat with guitarists Chris Teti and Anthony Gesa ahead of the new record's arrival.

Anyway, have a listen to The World Is A Beautiful Place & I Am No Longer Afraid To Die's 'Dreams Of Being Dust,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

14/08/2025

Episode 65: Cherie Currie – The Runaways

It's probably fair to say that the world of rock music wouldn't look how it does today without a band like The Runaways.

Formed in 1975, the group's all-female lineup was a breath of fresh air on the male-dominated scene, with debut single "Cherry Bomb" and their self-titled album arriving in 1976 to strong acclaim, despite not being a smash on the charts.

Ultimately, The Runaways only existed for a few short years, but their influence was immense, informing countless other bands in the genre, and serving as proof that the music scene need not be filled with the same male performers.

For half of The Runaways' life, vocalist Cherie Currie was up the front. Having joined the group at just 15, it was her iconic voice that helped lead the charge and cemented The Runaways' place in history.

But her career doesn't start and end with The Runaways, she's been a solo musician, an actress, and for the past 25 years, a chainsaw artist. To say she's a woman of many talents is putting it lightly.

This year, Cherie visits Australia for her second tour of the country, with this visit also set to be her last, having announced a decision to retire from the world of touring.

This week, I was lucky enough to have a brief chat with Cherie about her influence, legacy, and her upcoming tour.

Anyway, have a listen to The Runaways' brilliant discography, buy a ticket to Cherie's tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

07/08/2025

Episode 64: Davey Lane – You Am I

When you think about Australian music, it's a little hard not to think about Davey Lane. That might sound grandiose, but given he's spent more than 25 years as a guitarist for local legends You Am I, it's hard to classify him any other way.

Joining the already-established outfit at just the age of 18, Lane swiftly found himself as part of Aussie music royalty, eventually going on to be part of ARIA Award-winning releases and countless revered live shows.

He's also stretched his musical wings with his other band, The Pictures, and since 2013, he's been releasing solo gear as well. While last year's brilliantly-titled cover album, 'How To Make Davey, Vol. 1,' was one of my favourite records of 2024, this year, Lane is back with another album, this time called 'Finally, A Party Record.'

Feeling like a love letter to classic '70s rock, it's a testament to his anachronistic place within the world of Australian music, but for those listening close, it's not exactly a party record in the strictest sense. It's a little bit deep, it's a little bit powerful, and it's a great example of Lane's many and varied talents.

This week, I was lucky enough to have a brief chat with Davey Lane about his musical journey, and his latest record. Just a quick warning, Davey was out and about when we had the chat, so there's a couple of audio drop-outs here and there, but if you don't mind, then neither do I.

Anyway, have a listen to Davey Lane's 'Finally, A Party Record' when it arrives next week, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

24/07/2025

Episode 63: John Busby – Halfway

Hello and welcome to Trusty Chords, the podcast which aims to celebrate music and those that create it.

For the past 25 years, Brisbane's Halfway have operated as one of those well-kept secrets that often feels as though only a select few know about.

Of course, with ARIA, APRA, and AIR Award nominations (and a win the latter category), along with three Queensland Music Awards, it's fair to say that their reputation and creativity has managed to transcend the categorisation of well-kept secret and become one of those groups with a passionate fanbase.
Formed out of the likes of Queensland outfit St. Jude, Halfway emerged in 2000 and swiftly became a band who demanded your attention. With immersive musicianship and arresting songwriting, it didn't take long for their profile to grow and for the albums to emerge.

This year, Halfway returned with their first new album in three years, 'The Styx.' Once again, it's a stellar release from the sprawling outfit, with the record's lyrical themes serving as something of a concept album.

Along with repeated tales of characters often overlooked by the wider world, and a luscious musical backing, it's a record that I really recommend you spend some time with – both passively and actively, so as to get the full experience.

This week, I was lucky enough to chat with Halfway's John Busby about his musical journey, and the story of the group's latest record.

Anyway, have a listen to Halfway's 'The Styx,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

17/07/2025

Episode 62: Bryan Estepa

For a few decades now, one of Australia's greatest unsung musical heroes has been none other than Bryan Estepa .

Born in the Philippines before moving to Australia as a child, Bryan has had a storied career as a musician, performing in bands such as Swivel and Hazey Jane before turning his attention toward solo gear. That solo gear first took form under the moniker Adeline before he decided to use his real name around 20 years ago.

Since then, he's been a prolific artist, writing and recording frequently, and releasing myriad albums in recent decades.

For those playing at home, the last time Bryan released a full-length album was back in 2019, with 'Sometimes I Just Don't Know' arriving before an EP called 'Back To The Middle' in 2021. But fast-forward to this year, and Bryan is back with another record called 'I See It Now.'

It's an exceptional piece of work, drenched with clever songwriting, power-pop sensibilities, and an immense sense of passion. Truly, it's something worth your time.

I've been following Bryan for many years now, but this week, I was lucky enough to finally have a chat with the great man about his musical career and that new album of his.

Anyway, have a listen to Bryan Estepa's 'I See It Now,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

10/07/2025

Episode 61: Justin Burford – End Of Fashion

Cast your mind back 20 years and you might be taken right back to a moment in time where one of the most exciting Australian bands out there on the scene was none other than End Of Fashion.

Formed in Perth by Justin Burford, who was at the time a member of The Sleepy Jackson, End Of Fashion found itself slowly finding fame thanks to constant airplay on triple j, and by the time 2005 rolled around, the group were readying their debut album.

I can speak from experience when I tell you that it was pretty hard to ignore the stark black and yellow colour scheme of the band's debut album and singles, and equally hard was it to overlook singles such as 'O Yeah' and 'The Game.'

ARIA Award winners with loads of potential, End Of Fashion unveiled a few new albums over the coming years, but ultimately went a bit silent in the following years. However, there have been a few singles since 2020, and this year, the group will be putting out their self-titled debut on vinyl and hitting the road for a national headline tour.

Speaking as someone who actually saw End Of Fashion back in 2006 as part of my first 'real' concert experience, I can't tell you how excited this makes folks like myself.

As you might be able to gather by this point, I was lucky enough to be joined by the musical mastermind that is End Of Fashion's Justin Burford this week. And yes, I certainly did ask if he remembers that 2006 gig.

Anyway, have a listen to End Of Fashion's back catalogue (and their self-titled debut), buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

03/07/2025

Episode 60: Ashlea Jaye – Left On Seen

If you know me (or simply listen to the podcast – both are very good options), then you'd likely know how much I like to surround myself with musicians I both enjoy and respect. Frankly, with that in mind, I reckon you can't go past someone like Ashlea Jaye.

A lifelong lover of music and a self-described theatre kid, Ashlea has been a supporter of music for as long as I've known her. If you're from Adelaide, you might know her from her time hosting the Peripheral Noise show on Three D Radio, or you might know her from musical groups such as Twin Decoy or Left On Seen.

It's the latter which might jog your memory the most, with the duo (which also comprises Will Adam) releasing some stellar music in recent years. Whether it's the killer debut single "Life Support," their cover of SZA's "Kill Bill," or their brilliant 'Wilted' EP from this year, you can't go wrong.

Alongside that though, Ashlea is also a huge supporter and advocate for those with disabilities both in and out of the music scene. An AuDHD, disabled artist, creative, musician, singer, and writer who juggles so much in her day to day, the fact that July was Disability Pride Month felt like an immensely fitting time for us to speak.

Also, because it's the month in which Left On Seen will play a stellar hometown show as part of Fangz' album launch tour. It's also going to be a special one, but I'll let Ashlea tell you why that is…

Oh, in case you couldn't tell, Ashlea is my guest on this week's podcast! Needless to say, I'm always happy to use this podcast to showcase musicians who I call friends, and this was a great opportunity for Ashlea and myself to just nerd out for… a long time.

Anyway, have a listen to Left On Seen's back catalogue, buy a ticket to their upcoming show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

26/06/2025

Episode 59: Eliot Argus – Cardboard Cutouts

Ever since they released their debut single back in 2019, Queensland alt-rockers Cardboard Cutouts have been determined to keep themselves moving.

Whether it's trying new things on the writing or recording front, or simply looking towards myriad artists for inspiration, it's easy to see they're a group who aren't happy to stay in one lane.

Indeed, these past few years have seen the group slowly grow and evolve with each and every release, with EPs such as 'Weekends' and 'Patchwork' now giving way to their debut album, 'Politics & Footy Tips.'

An impressive piece of work for the group, it's a record built upon combined decades of musical appreciation, and clearly focused on the shuffle feature. With each and every track feeling like its own little world, so too does the music ebb and flow, showcasing their varying musical approaches and their associated talent.

What I'm trying to say is that it's a corker of a record that's worth your time.

This week, Eliot Argus of Cardboard Cutouts was kind enough to join me for a far-reaching chat where we discussed everything from rockabilly bands to Norwegian black metal (though the latter one might have been me).

Anyway, have a listen to Cardboard Cutouts' 'Politics & Footy Tips,' buy a ticket to their tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

19/06/2025

Episode 58: Josh Morris – The Electorate

For a few years now, the Australian music industry has been home to a band whose current iteration has roots spanning back decades.

In the early '90s, the Sydney scene featured an indie-rock trio dubbed The Templebears. Issuing three releases across as many years, the group never released a debut album, ultimately splitting around 1992.

Its members would soon find themselves playing in bands such as Big Heavy Stuff and Atticus, before eventually re-emerging as The Templebears around 15 years ago.

Fast-forward to 2019, and those same members were still playing together, but this time they'd adopted the name The Electorate to represent their new sonic focus. That trio would release their debut album, 'You Don't Have Time To Stay Lost', in 2020, and I highly recommend it if you've got the time.

Now in 2025, they're back once again with a second record, this time called 'By Design'. Like its predecessor, it's exceptional, with a bit of growth and musical evolution on display.

This week, I was lucky enough to chat to Josh Morris of The Electorate to discuss the band's history and its journey from conception to dissolution, and from reformation onwards to rebirth.

Anyway, have a listen to The Electorate's 'By Design', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

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